×
You will be redirected back to your article in seconds

Box Office: ‘King Arthur’ Stumbles With $1.2 Million on Thursday

All hail the king?

Warner Bros.’ pricey “King Arthur: Legend of the Sword” looks like the summer movie season’s first big flop. The medieval epic, with Charlie Hunnam and Guy Ritchie putting a bro-y twist on the oft-told tale of knights and their ladies fair, eked out $1.2 million in Thursday night pre-shows. That’s a weak showing for a film with a $175 million production budget. That doesn’t even take into account the tens of millions spent to market and distribute the action-adventure. Analysts expect the movie will earn $25 million this weekend. The studio will need foreign audiences to turn out in force if it wants to avoid a sea of red ink. It has been buoyed by the response so far in overseas markets like Indonesia. Village Roadshow and RatPac-Dune helped finance the picture.

Fox’ and Chernin Entertainment’s”Snatched” is also opening this weekend, earning $650,000. Goldie Hawn and Amy Schumer star in the comedy as a mother-and-daughter whose vacation ends in a kidnapping. The R-rated comedy cost $42 million to produce, and is expected to earn between $15 million to $17 million in its inaugural weekend. “Snatched” marks Hawn’s return to the big screen after a 15-year hiatus.

Ritchie scored with 2009’s “Sherlock Holmes” ($209 million domestic and $524 million worldwide) and its 2011 sequel, “A Game of Shadows” ($187 million and $545 million). But his stylish spy thriller, “The Man From U.N.C.L.E.” flopped when it debuted in 2015, losing an estimated $80 million. He’ll try to recapture his box office mojo with a live-action remake of Disney’s “Aladdin.” “King Arthur” did do better than “The Man From U.N.C.L.E.” in terms of its Thursday pre-shows — that film earned $900,000 en route to a $13.4 million debut.

Neither “Snatched” nor “King Arthur” scored with critics. In Variety, Peter Debruge dismissed Ritchie’s latest as “a loud, obnoxious parade of flashy set pieces,” while Owen Gleiberman said Schumer’s new comedy “earns too few laughs.”

With very little competition, Disney and Marvel’s “Guardians of the Galaxy Vol. 2” is widely expected to retain first place with roughly $60 million. The comic book adaptation has already earned more than $500 million globally.

More Film

  • EMMA APPLETON as FEEF SYMONDS

    'Traitors' Producer 42 Hires Literary Manager Eugenie Furniss

    Eugenie Furniss is joining London- and Los Angeles-based management and production company 42 as literary manager, it was announced Wednesday. The company’s slate include movie “Ironbark,” a Cold War thriller starring Benedict Cumberbatch, and TV series “Traitors,” a spy thriller coming to Netflix in the U.S. at the end of the month. Furniss joins 42 [...]

  • Brad Pitt Leonardo DiCaprio Once Upon

    Quentin Tarantino's 'Once Upon a Time in Hollywood' Trailer Drops

    The first trailer for Quentin Tarantino’s “Once Upon a Time in Hollywood” is finally here. The highly anticipated film, starring Brad Pitt and Leonardo DiCaprio, is set to be released on July 26. Tarantino, who wrote the script and will also direct and produce the movie, was inspired by his own upbringing in the midst [...]

  • One-Cut-Of-The-Dead-Review

    Japanese Sleeper Hit ‘One Cut of the Dead’ Heads for English Remake (EXCLUSIVE)

    “One Cut of the Dead,” a micro-budget horror film that last year defied the odds to become one of the biggest hits of the year in Japan, is headed for an English-language remake. Patrick Cunningham, a Japan-based American producer whose credits include “Martha Marcy May Marlene” and “Starlet,” is behind the venture. The original film, [...]

  • Come as You Are review

    SXSW Film Review: 'Come as You Are'

    The rare remake that’s actually a slight improvement on its predecessor, Richard Wong’s “Come as You Are” translates Geoffrey Enthoven’s 2011 Belgian “Hasta la Vista” to middle America. Other changes are less substantial, but this seriocomedy has a less formulaic feel than the original while remaining a crowd-pleasing buddy pic-caper with a soft-pedaled minority empowerment [...]

  • Strange Negotiations review

    SXSW Film Review: 'Strange Negotiations'

    In a era when some mainstream entertainers have transitioned to targeting faith-based audiences, David Bazan is moving in the other direction. The gifted songwriter’s ersatz band Pedro the Lion was perhaps the most successful Christian indie rock act of its time, and the first to significantly cross over to secular fans. Then he ditched that persona (and [...]

  • Bluebird review

    SXSW Film Review: ‘Bluebird’

    As affectionate as a love letter but as substantial as an infomercial, Brian Loschiavo’s “Bluebird” may be of most interest to casual and/or newly converted country music fans who have occasionally wondered about the songwriters behind the songs. There’s a better than even-money chance that anyone who’s a loyal and longtime aficionado of the musical [...]

  • ‘Wonder Park’ Tops Studios’ TV Ad

    ‘Wonder Park’ Tops Studios’ TV Ad Spending for the Fourth Week in a Row

    In this week’s edition of the Variety Movie Commercial Tracker, powered by the TV advertising attention analytics company iSpot.tv, Paramount Pictures claims the top spot in spending for the fourth week in row with “Wonder Park.” Ads placed for the animated film had an estimated media value of $5.18 million through Sunday for 1,718 national [...]

More From Our Brands

Access exclusive content