×
You will be redirected back to your article in seconds

Box Office: ‘Thor: Ragnarok’ Thunders to $56.6 Million Second Weekend

Showing plenty of staying power, Disney-Marvel’s “Thor: Ragnarok” is dominating the North American box office with $56.6 million at 4,080 locations in its second weekend.

The figure give the third Thor movie the 29th highest second weekend of all time and the fifth best of 2017. It also took in nearly the combined total of the two new titles — Paramount’s family comedy “Daddy’s Home 2,” with $30 million from 3,575 sites and Fox’s mystery “Murder on the Orient Express” with $28.2 million at 3,341 venues.

Thor: Ragnarok,” starring Chris Hemsworth and directed by Taika Waititi, declined 54% from its $122.7 million opening last weekend and is already the ninth highest domestic grosser of 2017 with $211.6 million in its first 10 days. It’s also been a stellar international performer with $438 million in less than three weeks — topping $650 million worldwide.

On Nov. 8, “Thor: Ragnarok” became the 12th consecutive Marvel Cinematic Universe film to top $500 million worldwide.

The movie has reversed a box office slump that persisted through October and left 2017’s overall domestic moviegoing down 5% from last year at $9.14 billion as of Sunday. With Warner Bros.’ “Justice League” opening next weekend, Disney-Pixar’s “Coco” on Nov. 22 and “Star Wars: The Last Jedi” launching on Dec. 15, the industry is now poised to end the year on an upbeat note. The overall weekend totaled about $148 million, down 6% from the same frame in 2016, according to comScore.

“Now it will take the dream team of ‘Justice League,’ ‘Coco’ and of course ‘The Last Jedi’ and a host of other films big and small to rally the industry toward a year end total that could rival last year’s record $11.4 billion,” said Paul Dergarabedian, senior media analyst at comScore.  “The clock is ticking and there’s not a lot of time left on the calendar to make up the difference.”

“Daddy’s Home 2” is performing at the high end of recent forecasts and is finishing about 23% below the original’s $38.7 million opening in 2015. Mark Wahlberg and Will Ferrell reprise their roles as fathers co-parenting the children of Wahlberg’s character who struggle to cope when their fathers, played by Mel Gibson and John Lithgow, arrive during the holiday season. The film carries a $70 million budget.
The original went on to gross $150 million domestically. Paramount’s distribution president Kyle Davies pointed to an A- CinemaScore as an indication that the “Daddy’s Home 2” is resonating with all demographics — and should perform well in coming weeks. “We are well-positioned heading into the holiday season with a movie for audiences from 8 to 80,” he added.

Murder on the Orient Express” has also launched above expectations. Kenneth Branagh stars as detective Hercule Poirot in the latest adaptation of Agatha Christie’s story of a murder mystery on a luxury train in the 1930s. The cast has plenty of star power with Johnny Depp, Josh Gad, Michelle Pfeiffer, Penelope Cruz, Willem Dafoe, “Hamilton’s” Leslie Odom Jr., and “Star Wars: The Force Awakens” actress Daisy Ridley.

“Murder on the Orient Express,” which has a $55 million budget, generated 51% of its audience from the over 35  demographic. Females represented 56% of the audience. The film also pulled in $45.8 million in 25,903 international screens, lifting its overseas total to $57.2 million.

STXfilms’ “A Bad Moms Christmas” finished fourth with $11.5 million at 3,615 locations in its second weekend, showing impressive holding power with a decline of only 31%. The film has grossed nearly $40 million  in its first 12 days.

Liosngate’s third weekend of “Jigsaw” finished fifth with $3.4 million at 2,651 sites, followed by its fourth weekend of “Tyler Perry’s Boo 2! A Madea Halloween” with $2.1 million at 1,900 venues. Warner’s fourth weekend of “Geostrom” followed in seventh with $1.5 million at 1,685 locations, lifting the 24-day total to a disappointing $31.6 million.

Warner’s sixth weekend of “Blade Runner 2049” finished in eighth with $1.4 million at 863 sites for a 38-day domestic total of $88 million. Universal’s fifth weekend of “Happy Death Day” followed with $1.4 million at 1,564 venues for a 31-day total of $55 million.

A24’s expansion of Greta Gerwig’s “Lady Bird” cracked the top 10 with $1.2 million on 37 screens for an impressive $33,776 per screen average. The comedy-drama posted the best 2017 platform opening last weekend with $364,437 at four sites.

Fox Searchlight’s platform release of “Three Billboards Outside Ebbing, Missouri,” starring Frances McDormand and Woody Harrelson, opened with a strong $320,000 at four locations — the second best limited launch of the year after “Lady Bird.” McDormand plays a small town mother taking on the local police force after her daughter’s rape and murder goes uninvestigated for several months.

 

 

More Film

  • Richard E. Grant, Bo Burnham Clean

    Richard E. Grant, 'Roma' Among Early Winners at 2019 Indie Spirit Awards

    Richard E. Grant, Bo Burnham and “Roma” were among the early winners at the 2019 Film Independent Spirit Awards, held Saturday on the beach in Santa Monica, Ca. Grant took the best supporting male prize for his role in “Can You Ever Forgive Me?”, about celebrity forger Lee Israel, edging out stiff competition in Adam [...]

  • 2019 Indie Spirit Awards Winners List

    2019 Indie Spirit Awards Winners: Complete List (Updating Live)

    The 2019 Independent Spirit Awards are taking place on a beach in Santa Monica, Calif., with “We the Animals” topping nominations with five. “Eighth Grade,” “First Reformed,” and “You Were Never Really Here” are up for four each. The Spirit Awards are chosen by the Film Independent’s 6200 members after an anonymous committee votes on nominations. [...]

  • Oscars Oscar Academy Awards Placeholder

    Hated It! How We Learned to Stop Worrying and Gripe About the Oscars

    Watching the Academy Awards telecast, then grousing about it the next day, has become a hipster parlor game — it’s what the Complete Oscar Experience now is. The complaints are legion, and we all know what they are, because we’ve all made them. The show was too long. The host bombed. His or her opening [...]

  • Boots Riley arrives at the 34th

    Boots Riley: Spike Lee Yelled at Me After 'BlacKkKlansman' Criticism, But We're Good Now

    “Sorry to Bother You” director and musician Boots Riley, who wrote a scathing criticism of Spike Lee’s “BlacKkKlansman” for its positive representation of law enforcement, said that he and the “Do the Right Thing” auteur are good now. But it took some time (and drama) to get there. Last year, Riley called Lee’s Oscar-nominated “BlacKkKlansman” [...]

  • Dr. Donald Shirley (Mahershala Ali, right)

    Read Variety's 1957 Review of 'Green Book' Pianist Don Shirley

    “Green Book” viewers who are not totally versed in the ways of ’50s and ’60s jazz may come away from the heavily Oscar-nominated movie wondering just how well known and respected the film’s central musical figure, Don Shirley (played by Mahershala Ali), really was in his heyday. The answer: revered enough to have picked up [...]

  • Editorial use onlyMandatory Credit: Photo by

    Steven Spielberg Remembers 'Friend and Early Mentor' Stanley Donen

    As news of the death of prolific director Stanley Donen spread Saturday, the industry was quick to remember the helmer of so many classic musicals. Donen directed such hits as “Singin’ in the Rain,” co-directed with and starring Gene Kelly; “Funny Face” with Audrey Hepburn; and “Charade,” with Hepburn and Cary Grant. “Stanley Donen was [...]

More From Our Brands

Access exclusive content