×
You will be redirected back to your article in seconds

Box Office: ‘Dunkirk’ Beats Out ‘Emoji Movie,’ ‘Atomic Blonde’ to Repeat No. 1

An unlikely battle emerged at the box office this weekend between “The Emoji Movie” and “Dunkirk.” As of Saturday morning the animated feature and war epic seemed to be in a dead heat. But by Sunday morning, most of the dust had settled, and it appears “Dunkirk” will once again be the weekend’s first place film.

Christopher Nolan’s latest from Warner Bros. over-performed last weekend when it opened to over $50 million, showing that the director, combined with positive critical reception, still has a strong draw — even for a movie lacking movie star power, and at risk of being written off as yet another World War II movie. This time around it looks to take in $28.1 million from 3,748 locations, for a strong hold.

It’s the first time that a movie has been first place two weekends in a row since the same studio’s “Wonder Woman” in early June. Patty Jenkins’ movie has had a phenomenal run since, and is currently closing in on $400 million domestic (right now it’s at $395.4 million).

That means Sony’s “Emoji Movie” is in second for the weekend with $25.7 million from 4,075 locations. The animated adventure took a lot of heat from critics — reaction ranged from meh to horrible, earning its current Rotten Tomatoes score of 8%. Its B CinemaScore is also quite low for an animated movie, meaning audiences aren’t particularly enjoying the movie either.

T.J. Miller plays the central character, a “Meh” emoji who has “no filter,” meaning his expression can change. The same cannot be said for the rest of the cast, which includes James Corden, Anna Faris, Maya Rudolph, Christina Aguilera, and Sofia Vergara. Oh yeah, and Sir Patrick Stewart plays “Poop.”

“We’re thrilled,” said Sony’s marketing chief Josh Greenstein. “The audience has spoken and made the ‘Emoji Movie’ a family event.”

That leaves this week’s other major release, “Atomic Blonde” somewhat straggling. Focus Features and Sierra/Affinity is looking at a decent, but slightly below expectations launch for the Charlize Theron-starrer with $18.5 million from 3,304 locations. Earlier in the week “Blonde” was pegged at $20 million, but the opening weekend result is still solid considering its $30 million budget. It’s also one of the largest launches for Focus, behind only “Insidious Chapter 3” ($22.7 million); “London Has Fallen” ($21.6 million); and “Burn After Reading” ($19.1 million).

The R-rated spy thriller has been compared to a female “Bond” or “John Wick.” After all, it shares DNA with the latter in stuntman-turned-director David Leitch, who will next helm the “Deadpool” sequel. “Blonde’s” launch is bigger than the first “Wick,” which opened in Fall 2014 to $14.4 million, but less than its sequel ($30.4 million).

In “Blonde,” Theron plays a hardcore action star — the type of character that knocked out audiences in “Mad Max: Fury Road” — named Lorraine Broughton. The rest of the cast includes James McAvoy, John Goodman, and Sofia Boutella.

“We’re very happy with the opening. I feel this movie is going to have legs to it,” said Lisa Bunnell, distribution chief at Focus Features.

Bunnell also pointed to Focus’ commitment to putting women in and front and behind the camera with recent releases including “The Beguiled” and “The Zookeeper’s Wife.” “There’s always a thought process behind ‘Let’s see some diversity,'” she said. “This is definitely a movie where Charlize takes center stage … she can fight men, and she can beat men, so it’s a really empowering movie to go see.”

“Blonde” will land just below the summer comedy event that “Girls Trip” has become. Universal’s release is posting $20.1 million during its second weekend from 2,648 theaters, for only a 36% drop from last weekend. Conversely, EuropaCorp and STX’s “Valerian and the City of a Thousand Planets” flopped last weekend, and is falling off fast. This weekend, Luc Besson’s epic domestic dud should make $6.8 million from 3,553 locations. Sony’s “Spider-Man: Homecoming” is hanging in the top five with an additional $13.5 million this weekend.

