×
You will be redirected back to your article in seconds

SXSW Film Review: ‘Lake Bodom’

A fictional riff on an unsolved Finnish murder case includes a host of surprises in a smart genre package.

With:
Nelly Hirst-Gee, Mimosa Willamo, Mikael Gabriel, Santeri Helinheimo Mantyla.

Riffing on a notorious real-life Finnish multiple murder still unsolved almost six decades later, “Lake Bodom” is not so much a slasher film as a meta-slasher film, toying knowingly with genre conventions and touchstones. This handsomely crafted horror thriller doesn’t get as referential as something like “The Cabin in the Woods,” but it’s similarly inclined to pull the rug out from under its premise at midpoint, then spring additional surprises that are clever if not (for those inclined to scrutinize) necessarily credible. It’s a promising step toward an international audience for director/co-scenarist Taneli Mustonen, whose popular but lowbrow “Reunion” comedies were less export-friendly.

In June 1960, four young campers — two 15-year-old girls and their 18-year-old boyfriends — were found several hours after a brutal attack on the shore of the titular lake, outside Espoo. Three had been stabbed and bludgeoned to death; a fourth was left battered and traumatized, with no clear recollection of the attack. For years, police questioned numerous suspects (including, decades later, the surviving boy), but no one was convicted. The case retains an almost mythic fascination in Finnish culture.

So it’s not entirely unlikely that more than half a century later, our fictional protagonists should head to Lake Bodom in order to reconstruct the circumstances of the crime, and perhaps finally determine its perpetrator. Actually, that’s the agenda for only dweeby, bespectacled Atte (Santeri Helinheimo Mantyla), who’s somewhat obsessed with the murders. His reluctant (and perhaps only) friend, tattooed bad-boy Elias (Mikael Gabriel), is an adolescent horndog with different, predictable priorities. They’ve coaxed female besties Ida (Nelly Hirst-Gee) and Nora (Mimosa Willamo) into coming along. Ida is a baby-faced blonde naif desperate to escape her joyless home life under a fanatically religious patriarch, while the caustic, tomboyish Nora seems most interested in spending time with Ida.

After the girls realize they’re not heading to a cabin as promised — instead, like the original quartet, they’ll sleep in a tent on the lakefront — the high-schoolers get a little high and break into platonic pairs. A late-night bathroom break isolates them further from each other, and at this half-hour juncture the initial violence occurs.

Within 15 panicked minutes, the original tragedy has been all-too-fatally reenacted, to a degree, although whether the killer is an unseen intruder or one of the current party is a question answered by the film’s first significant upending of expectations. There’s another such fate awaiting the guilty parties, however, resulting in a hectic third act that carries echoes of “Wolf Creek,” recent Sundance breakout “Killing Ground,” and other screen tales of nocturnal road peril. (The film’s most slavish homage occurs in flashback, with a locker-room tracking shot that tips its hat to the shot near the start of DePalma’s “Carrie.”)

The twists in “Lake Bodom” are unpredictable enough that one can reasonably suspend the disbelief its increasing reliance on horror tropes requires. (Still, not everyone will feel charitable toward the most outrageous of them.) The screenplay by Mustonen and Aleksi Hyvarinen dexterously welds together conceits not usually seen in a single horror narrative, though their facility can’t fully hide the underlying pulp cliches — nor do the writers perhaps want to.

In any case, Mustonen’s direction lends the  enterprise considerable confidence and panache. This is a very good-looking film — Daniel Lindholm’s widescreen lensing particularly excels at eerie forest nightscapes and frequent sweeping aerial shots — paced with cruelly playful precision. Panu Aaltio’s impressive score moves beyond initial ’80s direct-to-video-horror synth cheese to more glacial Tangerine Dream-like sounds and other offbeat complements.

SXSW Film Review: 'Lake Bodom'

Reviewed online, San Francisco, March 12, 2017. (In SXSW Film Festival — Midnights.) Running time: 84 MIN. (Original title: “Bodom.”)

Production: (Finland) A Don Films presentation in association with Film Constellation, Future Film, Munchhausen Productions and Post Control Helsinki. (International sales: Film Constellation, London.) Producer: Aleksi Hyvarinen. Executive producers: Toni Valla, Taneli Mustonen, Joris van Wijk, Fabien Westerhoff. Co-producers: Mika Pajunen, Elina Litvinova.

Crew: Director: Taneli Mustonen. Screenplay: Mustonen, Aleksi Hyvarinen. Camera (color, widescreen, HD): Daniel Lindholm. Editor: Aleksi Raij. Music: Panu Aaltio.

With: Nelly Hirst-Gee, Mimosa Willamo, Mikael Gabriel, Santeri Helinheimo Mantyla.

More Film

  • WGA Agents Contract Tug of War

    Agents Accuse Writers Guild of Threatening to Throw 'Industry Into Chaos'

    UPDATE – The dealmakers appear to be getting nowhere. Negotiators for Hollywood agents and the Writers Guild of America have achieved little progress at their seventh session on Tuesday, with a chaotic scenario looming on April 7. “When Guild leadership is ready to move on from their declared threatening phase, we stand ready to work [...]

  • Zoe Lister-Jones The Craft

    'The Craft' Remake Finds Director in Zoe-Lister Jones

    “Life in Pieces” star Zoe Lister-Jones will write and direct Sony Pictures’ remake of “The Craft” for Blumhouse and Red Wagon Entertainment. Doug Wick, the producer of the original “The Craft,” will return in the same capacity along with partner Lucy Fisher through their Red Wagon banner. Jason Blum is also producing and his Blumhouse [...]

  • Carol Burnett

    Carol Burnett's Mother-Daughter Story 'Carrie and Me' in Development as a Movie

    Carol Burnett’s bestseller “Carrie and Me: A Mother-Daughter Love Story” is in the works as a movie at Focus Features with Burnett, Tina Fey, Eric Gurian, and Steven Rogers producing. Burnett will produce through her Mabel Cat Productions with Fey and Gurian under their production banner Little Stranger along with Rogers (“I, Tonya”). The sibling [...]

  • Contract Placeholder Business WGA ATA Agent

    Writers Guild Plans for Agency Pact Expiration: 'There Will Be Difficult Moments'

    Leaders of the Writers Guild of America have sent members contingency plans for the possible expiration of its agency franchise agreement on April 7 — and admitted that it may be a rocky road. Members received the letter Tuesday from the guild’s negotiating committee as the WGA and agents were about the hold their seventh [...]

  • Editorial use only. No book cover

    Entertainment One, Universal to Partner on Home Entertainment

    Entertainment One and Universal Pictures Home Entertainment have signed a multi-year, multi-territory distribution agreement. UPHE will serve as the home entertainment distributor of eOne’s offerings across both physical and digital formats. The pact covers film, television, and select family content and includes all sales, marketing, and distribution, spanning the U.S., Canada, U.K., Germany, Spain, Australia, [...]

  • Will Smith Jada Pinkett Smith

    AFI, Will and Jada Smith Family Foundation Launch Second Young Women in Film Intensive

    The AFI Conservatory and the Will & Jada Smith Family Foundation have partnered to launch the second annual Young Women in Film Intensive. The AFI Campus in Los Angeles will host 45 high school girls for an eight-week filmmaking workshop, where students will receive mentorship from current fellows and working professional alumni of the AFI [...]

More From Our Brands

Access exclusive content