If you’re looking to mess with anyone close to Mel Gibson’s character in his new film “Blood Father,” you’re going to have to deal with him first.
Directed by Jean-François Richet, the film stars Gibson as John Link, an ex-convict tattoo artist who’s estranged daughter suddenly reenters his life — but not for breezy reasons.
His daughter, played by Erin Moriarty, hasn’t seen her father in years, but suddenly stumbles back in to his life when a drug cartel — helmed by Diego Luna — is hunting her down for murder.
Set in an almost post-apocalyptic desert setting, reminiscent of Gibson’s 1979 action-thriller “Mad Max,” Gibson will fight to the death to protect his daughter. The film also stars William H. Macy, Michael Parks and is penned by Peter Craig.
Coming five years after his attempt to redirect his acting career with Jodie Foster’s “The Beaver,” and after several public blunders, “Blood Father” might be the prescription the doctor ordered for Gibson’s career. Gibson only appeared in three films after “The Beaver,” including “The Expendables 3” along with Sylvester Stallone.
Variety‘s critic Owen Gleiberman said of Gibson in his review of the film: “A grimy little pulp action thriller gives him the chance to show that he’s still got it.”
Popular on Variety
Questions the 'Game of Thrones' Cast Can't Wait to Never Be Asked Again
'Game of Thrones' Cast Pick the Best Death Scenes
'Game of Thrones' Cast Relives Their Wildest Fan Encounters
Taron Egerton Calls Paramount's Attempt to Cut Out 'Rocketman' Gay Sex Scene 'Nonsense'
'Shazam's' Zachary Levi Credits Self-Love for His Success
Linda Hamilton Calls Last Three 'Terminator' Movies 'Forgettable'
Michelle Wolf Roasts Trump for Skipping Third Correspondents' Dinner
Hugh Jackman Was Rejected From His High School Production of 'The Music Man'
Watch Bette Midler's Impassioned Plea for a More Just, Civilized and Loving Planet
Christiane Amanpour: 'We Are Bludgeoned Over the Head by Untruthful Trope of Fake News'
It would be absurd to say that Rudolf Nureyev lived, or danced, in anyone’s shadow. He was a man who leapt and twirled and flew onstage, all muscle but light as a feather, with a freedom and force that reconfigured the human spirit. There’s no denying, though, that over the last few decades, and especially [...]
The hills are alive (or rather, undead), with the sound of music (also mastication and the moaning of zombies) in Kelly Copper and Pavol Liska’s experimental, dialogue-free, home-movie-style riff on Elfriede Jelinek’s “Die Kinder Der Toten” (The Children of the Dead). A seminal text in Jelinek’s native Austria, the 1995 book has never been translated [...]
How many twists can a plot undergo before it snaps? This, more than any of the many political, moral and personal conundrums that snake through “Idol,” seems to be the question writer-director Lee Su-jin is most interested in posing with his extravagantly incomprehensible sophomore feature. A seedy political thriller by way of grisly revenge movie [...]
Truman Capote’s “In Cold Blood” stretches long as a late-evening shadow over Italian director Sara Summa’s feature debut “The Last to See Them.” The Italian title, “Gli Ultimi Viderli Vivere” which translates literally to “The Last to See Them Alive,” is also the heading of the opening chapter of Capote’s book. The setting is, similarly, [...]
Events leading to the 1947 Partition of India serve as the forebodingly serious backdrop for the exhaustingly overextended razzmatazz of “Kalank,” writer-director Abhishek Varman’s lavish but ponderous Bollywood extravaganza, which opened in the U.S. on more than 300 screens the same day as its Indian release. Despite the preponderance of sets and costumes spectacular enough [...]
The Writers Guild of America estimated that over 92 percent of their members who support a new code of conduct for talent agencies have fired those representatives. Letters announcing formal termination will be delivered on Monday, the guild said in a late-hitting memo on Thursday, as most agencies will be closed tomorrow in observance of [...]
The Association of Talent Agencies is asking its members to drop a dime on managers and lawyers who help writers find jobs while the battle between the ATA and WGA rages on. ATA executive director Karen Stuart decried what she called “unlawful conduct” on the part of the WGA. On Monday, the guild told its [...]