×
You will be redirected back to your article in seconds

‘Blade Runner’ Sequel: Sony Takes International Rights

Sony Pictures has landed international distribution rights for Alcon Entertainment’s “Blade Runner” sequel.

Warner Bros. Pictures is distributing in North America and Canada through its output agreement with Alcon.

Denis Villeneuve is directing the film, starring Ryan Gosling and Harrison Ford, who is reprising his role as Rick Deckard. Hampton Fancher (co-writer of the original movie) and Michael Green have penned the original screenplay based on an idea by Fancher and Ridley Scott.

The story takes place several decades after the conclusion of Scott’s iconic 1982 original — which was set in a 2019 Los Angeles, and based on the Philip K. Dick short story “Do Androids Dream of Electric Sheep?”

Alcon Entertainment acquired the film, television and ancillary franchise rights to “Blade Runner” in 2011 from the late producer Bud Yorkin and Cynthia Sikes Yorkin to produce prequels and sequels to the iconic science-fiction thriller. Sikes Yorkin will produce along with Johnson and Kosove. Bud Yorkin will receive producer credit.

Frank Giustra and Tim Gamble, CEOs of Thunderbird Films, will serve as executive producers. Scott will also executive produce, as will Bill Carraro.

The film marks Villenueve’s third collaboration with 13-time Oscar nominee Roger Deakins, who will serve as cinematographer, following Alcon’s “Prisoners” and “Sicario,” which brought Deakins his latest Oscar nomination.

Principal photography on the yet-to-be-titled sequel is scheduled to begin in July.

“At Sony, we have made a strong commitment to the international marketplace,” Sony Pictures Chairman Tom Rothman said in a statement. “We know of few projects with greater international potential than the long dreamed of sequel to ‘Blade Runner,’ especially given the all-star creative team Andrew and Broderick have assembled. We are deeply grateful to everyone at Alcon, Denis and Ridley for entrusting us with such a gift. Working on a ‘Blade Runner’ film also fulfills a long-time personal ambition, as I deeply love and admire the original.”

More Film

  • The Eight Hundred (The 800)

    History Rethink Group Key to 'Eight Hundred' Shanghai Cancellation (EXCLUSIVE)

    Chinese authorities may have abruptly yanked Huayi Brothers’ $80 million patriotic war epic “The Eight Hundred” the day before its debut as the Shanghai Intl. Film Festival’s opening film because it didn’t portray rivals of the ruling Communist Party in a sufficiently negative light, local reports said. Huayi on Friday attributed the cancellation of its [...]

  • Simon West

    Simon West Directing Chinese Tomb-Raid Movie “Legend Hunters’ (EXCLUSIVE)

    The British director Simon West, who made Angelina Jolie-starring “Lara Croft: Tomb Raider,” is now co-directing a Chinese tomb-raiding film. “The Legend Hunters” is the next instalment in the “Mojin” universe based on the popular fantasy novel series “Ghost Blows Out the Light.” Backed by Wanda Pictures and Beijing-based Saints Entertainment, the film is set [...]

  • Emu Runner

    Sydney Film Review: 'Emu Runner'

    Writer-director Imogen Thomas’ debut feature “Emu Runner” has and probably will play in designated family-themed strands of film festivals, and given its story of a 9-year-old Aboriginal girl who deals with grief in the wake of her mother’s death by bonding with a lone female representative of Australia’s largest native bird species, this programming strategy [...]

  • Sophia Antipolis

    Locarno in Los Angeles Film Review: 'Sophia Antipolis'

    There are two Sophias in French director Virgil Vernier’s clever, cunning, chilling fifth feature. The first is its setting, the eponymous “Sophia Antipolis,” a technology park in the south of France, a place self-consciously designed as an experiment in social engineering, where an international community of professionals would, it was hoped, create an environment of [...]

  • I Lost My Body

    Netflix Pickup ‘I Lost My Body,’ ‘Buñuel,’ ‘Away’ Top Annecy Festival

    ANNECY, France  — Fulfilling expectations, Jeremy Clapin’s “I Lost My Body, the subject of one of the highest-profile Netflix deals at this year’s Cannes, won this Saturday the Annecy Festival’s top Cristal Award of best feature plus, in a relatively rare Annecy double whammy, the festival’s Audience Award. The first was expected, the second a [...]

  • 'Fausto' Review: Andrea Bussmann's Beautuful, Inscrutable

    Locarno in Los Angeles Film Review: 'Fausto'

    In more ways than one, “Fausto” is a film that likes to keep its audience in the dark: The bulk of its imagery is thickly cloaked in velvety night, often barely illuminated but for pinpricks of moonlight or a flickering candle, sometimes to the point where viewers must strain and squint to identify what they’re [...]

More From Our Brands

Access exclusive content