You will be redirected back to your article in seconds

‘Rogue One,’ ‘Doctor Strange,’ ‘Westworld’ Land Cinema Audio Society Nominations

The Cinema Audio Society has announced nominations for excellence in sound mixing in film and television categories.

Film contenders include “Doctor Strange,” “Hacksaw Ridge,” “Rogue One: A Star Wars Story,” “Kubo and the Two Strings” and “O.J.: Made in America.”

On the TV side, series like “Game of Thrones,” “Mr. Robot,” “Westworld” and “Black-ish” were recognized, along with miniseries such as “The Night Manager” and “The People v. O.J. Simpson: American Crime Story.”

Full list of nominees below. Winners will be announced at the 53rd annual CAS Awards on Saturday, Feb. 18.


Doctor Strange
Production Mixer: John Midgley, CAS
Re-recording Mixer: Tom Johnson
Re-recording Mixer: Juan Peralta
Scoring Mixer: Peter Cobbin
ADR Mixer: Doc Kane, CAS
Foley Mixer: Scott Curtis

Hacksaw Ridge
Production Mixer: Peter Grace
Re-recording Mixer: Kevin O’Connell, CAS
Re-recording Mixer: Andy Wright
Re-recording Mixer: Robert Mackenzie
Scoring Mixer: Daniel Kresco
ADR Mixer: Diego Ruiz
Foley Mixer: Alex Francis

“La La Land”
Production Mixer: Steven Morrow, CAS
Re-recording Mixer: Andy Nelson, CAS
Re-recording Mixer: Ai-Ling Lee
Scoring Mixer: Nicholai Baxter
ADR Mixer: David Betancourt
Foley Mixer: James Ashwill

Rogue One: A Star Wars Story
Production Mixer: Stuart Wilson
Re-recording Mixer: Christopher Scarabosio
Re-recording Mixer: David Parker
Scoring Mixer: Joel Iwataki
ADR Mixer: Nick Cray
Foley Mixer: Frank Rinella

Production Mixer: Jose Antonio Garcia
Re-recording Mixer: John Reitz
Re-recording Mixer: Tom Ozanich
Scoring Mixer: Bobby Fernandez
ADR Mixer: Thomas J. O’Connell
Foley Mixer: James Ashwill


“Finding Dory”
Original Dialogue Mixer: Doc Kane, CAS
Re-recording Mixer: Nathan Nance
Re-recording Mixer: Michael Semanick, CAS
Scoring Mixer: Thomas Vicari, CAS
Foley Mixer: Scott Curtis

“Kubo and the Two Strings”
Original Dialogue Mixer: Carlos Sotolongo
Re-recording Mixer: Tim Chau
Re-recording Mixer: Tim LeBlanc
Scoring Mixer: Nick Wollage
Foley Mixer: Darrin Mann

Original Dialogue Mixer: Paul McGrath
Re-recording Mixer: David E. Fluhr, CAS
Re-recording Mixer: Gabriel Guy, CAS
Scoring Mixer: David Boucher
Foley Mixer: Scott Curtis

“The Secret Life of Pets”
Original Dialogue Mixer: Carlos Sotolongo
Re-recording Mixer: Gary A. Rizzo, CAS
Re-recording Mixer: David Accord
Scoring Mixer: Frank Wolf
Foley Mixer: Jason Butler

Original Dialogue Mixer: Paul McGrath
Re-recording Mixer: David E. Fluhr, CAS
Re-recording Mixer: Gabriel Guy, CAS
Scoring Mixer: Joel Iwataki
Foley Mixer: Scott Curtis


Re-recording Mixer: Jeffrey Perkins

“Eat That Question: Frank Zappa in His Own Words”
Re-recording Mixer: Mark Fragstein
Re-recording Mixer: Marvin Keil
Re-recording Mixer: Armelle Mahé

Re-recording Mixer: Mark A. Rozett, CAS
Re-recording Mixer: James Scullion

“O.J.: Made in America”
Re-recording Mixer: Keith Hodne
Re-recording Mixer: Eric Di Stefano

“The Music of Strangers: Yo-Yo Ma and The Silk Road Ensemble”
Production Mixer: Dimitri Tisseyre
Production Mixer: Dennis Hamlin
Re-recording Mixer: Peter Horner


“11.22.63” — “The Rabbit Hole”
Production Mixer: John J. Thomson
Re-recording Mixer: Pete Elia, CAS
Re-recording Mixer: Kevin Roache, CAS
ADR Mixer: Judah Getz
Foley Mixer: Brett Voss, CAS

“Black Mirror” — “San Junipero”
Production Mixer: Adrian Bell
Re-recording Mixer: Martin Jensen
Foley Mixer: Philip Clements
ADR Mixer: Rory de Carteret

“Sherlock” — “The Abominable Bride”
Production Mixer: John Mooney, CAS
Re-recording Mixer: Howard Bargoroff
Scoring Mixer: Nick Wollage
ADR Mixer: Peter Gleaves, CAS
Foley Mixer: Jamie Talbutt

“The Night Manager” — “Episode 1”
Production Mixer: Aitor Berenguer
Re-recording Mixer: Howard Bargroff

“The People v. O.J. Simpson: American Crime Story”
Production Mixer: John Bauman
Re-recording Mixer: Joe Earle, CAS
Re-recording Mixer: Doug Andham, CAS
ADR Mixer: Judah Getz
Foley Mixer: John Guentner


“Better Call Saul” — “Klick”
Production Mixer: Phillip W. Palmer, CAS
Re-recording Mixer: Larry B. Benjamin, CAS
Re-recording Mixer: Kevin Valentine
ADR Mixer: Matt Hovland
Foley Mixer: David Michael Torres

