“Annabelle: Creation” may not be able to save the summer — which, after this weekend, will only fall farther behind last year’s pace — but it is doing its part to frighten audiences into theaters.
The latest from New Line and Warner Bros, which serves as the fourth installment in what has become the “Conjuring” extended universe, is casting its evil eye on $35 million from 3,502 locations. That’s a strong start for the horror flick, which was made for about $15 million.
The track record for the franchise is strong — “Annabelle” ($37.1 million); “The Conjuring” ($41.9 million); and “The Conjuring 2” ($40.4 million). David F. Sandberg directed the sequel about a dollmaker whose creation terrorizes a group of orphan girls. For those invested in the “Conjuring” canon, it serves as a prequel to the first “Annabelle.” Stephanie Sigman, Talitha Bateman, Anthony LaPaglia, and Miranda Otto star in the pic that critics have generally given a thumbs up to (it currently has an 68% on Rotten Tomatoes).
“Annabelle is scary as hell,” said Jeff Goldstein, distribution chief at Warner Bros. “And it’s exciting to see how broadly audiences enjoyed it,” he said, adding, “I think our marketing team did a fabulous job.”
The same studio’s “Dunkirk” continues to show strong during its fourth weekend, as it holds onto second place. One of the lone bright spots in a generally dismal summer for the box office, Christopher Nolan’s World War II epic should make an additional $11.4 million this weekend, pushing its domestic total past the $150 million mark.
While it should land in the top three, Open Road’s sequel “Nut Job 2: Nutty by Nature” appears to be a miss. From 4,003 locations, the animated adventure should earn $8.9 million. That’s less than half of the first “Nut Job” movie, which opened to $19.4 million before going on to take in $120.9 million worldwide during its run. The sequel’s story centers around a group of animals who attempt to save their home from being bulldozed and turned into an amusement park.
After “Nut Job 2” is Sony’s “Dark Tower” which underperformed during its opening weekend, and continues to slide. With $7.9 million from 3,451 locations, the movie looks to slip 59% from its first frame. The same studio’s “Emoji Movie” is rounding out the top five with $6.6 million from 3,219 theaters, just ahead of Universal’s “Girls Trip” which is closing in on the $100 million milestone. That landmark was just met by Sony’s “Baby Driver,” which took in $1.5 million this weekend.
Meanwhile, Lionsgate’s new release “The Glass Castle” is pulling in $4.9 million from 1,461 locations. Those are meager earnings, but also a low theater count. The adaptation of Jeannette Walls’ hugely-popular 2005 memoir mostly appealed to women, who made up 80% of the audience. Audiences have been generally receptive, earning the movie an A- CinemaScore, while critics are more mixed (50% of RottenTomatoes). Brie Larson reunited with “Short Term 12” director Destin Daniel Cretton for the project, which also stars Naomi Watts and Woody Harrelson.
In limited release, Paramount’s “An Inconvenient Sequel” added 376 theaters this weekend for a total of 556 where it’s expected to make $800,000. TWC expanded Taylor Sheridan’s “Wind River” to 45 locations, where it is earning $642,067 — the studio plans to continue the film’s expansion to between 600 and 700 locations next weekend. Neon’s “Ingrid Goes West,” starring Aubrey Plaza and Elizabeth Olsen, should make $141,216 from just three locations. And A24’s Robert Pattinson-starrer “Good Time” is opening in four theaters to $137,625.
This time last year, “Suicide Squad” suffered a steep second weekend drop to $43.5 million. But that is still more than this weekend’s winner. And while Disney’s “Pete’s Dragon” faltered, Sony’s “Sausage Party” surprised with $34.3 million, or about the same as “Annabelle: Creation” this year. That is to say, the box office continues to slip behind. This summer is more than 12% behind 2016, according to data provided by ComScore, and more than 4% behind for the year. Indeed, the summer of hell is only getting hotter.