×
You will be redirected back to your article in seconds

‘Loving Vincent’ Passes $20 Million at Worldwide Box Office

Theatrical earnings mark another prize for the Animated Feature Film Award winner at Saturday night’s European Film Awards

The winner at Saturday night’s European Film Awards of the best European Animated Feature Film Award, Dorota Kobiela and Hugh Welchman’s “Loving Vincent” has smashed past $20 million at the worldwide box office, an impressive and rare achievement for an independent animated art film.

Sold by Edward Noeltner’s Beverly Hills and Paris-based Cinema Management Group, and painted in Vincent van Gogh hallmark impasto style, “Loving Vincent” opened Friday in China to a first-day $1,040,000, ranking No. 5 at the Chinese box-office, via Bright East Films/China Film Group.

In further recent releases, the Poland-U.K. co-production bowed No. 6 in Colombia over Dec. 1-3 via Cine Colombia, clocking up $75,000 off some 30 prints.

With the final box office tally in China hard it call, “Loving Vincent’s” biggest result to date has come at the U.S./Canadian box office where “Loving Vincent” opened at the Lincoln Center on Sept. 22, in its first commercial bow and, following a national expansion, has hit $5.8 million after 11 weeks on release. Produced by the U.K. and Poland-based Academy Award winners BreakThru Films (“Peter and the Wolf”) in co-production with David Parfitt’s Trademark Films (“Shakespeare in Love”), “Loving Vincent” is handled in the U.S. and Canada by distributors Good Deed Entertainment and Mongrel Media.

In further standout results, South Korea’s First Run Pictures has scored $2.1 million and Italy’s Adler Entertainment $1.9 million, a near $1.3 million of that off a three-day event run from Oct. 16 as part of a Nexo Digital season of Great Art to Cinemas movies.

“Loving Vincent” has also performed particularly well in Poland – director Kobiela is also Polish – where it punched $1.5 million for Next Film, and in the Netherlands, earning $1.2 million for Benelux distributor Cineart, which reflects the huge fan base of the Dutch-born Van Gogh.

In a further $1 million-plus result, the U.K.’s Altitude Film Distributors has nursed “Loving Vincent” to $1.2 million from an Oct. 13 bow. Perhaps the most disappointing result to date has been in France, where animated art films can perform strongly while “Loving Vincent” has pulled in 103,000 admissions – about $800,000 – for TF1/La Belle Company off an Oct. 11 opening.

Results for independent animated movies of singular artistic style – and the Oscar-nominated “My Life as a Zucchini” is no exception – tend to vary immensely from territory to territory. “Loving Vincent’s” total box office of over $20 million, as its sales to 130 territories worldwide, remains a standout result for an animated art film, one which was near seven years in the making and made on a budget of just over $5.5 million. Box office of over $1 million plus in non-domestic territories is indeed now rare on any art films.

A murder mystery plumbing the circumstances surrounding Van Gogh’s death, “Loving Vincent” stars Douglas Booth, Jerome Flynn, Chris O’Dowd, Oscar nominee Saoirse Ronan and Eleanor Tomlinson. Scoring very largely bullish reviews – Variety’s extended review called “Loving Vincent” a “truly awe-inspiring portrait of the great Dutch artist” – the film still has to open in Germany and Spain of potential major markets in Europe. Results for Brazil still have to come in.

At Saturday’s European Film Awards, Welchman, in his acceptance speech, paid tribute to Van Gogh who lived and worked in the Netherlands, the U.K., Belgium and France and spoke and wrote Dutch, French and English fluently. He went on to say that “without open borders among our European nations, we could not have made this film” pointing out that the “Loving Vincent” recruited its 125 painters from all over Europe and beyond to hand paint the 65,000 frames of the animated feature in studios based in Gdansk, Wroclaw and Athens.

“Loving Vincent’s” European Films Awards win this weekend adds to 13 audience awards, including at France’s Annecy Festival, the biggest animation event in the world where the film world premiered in June. It has been nominated for the February 2018 45th Annie Awards in the categories of Best Independent Animated Feature, as well as Outstanding Achievement in Music in an animated feature film in both Music and Writing.

More Film

  • wanda Movie Metropolis Qingdao

    Why Simon West is Making Movies in China (EXCLUSIVE)

    British director Simon West (“Lara Croft: Tomb Raider,” “Con Air,” “The Expendables 2”) is set to further into the Middle Kingdom at the helm of his second Chinese action-adventure blockbuster. The Wanda-backed “The Legend Hunters,” hits theaters next summer. West was brought onto the project by veteran producer Eryong, who had approached him about a [...]

  • The Eight Hundred

    History Rethink Group Key to 'Eight Hundred' Shanghai Cancellation (EXCLUSIVE)

    Chinese authorities may have abruptly yanked Huayi Brothers’ $80 million patriotic war epic “The Eight Hundred” the day before its debut as the Shanghai Intl. Film Festival’s opening film because it didn’t portray rivals of the ruling Communist Party in a sufficiently negative light, local reports said. Huayi on Friday attributed the cancellation of its [...]

  • Simon West

    Simon West Directing Chinese Tomb-Raid Movie “Legend Hunters’ (EXCLUSIVE)

    The British director Simon West, who made Angelina Jolie-starring “Lara Croft: Tomb Raider,” is now co-directing a Chinese tomb-raiding film. “The Legend Hunters” is the next instalment in the “Mojin” universe based on the popular fantasy novel series “Ghost Blows Out the Light.” Backed by Wanda Pictures and Beijing-based Saints Entertainment, the film is set [...]

  • Emu Runner

    Sydney Film Review: 'Emu Runner'

    Writer-director Imogen Thomas’ debut feature “Emu Runner” has and probably will play in designated family-themed strands of film festivals, and given its story of a 9-year-old Aboriginal girl who deals with grief in the wake of her mother’s death by bonding with a lone female representative of Australia’s largest native bird species, this programming strategy [...]

  • Sophia Antipolis

    Locarno in Los Angeles Film Review: 'Sophia Antipolis'

    There are two Sophias in French director Virgil Vernier’s clever, cunning, chilling fifth feature. The first is its setting, the eponymous “Sophia Antipolis,” a technology park in the south of France, a place self-consciously designed as an experiment in social engineering, where an international community of professionals would, it was hoped, create an environment of [...]

  • I Lost My Body

    Netflix Pickup ‘I Lost My Body,’ ‘Buñuel,’ ‘Away’ Top Annecy Festival

    ANNECY, France  — Fulfilling expectations, Jeremy Clapin’s “I Lost My Body, the subject of one of the highest-profile Netflix deals at this year’s Cannes, won this Saturday the Annecy Festival’s top Cristal Award of best feature plus, in a relatively rare Annecy double whammy, the festival’s Audience Award. The first was expected, the second a [...]

More From Our Brands

Access exclusive content