Game of Thrones” — “Battle of the Bastards”
Production Mixer: Ronan Hill, CAS
Re-recording Mixer: Onnalee Blank, CAS
Re-recording Mixer: Mathew Waters, CAS
ADR Mixer: Richard Dyer, CAS
Foley Mixer: Brett Voss, CAS

“Mr. Robot” — “eps2.8_h1dden-pr0cess.axx”
Production Mixer: William Sarokin, CAS
Re-recording Mixer: John W. Cook II, CAS
Re-recording Mixer: Bill Freesh, CAS
ADR Mixer: Beaux Nyguard
Foley Mixer: Mike Marino

“Stranger Things” — “Episode 7: The Bath Tub”
Production Mixer: Chris Durfy, CAS
Re-recording Mixer: Joe Barnett
Re-recording Mixer: Adam Jenkins
ADR Mixer: Judah Getz
Foley Mixer: John Guentner

Westworld” — “The Original”
Production Mixer: John Pritchett, CAS
Re-recording Mixer: Keith Rogers, CAS
Re-recording Mixer: Scott Weber
ADR Mixer: Mark Kondracki
Foley Mixer: Geordy Sincavage


“Black-ish” — “God”
Production Mixer: Tom N. Stasinis, CAS
Re-recording Mixer: Peter J. Nusbaum, CAS
Re-recording Mixer: Whitney Purple

“Modern Family” — “The Storm”
Production Mixer: Stephen A. Tibbo, CAS
Re-recording Mixer: Dean Okrand, CAS
Re-recording Mixer: Brian R. Harman, CAS

“Silicon Valley” — “Daily Active Users”
Production Mixer: Benjamin A. Patrick, CAS
Re-recording Mixer: Elmo Ponsdomenech
Re-recording Mixer: Todd Beckett

“Transparent” — “Exciting and New”
Production Mixer: Sam Hamer, CAS
Re-recording Mixer: Andy D’addario
Re-recording Mixer: Gary Gegan

“Veep” — “Congressional Ball”
Production Mixer: William MacPherson, CAS
Re-recording Mixer: John W. Cook II, CAS
Re-recording Mixer: Bill Freesh, CAS


“Anthony Bourdain: Parts Unknown” — “Hanoi”
Re-Recording Mixer — Benny Mouthon, CAS

“Deadliest Catch” — “The Widowmaker, Part 1”
Re-Recording Mixer — Bob Bronow, CAS

“Grease Live!”
Production Mixer: J. Mark King
Music Mixer: Bill Dawes
Playback and SFX Mixer: Eric Johnston
Protools Playback Music Mixer: Pablo Mungula

“Mars” — “Novo Mundo”
Re-Recording Mixer: Christopher Barnett, CAS
Re-Recording Mixer: Roy Waldspurger
Foley Mixer: Jason Butler

“We Will Rise: Michelle Obama’s Mission to Educate Girls Around the World”
Re-Recording Mixer: Rich Cutler

More Artisans

  • Luciano Pavarotti

    Ron Howard Turned to Editor Paul Crowder to Make His 'Pavarotti' Documentary Sing

    Ron Howard is fast becoming a noted music documentarian: His 2016 film, “The Beatles: Eight Days a Week — the Touring Years,” released by Abramorama in theaters and Hulu on television, was a Grammy winner. His follow-up is “Pavarotti,” a doc about the man who became one of the most successful and beloved opera singers in [...]

  • Lesley Barber Film Composer

    How 'Late Night' Composer Lesley Barber Channeled Paul Shaffer for Talk-Show Theme

    When director Nisha Ganatra started planning “Late Night,” the new Emma Thompson-Mindy Kaling film about a failing late-night network talk show, she knew she’d need a house band and a theme for the program. Her first call was to composer Lesley Barber (“Manchester by the Sea”), with whom she had worked a few years ago on [...]

  • Ma Movie Set Design

    How 'Ma' Filmmakers Turned a Garage Into Octavia Spencer's Party Basement

    In the new psychological thriller “Ma,” a middle-aged woman played by Oscar winner Octavia Spencer befriends a group of teenagers and invites them to use the basement of her house as a place to party. Of course they accept, and much of the film happens there, though the subterranean space we see in the film [...]

  • Jim Frohna Big Little Lies Cinematographer

    'Big Little Lies' Gets a More Naturalistic Look for Season 2

    Jim Frohna has a knack for framing female-centric stories that are lyrical and dramatic. As Jill Soloway’s shooter since her debut feature, “Afternoon Delight,” as well as several seasons of “Transparent,” Frohna has become a preferred DP for capturing the female gaze. So when conflicts in scheduling kept director Jean-Marc Vallée and DP Yves Bélanger from [...]

  • Fosse Verdon BTS

    How 'Fosse/Verdon' Recreated 'Big Spender'

    The making of one of filmmaker Bob Fosse’s early triumphs, the sizzling “Big Spender” sequence from the 1969 musical “Sweet Charity,” kicks off the opening moments of the first episode of FX’s bio-limited series “Fosse/Verdon” in the same sultry style for which the legendary director-choreographer was known. It juxtaposes the film’s dancers in a sinuous, [...]

  • Andy Vajna Remembered

    Hungary's Film Business Copes With Life After Late Producer Andy Vajna

    When the producers of Lionsgate’s “The Spy Who Dumped Me” were struggling to get a permit for a key location on the streets of Budapest several years ago, they knew exactly where to turn. “I called Andy,” says Adam Goodman, whose Mid Atlantic Films serviced the shoot. “I said, ‘Look, we need your help.’” Goodman [...]

More From Our Brands

Access exclusive content