×
You will be redirected back to your article in seconds

Indonesia’s ‘The Seen and Unseen,’ ‘Marlina’ Share Tokyo FILMeX Grand Prize

Two films that play this week at the Singapore International Film Festival, Kamila Andini ‘s “The Seen and Unseen,” and Mouly Surya’s “Marlina the Murderer in Four Acts” split the Grand Prize at Tokyo FILMeX.

FILMeX unspooled at venues in Tokyo Nov. 18-26 and gave its prizes on Saturday.

Both winning directors are Indonesian women whose films have traveled the international festival circuit. “Seen,” a drama that enters a child’s dream world, has played at Vancouver, Toronto and Busan, while “Marlina” debuted in this year’s Cannes Directors’ Fortnight.

The FILMeX audience award went to “Sennan Asbestos Disaster,” veteran documentarian Kazuo Hara’s film about a lawsuit filed by victims of asbestos poisoning in Osaka. Eight years in the making, the 215-minute film earlier played at the Yamagata documentary festival in October. Hara also served as Filmex jury chairman, a fact he jokingly alluded to in accepting the award.

In addition to its competition section this year’s FILMeX presented a retrospective dedicated to Jacques Tourneur. Among its special screenings was a feature version of “Tokyo Vampire Hotel,” cult favorite Sion Sono’s Amazon Prime series, about two vampire families battling for supremacy in a post-apocalyptic world.

More Film

  • RUDOLF NUREYEV 1961

    Film Review: 'Nureyev'

    It would be absurd to say that Rudolf Nureyev lived, or danced, in anyone’s shadow. He was a man who leapt and twirled and flew onstage, all muscle but light as a feather, with a freedom and force that reconfigured the human spirit. There’s no denying, though, that over the last few decades, and especially [...]

  • Die Kinder Der Toten review

    Film Review: 'Die Kinder Der Toten'

    The hills are alive (or rather, undead), with the sound of music (also mastication and the moaning of zombies) in Kelly Copper and Pavol Liska’s experimental, dialogue-free, home-movie-style riff on Elfriede Jelinek’s “Die Kinder Der Toten” (The Children of the Dead). A seminal text in Jelinek’s native Austria, the 1995 book has never been translated [...]

  • Idol review

    Film Review: 'Idol'

    How many twists can a plot undergo before it snaps? This, more than any of the many political, moral and personal conundrums that snake through “Idol,” seems to be the question writer-director Lee Su-jin is most interested in posing with his extravagantly incomprehensible sophomore feature. A seedy political thriller by way of grisly revenge movie [...]

  • The Last to See Them review

    Film Review: 'The Last to See Them'

    Truman Capote’s “In Cold Blood” stretches long as a late-evening shadow over Italian director Sara Summa’s feature debut “The Last to See Them.” The Italian title, “Gli Ultimi Viderli Vivere” which translates literally to “The Last to See Them Alive,” is also the heading of the opening chapter of Capote’s book. The setting is, similarly, [...]

  • Kalank

    Film Review: ‘Kalank’

    Events leading to the 1947 Partition of India serve as the forebodingly serious backdrop for the exhaustingly overextended razzmatazz of “Kalank,” writer-director Abhishek Varman’s lavish but ponderous Bollywood extravaganza, which opened in the U.S. on more than 300 screens the same day as its Indian release. Despite the preponderance of sets and costumes spectacular enough [...]

  • WGA Agency Packaging Fight Placeholder Writer

    WGA: 92 Percent of Writers Who Signed Statement of Support Have Fired Agents

    The Writers Guild of America estimated that over 92 percent of their members who support a new code of conduct for talent agencies have fired those representatives. Letters announcing formal termination will be delivered on Monday, the guild said in a late-hitting memo on Thursday, as most agencies will be closed tomorrow in observance of [...]

More From Our Brands

Access exclusive content