×
You will be redirected back to your article in seconds

Michael Shannon Frontrunner to Play Cable in ‘Deadpool 2’

Michael Shannon is the frontrunner to play Cable in “Deadpool 2.”

While no deal is yet in place, Shannon has been the top choice for about a week. Fox, the studio handling the film, had no comment on the news.

An official release date for Ryan Reynolds’ sequel has not yet been announced. “John Wick” co-director David Leitch came on board to direct “Deadpool 2” last fall after Tim Miller dropped out due to creative differences with Reynolds.

The superhero sequel also recently cast “Atlanta” breakout Zazie Beetz as mutant mercenary Domino. Fox had announced at CinemaCon in April that Reynolds would be back, as well as Miller. “Deadpool” gave Fox its biggest hit of 2016 after opening on Valentine’s Day to $782.6 million worldwide, supplanting “The Matrix Reloaded” to become the highest-grossing R-rated film in history.

The casting of Cable, a.k.a. Nathan Summers, was one that had captivated fans’ attention. Cable and Deadpool were often paired together (albeit reluctantly) in the Marvel comics, and even had their own 50-issue series.

Cable’s involvement goes all the way back to the first “Deadpool,” where the foul-mouthed mercenary himself teased that he’d be in the sequel during the film’s post-credits scene. In the recent “Deadpool” scene that was shown ahead of “Logan” in theaters, a message written on a phonebooth read, “Nathan Summers cumming [yes, that’s the correct spelling] soon!”

Most of the creative team had been set to return for “Deadpool 2,” with Fox Film chief Stacey Snider also confirming at CinemaCon that screenwriters Rhett Reese and Paul Wernick would be back to handle script duties.

Shannon is one of Hollywood’s most versatile actors, with credits on “Man of Steel,” “Mud,” “Take Shelter,” “Frank & Lola,” “Machine Gun Preacher,” “The Iceman” and the recently completed Afghan war drama “Horse Soldiers.” He’s received Academy Award nominations for best supporting actor for “Revolutionary Road” and “Nocturnal Animals.”

More Film

  • Aladdin

    China Box Office: 'Aladdin' Opens on Top With $19 Million Weekend

    Disney’s “Aladdin” opened on top of the Chinese box office with a less than magical $18.7 million debut weekend. According to data from Artisan Gateway, the film beat previous chart winner “Detective Pikachu” which earned $7.5 million in its third weekend. That score advances the cumulative China total for “Pikachu” to $83.3 million. The Guy [...]

  • 'Nina Wu' Review: Stylish, Glitchy, Provocative

    Cannes Film Review: 'Nina Wu'

    “They don’t just want to take my body, they want to take my soul!” So runs the overripe line of dialogue that actress Nina Wu (Wu Kexi) has to repeat again and again in “Nina Wu,” the fascinating, glitchy, stylish, and troublesome new film from Taiwanese director Midi Z (“The Road to Mandalay”). Nina practices [...]

  • 'All About Yves" Review: Feeble French

    Cannes Film Review: 'All About Yves'

    Benoit Forgeard’s dorky “All About Yves,” bizarrely chosen as the closing film of 2019’s Directors’ Fortnight selection in Cannes, is literally about an intelligent refrigerator that ascends to Eurovision fame as a rapper. Imagine Spike Jonze’s “Her” played for the cheapest of laughs, shorn of atmosphere, and absent all melancholic insight into our relationship with [...]

  • 'The Bare Necessity' Review: Offbeat, Charming

    Cannes Film Review: 'The Bare Necessity'

    A perfectly charmant way to, as the song has it, forget about your worries and your strife for 100 airy minutes, writer-director Erwan le Duc’s “The Bare Necessity” is a breezy little sweetheart of a debut, that threatens to give the rather ominous description “quirky French romantic comedy” a good name. In its dappled countryside [...]

  • Adam

    Cannes Film Review: 'Adam'

    With her debut feature “Adam,” Maryam Touzani allows her audience to sit back and relax comfortably into a beautifully made, character-driven little gem that knows when and how to touch all the right buttons. Taking the stories of two women, both frozen in existential stasis, and bringing them together in a predictable yet deeply satisfying [...]

  • 'To Live to Sing' Review: A

    Cannes Film Review: 'To Live to Sing'

    After his taut, impressive debut “Old Stone” which tracked with nightmarish relentlessness the high cost of compassion in modern urban China, Canadian-Chinese director Johnny Ma loosens his grip a little to deliver a softer, if not necessarily less pessimistic examination of the failing fortunes of a regional Sichuan Opera troupe. “To Live to Sing” is [...]

  • Hugh Jackman Sings Happy Birthday to

    Hugh Jackman Leads Massive One-Man Show Crowd in 'Happy Birthday' for Ian McKellen

    Hugh Jackman may have had to skip Ian McKellen’s birthday party to perform his one-man show, “The Man, The Music, The Show,” but that didn’t mean he couldn’t celebrate his “X-Men” co-star’s 80th. Jackman took a moment at the Manchester Arena Saturday to lead the sold-out audience — some 50,000 strong — in a rendition [...]

More From Our Brands

Access exclusive content