×

Broadway Box Office: Cirque du Soleil’s ‘Paramour’ Makes High-Flying Debut

Can Cirque du Soleil sell on Broadway? Looks like it, at least judging from the one preview that new Cirque show “Paramour” has performed so far.

Paramour” — the first outing from the Cirque du Soleil Theatrical division, and incorporating the troupe’s nouveau-circus spectacle into the structure of a more traditional musical-theater project — raked in $190,774 at the Broadway box office for the single show it played last week. Multiply that by an eight-show performance schedule, and that’s a weekly gross of $1.5 million.

It remains to be seen, of course, whether ticketbuyer interest will stay as strong throughout the preview period on the way to its June 2 opening, and besides, first previews can sometimes be artificially heightened by theater avids and other fans who want to be the first to see a new production. Even so, that initial number for “Paramour” looks like a promising start.

Producers of previewing musical “Waitress” ($937,590) also have reason to be optimistic, with the show continuing to gain momentum and placing at No. 8 in the week’s Top 10. Ditto the backers of starry “Shuffle Along” ($872,205), which also reported best-yet numbers in its first week of eight previews.

Broadway overall remained essentially steady, in a pause before an expected uptick in traffic when New York City’s public schools have spring break (over the week of April 25). The cumulative Broadway box office clicked up, very slightly, to $27.2 million for 37 shows on the boards, and the 277,214 reported in overall attendance was just a bit higher than the prior week’s tally.

One of the biggest dips of the week was logged at “Hamilton” ($1,678,620) — but don’t go worrying that the ultrahot ticket (and freshly crowned winner of the Pulitzer Prize for Drama) is cooling down. Last week the production played the first of its series of student matinees for which tickets are sold to NYC public school students for $10 a pop.

Otherwise it was largely business as usual along Broadway, with “School of Rock” ($1,022,302) joining “Hamilton” and “Waitress” as the third of this season’s shows to claim a spot in the Top 10, otherwise populated by the usual suspects including “The Lion King” ($1,939,509), “Wicked” ($1,612,361) and “Aladdin” ($1,451,714). Individual shows reported a mixed bag of gains and losses, but none looked terribly dire.

In the coming week , “American Psycho” ($505,917 for seven) moves toward its April 21 opening, and could use a boost from the critics. “Waitress” is also gearing up to bow this week, with its opening set for April 24.

The following week, then, will see the final round of openings before the Tony Awards eligibility cut-off, with plays “Fully Committed” ($387,494) and “Long Day’s Journey Into Night” ($375,709) debuting along with “Tuck Everlasting” ($339,031) — another show that could use some good press to draw attention to it — and “Shuffle Along.”

Popular on Variety

More Legit

  • Matthew Broderick, Sarah Jessica ParkerNew York

    Matthew Broderick and Sarah Jessica Parker to Reunite on Broadway for 'Plaza Suite'

    Real-life couple Matthew Broderick and Sarah Jessica Parker are hitting the Broadway stage again for a reboot of the late Neil Simon’s 1968 play “Plaza Suite.” The staging will mark the Broadway directorial debut of Tony award-winner John Benjamin Hickey. Set in New York City’s Plaza Hotel in Suite 719, “Plaza Suite” is comprised of [...]

  • Derren Brown

    Listen: Derren Brown Spills His Broadway 'Secret'

    Derren Brown has spent a lot of his career performing magic shows on theater stages — but he’ll be the first to tell you that magic usually doesn’t make for great theater. Listen to this week’s podcast below: “If you’re a magician of any sort, you can make stuff happen with a click of your [...]

  • A Very Expensive Poison review

    London Theater Review: 'A Very Expensive Poison'

    Vladimir Putin owes his power to the stage. The president’s closest advisor trained as a theatre director before applying his art to politics, and ran Russia like a staged reality, spinning so many fictions that truth itself began to blur. By scrambling the story and sowing confusion, Putin could exert absolute control. The long-awaited latest [...]

  • Betrayal review Tom Hiddleston

    Broadway Review: 'Betrayal' With Tom Hiddleston

    and Zawe Ashton as a long-married couple and Charlie Cox as the secret lover. Director Jamie Lloyd’s impeccable direction — now on Broadway, after a hot-ticket London run — strips Pinter’s 1978 play to its bare bones: the excruciating examination of the slow death of a marriage.  It’s a daring approach, leaving the characters nowhere [...]

  • Jayne Houdyshell arrives at the 71st

    'The Music Man' Revival Adds Four Tony Winners to Broadway Cast

    Tony Award-winners Jayne Houdyshell, Jefferson Mays, Marie Mullen and Shuler Hensley will join stars Hugh Jackman and Sutton Foster in the upcoming Broadway revival of “The Music Man.” In “The Music Man,” Jackman will play con-man Harold Hill, who arrives in a small, fictional Iowa town called River City and urges the townsfolk to start [...]

  • Glen Basner Filmnation

    FilmNation's Glen Basner on Diversifying Beyond Movies by Focusing on Storytelling

    Glen Basner lives to make deals.  Be it Toronto or Cannes, Sundance or AFM, you’ll find the FilmNation founder in the throes of negotiations over pricing and marketing plans, schmoozing and working every angle to nail the best pact. Director Armando Iannucci, who worked with FilmNation on the upcoming “The Personal History of David Copperfield,” [...]

More From Our Brands

Access exclusive content