Honoring the top artists and composers in the biz
Universal's new holiday action film "Violent Night" couldn't top the fourth weekend of "Black Panther: Wakanda Forever" at the box office.
Helen Mirren Praises Her '1923' Co-Star Harrison Ford at Premiere: 'He Taught Me a Great Deal About Film Acting'
Long before running Yellowstone ranch in Taylor Sheridan’s new “Yellowstone” spinoff series “1923,” Harrison Ford and Helen Mirren first played husband and wife in the 1986 Peter Weir…
Charlotte Wells’ directorial feature debut, “Aftersun,” took home the most awards of any nominated film at the 25th annual British Independent Film Awards (BIFA), nabbing seven…
How Jonathan Kasdan Discovered the Heart of Disney’s New 'Willow' Series From Val Kilmer’s 80s 'Surfer Boy' Rogue
"The only thing that made this happen was that we loved it — that Ron Howard had affection for it and that Warwick Davis felt that it was right."
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David Harbour's weapon-wielding Santa could open the door to a new kind of down-and-dirty Christmas/action hybrid.
This funny-sad rom-com is a strangely, stubbornly conventional treatment of Michael Ausiello's memoir.
Steven Spielberg gets personal in this self-portrait, crafting a loving homage to his complicated relationship with his parents.
It's a modified vampire film, a romance and a Timothée Chalamet fashion show. But mostly it's a dull ramble.
This series tends to leave something on the table by treating the most titillating aspects of the exotic-dance phenomenon as background noise.
The fifth season of "The Crown" is the show's weakest outing yet: A generally scattered and unfocused show is less disciplined than ever.
So much happens in "The Calling," from David E. Kelley, that little ends up carrying weight.
Despite Jenna Ortega's fantastic performance, "Wednesday" as a whole never captures what made "The Addams Family" so viscerally strange.
Drake is back on his game with "Her Loss," which has levity where the last album had sulking. 21 Savage is employed far less often but makes for an edgy, strategic foil.
Taylor Swift's "Midnights" is a pendulum swing away from "Folklore" and "Evermore," in trading acoustic instruments for electronic ones, but it feels like their continuation, in sheer intimacy terms.
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
Samuel L. Jackson, John David Washington and Danielle Brooks lead the cast of "The Piano Lesson," August Wilson's story of a family haunted by ghosts of the past.
Lea Michele gives this 'Funny Girl' what the revival previously lacked: charisma, astonishing vocals and assuredness — not to mention a killer fan base.
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
Nothing has changed when it comes to critical buzz for Oscar hopefuls, but their popularity in theaters has disappeared
'RRR' and Keke Palmer surprise as A24 leads studios.
By Andrew Wallenstein
Timothée Chalamet and Taylor Russell Will Eat You Alive: How ‘Bones and All’ Became the Year’s Sexiest Cannibal Love StoryBy Andrew Wallenstein
Rebuilding ‘Black Panther’: How the ‘Wakanda Forever’ Family Fought Through Grief and Injury to Create a $250 Million Superhero TributeBy Andrew Wallenstein