×
You will be redirected back to your article in seconds

Roku Files for IPO, Plans to Raise $100 Million

Streaming device maker Roku filed for an initial public offering (IPO) Friday afternoon, telling the SEC that it intends to raise as much as $100 million in the process.

The company plans to enlist on NASDAQ under the “ROKU” stock ticker, and Morgan Stanley, Citigroup, and Allen & Co. are listed as underwriters for the public offering.

The filing doesn’t come as a complete surprise; the Wall Street Journal had reported in July that the company had started to hire underwriters for such a move.

The S1 filing with the SEC nonetheless does offer a number of new insights into the company’s business. According to the filing, Roku generated $199.7 million in revenue during the first half of this year, up 23% from $162.3 million during the same time last year. However, Roku is not profitable. Net loss during those first six months was $24.2 million.

Roku began selling streaming devices in 2008, and has since branched out to also provide its operating system to TV manufacturers and pay TV operators. In addition, the company began to build out its own advertising business, which has grown rapidly and is getting closer to becoming the primary revenue driver for the company.

During the first six months of this year, 59% of Roku’s revenue came from the sale of streaming devices, 41% from what the company calls its platform business. This includes ad sales on advertising-supported channels, but also licensing fees, fees for placement in the Roku channel store and more. This platform biz grew 91% year-over-year.

Here are some other noteworthy stats from Roku’s S-1 filing:

— Roku ended June with 15.1 million active accounts. Those accounts stream an average of 3 hours per day.

— Roku users have streamed a total of 27.7 billion hours of audio and video content since the launch of the first Roku streaming device in 2008.

— Roku’s average revenue per user is $11.22.

— During the first half of this year, consumers streamed some 2.9 billion hours of ad-supported content on Roku — an important metric in light of Roku’s growing ad business.

— Roku spent $48 million on research and development during the first six months of this year, which is almost as much as it spent during all of 2015 ($50.5 million). Also, $10 million more that during first half of last year.

— Marketing expenses on the other hand are more or less flat on a year-over-year basis ($28.7 million vs. $26.2 million).

— One-third of all content streamed on Roku is coming from Netflix, a source that the company can’t monetize.

— The biggest ad-supported channel on Roku is YouTube, a service that also sin’t sharing any revenue with Roku.

— Roku employed a total of 696 people at the end of June.

Popular on Variety

More Digital

  • MINDHUNTER

    Netflix's Podcast Slate 'Deepens' Space Around Original Content, Programmers Say

    It should come as no surprise that, in its quest to become a full-blown entertainment ecosystem, Netflix has built a roster of podcast programming to complement its scores or original series and films. The programs recruit top talent and hosts to hang out and talk about the streaming giant’s TV and film content. It’s a [...]

  • Netflix-logo-N-icon

    Netflix Is Testing Human-Curated 'Collections'

    Netflix, a company powered by the strategic use of data, relies on artificial intelligence to suggest new content that its streaming customers are likely to be interested in. Now it’s looking to potentially add a human touch: The company has launched a limited-scale test of “Collections,” a new feature that presents groups of movies and [...]

  • wolves in the walls emmy

    Neil Gaiman VR Experience 'Wolves in the Walls' Wins Primetime Emmy

    “Wolves in the Walls,” the virtual reality (VR) experience based on Neil Gaiman’s children’s book by the same name, has been awarded with a Primetime Emmy for outstanding innovation in interactive media. The experience has been produced by San Francisco-based immersive entertainment startup Fable, which puts a big effort on making the viewer a participating [...]

  • The Void San Francisco

    The Void Teams Up With Sony Pictures for New Location-Based VR Experience

    James Murdoch-backed virtual reality (VR) startup The Void has teamed up with Sony Pictures Virtual reality to produce a new location-based VR experience, according to Curtis Hickman, the startup’s chief creative officer. Hickman revealed the partnership in a conversation with Variety this week, during which he also outlined plans to bring more original IP to [...]

  • US President Donald J. Trump speaks

    Apple Stock Down 4.6% After Trump ‘Orders’ Companies to Leave China

    Apple’s share price was down around 4.6% Friday at the close of the market, to $202.64 per share, after President Trump took to Twitter to “order” U.S. companies to leave China. The slide came amid a market-wide sell-off, with the NASDAQ sliding 3%, and the Dow dropping 623 points. Trump’s edict was a response to [...]

  • Former head of CAA China Peter

    Peter Loehr to Spearhead Asia Expansion of Genies Avatar Venture (EXCLUSIVE)

    Peter Loehr, the former head of CAA in China, and seasoned music executive John Possman have been tapped by digital avatar company Genies to lead its expansion into Asia. The company’s proprietary avatar technology allows users to express ideas, thoughts and feelings in a different way from text, audio and video. Within the app and [...]

More From Our Brands

Access exclusive content