An Inconvenient Sequel: Truth To Power,” the followup to 2006’s “An Inconvenient Truth” opened in limited release to the highest per screen average of the weekend. From four locations, the doc made $130,000, putting the breakdown at $32,500 per screen. Al Gore’s participation in Q&As at some of the LA screens probably didn’t hurt the draw.

And Annapurna showed Kathryn Bigelow’s “Detroit” at 20 locations before its wide rollout next weekend. From those theaters, the critically approved crime drama took in $365,455 for a per screen average of $18,273.

“We’re seeing that first and foremost, people are really into the movie,” said Annapurna’s distribution head Erik Lomis, who pointed to strong exit information, including 71% of the audience marked “definite recommend.” “It’s a Kathryn Bigelow film, so it’s for everybody,” he added.

To treat the bigger picture, this weekend is not good news for the summer box office overall, which is now 8.1% behind last year.

“We have been in a major struggle to compare favorably with last year’s summer season week after week and with yet another ‘down’ weekend on the books, the summer deficit just added another percentage point in the wrong direction,” said Paul Dergarabedian, senior media analyst at ComScore, who pointed out that this weekend’s crop could not compete with 2016’s “Jason Bourne” and “Bad Moms.” Looking ahead, the first weekend in August seems to signal even more gloom and doom, as several films will be measured up against “Suicide Squad’s” record breaking August 2016 tally.

More Film

  • Film Review: The Orphanage

    Cannes Film Review: 'The Orphanage'

    Amusing, at times poignant Bollywood re-creations are used in “The Orphanage” much as Afghan director Shahrbanoo Sadat mixed folklore with realism in her award-winning “Wolf and Sheep,” in both cases to add heightened levels of cultural significance and an element of fantasy as necessary correlatives to hardscrabble lives. While Sadat’s second feature is something of [...]

  • Three Identical Strangers

    Film News Roundup: 'Three Identical Strangers' Feature Adaptation Taps 'Bohemian Rhapsody' Writer

    In today’s film news roundup, “Three Identical Strangers” is moving ahead, Skeet Ulrich has been cast with Tom Hanks, the “Minions” sequel has been titled and “Vegas Dave” is getting a movie. MCCARTEN ATTACHED “Bohemian Rhapsody” screenwriter Anthony McCarten will write and produce the feature adaptation of the documentary “Three Identical Strangers.” Raw, Film4 and [...]

  • Bong Joon-ho, Choi Woo-shik. Director Bong

    Bong Joon-ho's 'Parasite' Earns Five-Minute Cannes Ovation

    Just days after the announcement of the selection of “Parasite” for main competition at the Cannes Film Festival, South Korean director Bong Joon-ho warned members of the local press not to expect his film to win the Palme d’Or. He also suggested that the film was “hyper local” and possibly difficult for foreign audiences to [...]

  • 'Parasite' Review: A Brilliant, Bleak Bong

    Cannes Film Review: 'Parasite'

    A laugh turns into a snarl which gets stuck in the throat like a sob — or an arrow through the neck — in Bong Joon-ho’s latest wild, wild ride, “Parasite.” On paper, that might not sound so very different from the experience of watching Bong’s “Snowpiercer,” “Memories of Murder” “The Host” or “Okja.” The [...]

  • 'Maradona' Director Asif Kapadia Talks About

    'Diego Maradona' Director Asif Kapadia Talks About His Cannes Doc

    Global sports icon and lauded soccer player Diego Maradona’s dramatic life intrigued Oscar and BAFTA winner director Asif Kapadia (“Amy,” “Senna”) while he was still in film school. “It had an incredibly strong backstory and extremes of good and dark,” he recalls. Fast-forward to more than 20 years later as his feature documentary, “Diego Maradona” [...]

  • the long walk

    Stephen King's 'The Long Walk' Film Taps 'Scary Stories to Tell' Director

    New Line has tapped André Øvredal to direct the feature adaptation of Stephen King’s dystopian thriller “The Long Walk.” Øvredal’s credits include mystery thriller “The Autopsy of Jane Doe” and the upcoming horror film “Scary Stories to Tell in the Dark,” co-written and produced by Guillermo del Toro and releasing on Aug. 9. James Vanderbilt [...]

More From Our Brands

Access exclusive content