×
You will be redirected back to your article in seconds

Disney-Pixar’s ‘Coco’ Breaks Box Office Record in Mexico

Disney-Pixar’s animated family comedy “Coco” has set a box office record in Mexico, becoming the top film as measured in local currency.

Coco,” which premiered at the Morelia Film Festival, has taken in 824 million pesos — or $43.1 million — through its first 19 days and will pass the mark of 827 million pesos grossed by “The Avengers” during its entire run. The film debuted Oct. 27 — two days before the start of the three-day Dia De Los Muertos holiday and has held the top spot at the box office for its first three consecutive weeks.

“Coco” opens Nov. 22 in the U.S., followed by China on Nov. 23, and Russia on Nov. 24. The film is currently rated at 96% fresh on Rotten Tomatoes.

Lee Unkrich (“Toy Story 3”) directed and Adrian Molina (story artist on “Monsters University”) co-directed. The producer is Darla K. Anderson (“Toy Story 3”).

The central charcter is Miguel, a 12-year-old who dreams of becoming a musician and is voiced by Anthony Gonzalez. He meets a trickster named Hector (Gael García Bernal) and sets off to find out the real story behind Miguel’s family history in the Land of the Dead.

Other members of the voice cast include Ana Ofelia Murguía, Jaime Camil, Sofía Espinosa, Luis Valdez, Lombardo Boyar, Benjamin Bratt, Renée Victor, Edward James Olmos, Alanna Ubach, Selene Luna, Alfonso Arau, Herbert Siguenza, Octavio Solis, Gabriel Iglesias, Cheech Marin, and Blanca Araceli.

More Film

  • Aladdin

    China Box Office: 'Aladdin' Opens on Top With $19 Million Weekend

    Disney’s “Aladdin” opened on top of the Chinese box office with a less than magical $18.7 million debut weekend. According to data from Artisan Gateway, the film beat previous chart winner “Detective Pikachu” which earned $7.5 million in its third weekend. That score advances the cumulative China total for “Pikachu” to $83.3 million. The Guy [...]

  • 'Nina Wu' Review: Stylish, Glitchy, Provocative

    Cannes Film Review: 'Nina Wu'

    “They don’t just want to take my body, they want to take my soul!” So runs the overripe line of dialogue that actress Nina Wu (Wu Kexi) has to repeat again and again in “Nina Wu,” the fascinating, glitchy, stylish, and troublesome new film from Taiwanese director Midi Z (“The Road to Mandalay”). Nina practices [...]

  • 'All About Yves" Review: Feeble French

    Cannes Film Review: 'All About Yves'

    Benoit Forgeard’s dorky “All About Yves,” bizarrely chosen as the closing film of 2019’s Directors’ Fortnight selection in Cannes, is literally about an intelligent refrigerator that ascends to Eurovision fame as a rapper. Imagine Spike Jonze’s “Her” played for the cheapest of laughs, shorn of atmosphere, and absent all melancholic insight into our relationship with [...]

  • 'The Bare Necessity' Review: Offbeat, Charming

    Cannes Film Review: 'The Bare Necessity'

    A perfectly charmant way to, as the song has it, forget about your worries and your strife for 100 airy minutes, writer-director Erwan le Duc’s “The Bare Necessity” is a breezy little sweetheart of a debut, that threatens to give the rather ominous description “quirky French romantic comedy” a good name. In its dappled countryside [...]

  • Adam

    Cannes Film Review: 'Adam'

    With her debut feature “Adam,” Maryam Touzani allows her audience to sit back and relax comfortably into a beautifully made, character-driven little gem that knows when and how to touch all the right buttons. Taking the stories of two women, both frozen in existential stasis, and bringing them together in a predictable yet deeply satisfying [...]

  • 'To Live to Sing' Review: A

    Cannes Film Review: 'To Live to Sing'

    After his taut, impressive debut “Old Stone” which tracked with nightmarish relentlessness the high cost of compassion in modern urban China, Canadian-Chinese director Johnny Ma loosens his grip a little to deliver a softer, if not necessarily less pessimistic examination of the failing fortunes of a regional Sichuan Opera troupe. “To Live to Sing” is [...]

  • Hugh Jackman Sings Happy Birthday to

    Hugh Jackman Leads Massive One-Man Show Crowd in 'Happy Birthday' for Ian McKellen

    Hugh Jackman may have had to skip Ian McKellen’s birthday party to perform his one-man show, “The Man, The Music, The Show,” but that didn’t mean he couldn’t celebrate his “X-Men” co-star’s 80th. Jackman took a moment at the Manchester Arena Saturday to lead the sold-out audience — some 50,000 strong — in a rendition [...]

More From Our Brands

Access exclusive content