Brazilian Carlos Saldanha has become one of the most successful tellers of animated stories of all time, with credits including “Ice Age: The Meltdown,” “Ice Age: Dawn of the Dinosaurs,” “Rio” and “Rio 2,” while he co-directed “Ice Age” and “Robots.” He’s Blue Sky Animation Studio’s secret weapon, having unleashed a string of worldwide blockbusters that have grossed more than $3 billion.
Variety’s Creative Impact in Animation honoree’s got Oscar cred with a nom for 2003’s animated short “Gone Nutty,” and an exclusive deal at Fox, where his BottleCap Prods. calls home.
Growing up in Rio de Janeiro afforded Saldanha with a unique perspective of the world, and in particular, how it would come to shape his animation and filmmaking instincts and aesthetic. “I was always a film buff,” Saldanha recalls. “Movies were always very special to me, but I never knew how to accomplish my goals. ‘Blade Runner’ is my favorite film and I’ve seen it 20 times at least. I find it inspiring. So I went to college for computer science, but I was always very artistic. A friend showed me one of John Lasseter’s early CGI-animated shorts, and I was hooked, because this was how to bridge the elements together.”
The “Ice Age” series has cemented itself as one of the most popular in the medium, and Saldanha knows that he’s crossed over into something larger, capturing the imaginations of children (and adults) around the world, especially with the saber-toothed squirrel Scrat, which has become the official mascot of Blue Sky Studios.
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“When you’re a part of something that becomes that big for so many people, especially children, you can’t help but feel proud. Scrat was something unique to the creative process, in that he wasn’t originally defined in the script. He was an organic character who took shape as a result of creative group think. So it’s very special that he’s become so embraced, and it felt very natural for Scrat to become an integral part of Blue Sky,” Saldanha says. “We all loved those little noises he makes!”
Saldanha’s relationship with fellow filmmaker and Blue Sky honcho Chris Wedge has been instrumental to his career. “Chris is a visionary and working with him has been a tremendous experience,” Saldanha says. “We’re interested in telling relatable stories in an exciting and fresh way, and Chris brings a great attitude to the creative process.”
Following up the huge success of 2002’s “Ice Age” would prove to be interesting for Saldanha, who helped to craft 2005’s “Robots,” calling it a “transitional film for me, moving out of the ‘Ice Age’ world, and getting involved in something new. And that’s what we love to do, we love building worlds within our films. And with ‘Robots,’ we got to do something a bit unique with the characters and setting.”
The two “Rio” films clearly mean much to Saldanha, who says he was “thrilled to infuse my Brazilian heritage into the film, and it was a big goal for me to show the city of Rio de Janeiro in a very colorful and bright fashion. These were projects that were very close to me on a personal level, so to be able to craft them in the way that we did, it was a joyous experience. It was very important for worldwide audiences to embrace these films. I wanted to create a mood and tone with no boundaries and a free spirit approach to the storytelling. This was a true passion project.”
Saldanha’s newest project, the animated adventure “Ferdinand,” hits screens Dec. 15. It’s based on the classic children’s book “The Story of Ferdinand,” about a Spanish bull that would rather stop and smell the roses than participate in bullish activities. John Cena voices the title character, with Kate McKinnon, Gina Rodriguez and Daveed Diggs among the other voice-over artists.
“We’re currently halfway through animation and it’s coming along fantastic. We’re so thrilled for people to see it as we’re having so much fun working on this particular story,” Saldanha says. He adds there will be a “wonderful musical component to the film,” as he’s again collaborating with favored film composer John Powell. “We really wanted to capture the richness of Spain, with vibrant and bold colors, so that the audience can really feel the atmosphere. And with John doing the score again for us, we’ll have something really special for the audience. We extended the original book but we retained what’s essential to the core story of a big bull with a really big heart.”
Saldanha was also asked to participate in the 2014 anthology film “Rio, I Love You,” with other celebrated filmmakers including Jose Padilha, Fernando Meirelles, Paolo Sorrentino and Guillermo Arriaga. “I had such a great time doing my short for ‘Rio, I Love You,’ ” Saldanha says. “I did it to test the waters, and I’m excited about tackling a live-action project in the future. I’m not sure what it’ll be exactly, but I love to challenge myself and keep things fresh. But I’ll never leave animation behind. That’s where my heart is.”