You will be redirected back to your article in seconds

Busan: Director Kamila Andini on Balancing Motherhood and Filmmaking

When director Kamila Andini showcased her debut feature, “The Mirror Never Lies,” in Busan in 2011, she already mentioned that her second feature would be a story about children and nature. That story, “The Seen and Unseen, which screens in Busan’s A Window on Asian Cinema, took her six years to make. The filmmaker says that many things have changed in the meantime.

What took you so long to come back with a second full-length feature?

After “The Mirror,” I got married, had two kids and have been raising them. I wish I could find a better reason, but I think every woman-mother filmmaker must know how these things take time. Meanwhile, I managed to release two short films during pregnancy and breastfeeding. It was a “practice” to handle both roles in my life: mother and filmmaker.

How do you feel about coming back to Busan with a new feature film?

Mixed feelings. Of course it feels like going back home and I am excited to be back with a new feature; but at the same time, I am also attending the BIFF in memoriam of a person in Busan who has motivated me through the years to finish this film — the late Kim Ji-seok. That I cannot present this film to him is saddening, but I know for sure that he will always be there in spirit.

Unseen” was workshopped and funded by project markets and grants, and it ended up as a four-nation co-production. Where did this international, yet independent, journey take you?

With “Unseen” I wanted to celebrate independent filmmaking. I wanted freedom to produce, to tell a story, and to explore the idea visually. Also, this four-nation co-production was a new experience. It helped me understand how the international circuit works, and how cinematic diversity can be achieved by partnering; something that is difficult to pursue in Indonesia.

Do you have new projects under way?

Yes, I am currently developing a story about teen marriage in Indonesia. We are still looking for partners to join us, but I hope the process won’t be as long as the previous one.

More Film

  • Q&A With Juan Villegas on ‘Las

    Argentina’s Juan Villegas on ‘Las Vegas,’ Featuring at Cannes’ ACID

    CANNES – Buenos Aires’ director-producer Juan Villegas presented his debut “Saturday” at the Venice Festival and won awards at the Rotterdam and Sarajevo film festivals. “Suicidals” screened at San Sebastián. “Idleness,” his third feature, co-directed with Alejando Lingenti, screened at the Berinale. Produced by Salvador del Solar at Argentina’s Cepa Audiovisual and by Villegas’ production [...]

  • Aaron Taylor-Johnson and Kenneth Branagh

    Christopher Nolan's New Film Casts Aaron Taylor-Johnson and Kenneth Branagh

    Aaron Taylor-Johnson and Kenneth Branagh will appear in Christopher Nolan’s upcoming film, “Tenet.” Clémence Poésy, Dimple Kapadia, Michael Caine are also joining the cast that includes John David Washington, Elizabeth Debicki, and Robert Pattinson. “Tenet,” which is being filmed on location across seven countries, is an action epic evolving from the world of international espionage. [...]

  • Cannes Placeholder Red Carpet

    Eddie Peng, Ma Sichun Join Ann Hui's 'Love After Love'

    Eddie Peng (“Operation Mekong” “The Hidden Man”) will head the cast of “Love After Love” the new film by Hong Kong’s Ann Hui. He plays opposite Ma Sichun (“The Shadow Play,” “Soul Mate”). The picture, which started shooting on Wednesday in China, is the story of a young woman from Shanghai who travels to Hong [...]

  • 'Matthias & Maxime' Review: Xavier Dolan's

    Cannes Film Review: 'Matthias & Maxime'

    If there’s one term that Xavier Dolan probably never wants or needs to hear again, it’s “enfant terrible.” Irresistible to use when the Québécois auteur was 19, rattling out of the gate with his antsy, angry lash-out of a debut, “I Killed My Mother,” it’s followed him doggedly through a series of variously spiky, variably [...]

  • Cannes: Agoraphobia Drama '522' Sells to

    Cannes: Agoraphobia Comedy-Drama '522' Sells to South Korea (EXCLUSIVE)

    Media Luna New Films has sold South Korean rights for comedy-drama “522. A Cat, a Chinese Guy and My Father” to Laon-I at Cannes. The film tells the story of George, an agoraphobic young woman who can’t walk more than 522 steps from her home. One day, her cat forces her to embark on a [...]

  • Aladdin

    'Aladdin' to Soar Above Box Office Competition Over Memorial Day Weekend

    When Disney first released “Aladdin” in 1992, Bill Clinton was just settling in to the Oval Office, “Game of Thrones” wasn’t much more than a book idea percolating in the mind of author George R.R. Martin, and Johnny Carson was wrapping up his stint as “Tonight Show” host. In some ways, 2019 feels like a [...]

More From Our Brands

Access exclusive content