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 Enyedi, Kaurismaki, Ostlund, Zvyagintsev, Campillo Snag European Film Academy Best Picture Noms

Five major art movies vie for the top plaudit at Europe’s equivalent of the Oscars

MADRID — In a smackdown between five of Europe’s highest-profile — 2017 art films, all already top winners at the Berlin or Cannes festivals, Robin Campillo’s “BPM (Beats Per Minute)” and Alexey Zvyagintsev’s “Loveless” will face off against Ildiko Enyedi’s “On Body and Soul,” Ruben Ostlund’s “The Square” and Aki Kaurismaki’s “The Other Side of Hope” for best picture at this year’s European Film Awards.

Yorgos Lanthimos’ “The Killing of a Sacred Deer” has been passed over for best picture, but scored nominations for director, actor (Colin Farrell) and screenwriter (Lanthimos, Efthymis Filippou).

With French legend Jean-Louis Trintignant, nominated for “Happy End,” Farrell is the best known of lead actor nominees. They face off against Nahuel Pérez Biscayart (“BPM”), Claes Bang (“The Square”) and Josef Hader (“Farewell to Europe”).

Two French stars, Isabelle Huppert (“Happy End”) and Juliette Binoche (“For Bright Sunshine In”), will vie for the lead actress award with newer European talents such as Florence Pugh, who toplines British film “Lady Macbeth,” Paula Beer (“Frantz”) and Alexandra Borbely (“On Body and Soul”).

Echoing big prizes at Berlin and Cannes, the European Film Awards nominations can be said to give further profile to titles which, even with a Palme d’Or (“The Square”) or Berlin Golden Bear (“On Body and Soul”), will still struggle to gain large cinema audiences across Europe and beyond.

The repetition also reflects, however, a major paradox of Europe’s film scene. The continent doesn’t make the biggest films in the world, but it plays host to three of its biggest festivals — Berlin, Cannes, Venice — whose competitions are packed by big art films: Exactly the same kind of titles the European Film Academy’s members tend most years to gravitate towards.

Other EFA categories offer larger discoveries. Short lists include, for example, the European Discovery-Prix Fipresci for up-and-coming directors, with standout titles such as William Oldroyd’s first feature, “Lady Macbeth,” who made waves at the Toronto Film Festival last year; Hubert Charuel’s feature debut “Bloody Milk,” a solemn take on rural life, and Carla Simon’s childhood drama “Summer 1993,” Spain’s Oscars entry.

“Austerlitz,” Sergei Loznitsa’s Holocaust tourism study; “Communion,” by Poland’s Anna Zamecka, about the burden of premature adult responsibilities forced on children by childish adults; and Lucija Stojevic’s “La Chana,” a Spain-Iceland-U.S. co-production about a self-taught flamenco dancer, all figure in the short-list for best documentary.

The EFA nominations were announced Saturday at Spain’s Seville European Film Fest. The 30th European Film Awards ceremony takes place Dec. 9 in Berlin.

John Hopewell contributed to this report.



“BPM (Beats per Minute),” (Robin Campillo, France)

“Loveless,” (Andrey Zvyagintsev, Russia, Belgium, Germany, France)

“On Body and Soul,” (Ildiko Enyedi, Hungary)

“The Other Side of Hope,” (Aki Kaurismaki, Finland, Germany)

“The Square,” (Ruben Ostlund, Sweden, Germany, France, Denmark)


Ildiko Enyedi, (“On Body and Soul”)

Aki Kaurismaki, (“The Other Side of Hope”)

Yorgos Lanthimos, (“The Killing of a Sacred Deer”)

Ruben Ostlund, (“The Square”)

Andrey Zvyagintsev, (“Loveless”)


Claes Bang, (“The Square”)

Colin Farrell, (“The Killing of a Sacred Deer”)

Josef Hader, (“Farewell to Europe”)

Nahuel Pérez Biscayart, (“BPM (Beats per Minute)”)

Jean-Louis Trintignant, (“Happy End”)


Paula Beer, (“Frantz”)

Juliette Binoche, (“Bright Sunshine In”)

Alexandra Borbely, (“On Body and Soul”)

Isabelle Huppert, (“Happy End”)

Florence Pugh, (“Lady Macbeth”)


Ildiko Enyedi, (“On Body and Soul”)

Yorgos Lanthimos and Efthimis Filippou, (“The Killing of a Sacred Deer”)

Ruben Ostlund, (“The Square”)

Oleg Negin and Andrey Zvyagintsev, (“Loveless”)

François Ozon, “Frantz”)


“Austerlitz,” (Sergei Loznitsa, Germany)

“Communion,” (Anna Zamecka, Poland)

“La Chana,” (Lucija Stojevic, Spain, Iceland, U.S.)

“Stranger in Paradise,” (Guido Hendrikx, Netherlands)

“The Good Postman,” (Tonislav Hristov, Finland, Bulgaria)


“Ethel & Ernest,” (Roger Mainwood, U.K., Luxembourg)

“Louise by the Shore,” (Jean-François Laguionie, France, Canada)

“Loving Vincent,” (Dorota Kobiela, Hugh Welchman, Poland, U.K.)

“Zombillenium,” (Arthur de Pins , Alexis Ducord, France, Belgium)


“King of the Belgians,” (Jessica Woodworth, Peter Brosens, Belgium, The Netherlands, Bulgaria)

“The Square,” (Ruben Ostlund, Sweden, Germany, France, Denmark)

“Vincent and the End of the World,” (Christophe van Rompaey, Belgium, France)

“Welcome to Germany,” (Simon Verhoeven, Germany)

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