Mother’s Day celebrations may be cooling down, but buzz surrounding “Bad Moms” is just heating up. The latest in a series of films featuring strong, sometimes racy female leads like “Trainwreck” and “Sisters,” “Bad Moms” ranked as the most popular film of the past week on social and digital platforms.
“Bad Moms” released several assets this week, including its official trailer, which helped drive over 8.5 million digital engagements. Set for release in late July, the film stars Mila Kunis, Kristen Bell, and Kathryn Hahn as generally loving, sometimes rebellious mothers looking to let loose.
Fans are clearly excited to see what these mothers have in store. “Bad Moms” is outpacing both “Sisters” and “The Boss” with 12 weeks until release, but trails stronger female driven comedies “Trainwreck” and “Spy,” which grossed about $30 million opening weekend.
Each week Variety publishes ListenFirst Digital Audience Ratings (DAR) – Film, a measurement of fan engagement across all the major digital platforms as it relates to film (see the TV version here). Provided by ListenFirst Media, DAR – Film measures what entertainment content is resonating most across Facebook, Google+, Instagram, Tumblr, Twitter, YouTube and Wikipedia combined. For more on the methodology behind DAR, scroll to the bottom of the article.
 Digital Audience Ratings (DAR) – Film |
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| Weekly Top 5 | Wednesday May 4, 2015 – Tuesday May 10, 2016 | |||||
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| RANK | LAST WEEK | FILM | RATING(000) | |||
| 1 | |
– | |
Bad Moms | 8,576 | |
| 2 | |
2 | |
Captain America: Civil War | 6,935 | |
| 3 | |
– | |
The Shallows | 6,019 | |
| 4 | |
1 | |
X-Men: Apocalypse | 4,827 | |
| 5 | |
3 | |
Fan | 4,298 | |
| – |
| Key | |
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First time on the chart |
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Pinnacle Rank |
| – |
| Trending | Wednesday May 4, 2015 – Tuesday May 10, 2016 | ||||
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| FILM | RATING(000) | % CHANGE | |||
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Inferno | 2,453 | +28,512% | ||
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The Shallows | 6,019 | +6,247% | ||
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Queen of Katwe | 89 | +3,094% | ||
Jason Klein is the Co-Founder and Co-CEO of ListenFirst Media, a data and analytics company providing insights for brands. ListenFirst aggregates data streams from a wide range of digital, social, and traditional marketing sources to help brands optimize business performance.
Methodology:
ListenFirst Digital Audience Ratings (DAR) – Film are a raw aggregate of daily engagements based on owned, earned and organic consumer behavior on Facebook, Google+, Instagram, Tumblr, Twitter, Wikipedia and YouTube. These engagements encompass metrics pertaining to audience growth, page/profile views, page-level and post-level interactions, hashtag volume and Wikipedia page views for all film pages (which provides a proxy for organic search volume).
Organic conversation volume is calculated based on the use of official hashtags, as well as those hashtags submitted directly from distributors. Only hashtags where conversation can be isolated to a specific film are included in the rating.
The Variety Weekly Top 5 and Trending leaderboards for film represent the 7-day (Wednesday – Tuesday) sum total of DAR for all US Domestic Films that have been publicly announced and slated for a commercial theatrical release. Films are rated daily from initial public announcement through 4 weeks post home entertainment street date. Festival films and other films not slated for a commercial theatrical release are excluded from this ranking cohort but available to be rated directly by ListenFirst Media.
The Trending leaderboard surfaces the three films that tracked the largest relative growth in DAR (from the previous 7-day measurement period), and are also in the top 25% based on absolute DAR.
ListenFirst monitors the official digital account owned by the film on each aforementioned platform (except for Wikipedia, where the title-specific profile is considered official). Only the U.S. version of a film’s digital presence is monitored; for platforms that support regional profiles like Facebook, the “Global” profile is considered the U.S. profile. Only profiles that can be attributed to the specific film contribute to the rating (i.e. engagements that happen on the profile facebook.com/ArgoMovie are tracked, while engagements that happen on facebook.com/WarnerBrosPictures are not). For YouTube, in addition to any film-specific presence, content related to the film in question that originated on the parent company’s official YouTube channel is considered.
For other questions pertaining to methodology, contact ListenFirst Media.