TV Pilots/Development Scorecard
Up-to-the-minute listings of pilot and series orders
"Godzilla vs. Kong" remained atop the domestic box office in its third weekend of release, boosting its North American tally to $80.5 million.
There’s little in this world more soothing than turning on a nature documentary and hearing David Attenborough’s calm, steady voice. Even as a disembodied narrator, the 94-year-old presenter…
While Amazon is shelling out an epic $465 million for season 1 of its “Lord of the Rings” TV adaptation, the company’s games unit has canceled plans to send players to J.R.R…
All of the Oscar nominees for best picture ranked, beginning with the films recognized from 2010 to 2020-21.
John Stamos coasts through familiar territory in the new Disney Plus sports series "Big Shot."
Netflix's "Dad Stop Embarrassing Me," starring Jamie Foxx and David Alan Grier, is happy to stick to the sitcom basics.
Thanks to an agile cast and a willingness to push for the unexpected response, "Cruel Summer" ends up a pleasant surprise.
The Amazon Prime Video series looks back at the Great Migration, but is more interested in the supernatural than its human characters.
A sexy romantic comedy turns into a drama of bad behavior that's more showy than convincing.
It's somehow fitting that a horror helmer whose career kicked off with viral videos has gone and made a pandemic movie that infects the id.
Action queen Milla Jovovich can't rescue a Chinese action-comedy that's visually OK, but weighed down by lame humor.
Norway's Oscar submission, based on director Maria Sødahl's cancer survival story, is a modern family portrait deserving of its accolades.
On "Fearless (Taylor's Version)," Taylor Swift recreates her 2008 album to the tee, but gives herself stylistic latitude on "vault" tracks.
In "Dancing With the Devil... The Art of Starting Over," Lovato turns her recovery into musical theater ... with bonus straight pop songs.
"Alone Together" documents Charli XCX staving off quarantine depression by inviting her fans to watch her make an album in just six weeks.
Lana Del Rey's "Chemtrails Over the Country Club," a second collaboration with Jack Antonoff, is solid but languid, even by her standards.
Ben Ashenden and Alex Owen's riotous West End comedy "The Comeback" is a triumph, but London theater closures stopped it in its tracks.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.