×

YouTube Channel Film Riot Picks Up Steam for Wannabe Filmmakers

What do you get when you combine the massive distribution platform of YouTube with the DIY digital revolution that makes filmmaking tools accessible to the masses? Meet Film Riot, the channel about filmmaking techniques that has garnered almost a million subscribers while producing its own content. And most recently, that content was pretty frightening.

Building an Audience
Founder Ryan Connolly designed Film Riot as the go-to destination for wannabe filmmakers, complete with tutorials, gear lists, and post-production tips. “All I ever wanted to do for as long as I could remember was make films,” says Connolly. “But I had no resources despite having gone to film school. So I figured, if I were to build my own audience and my own stage, I could make films the way I wanted.”

Halloween Theme
This month, Connolly and his team debut the six-minute short film “Ghost House”  — part of the channel’s Halloween-themed series. “I’m a big fan of the horror genre,” Connolly says. “I love its ability to so firmly grip the audience. It was a great opportunity to take a few typical horror tropes and put them in a different light.”

No Red Tape
When Film Riot creates a show, it doesn’t go through the bureaucracy that’s typical of TV production. “With TV or any high-level project, you have multiple levels of opinion to sift through and keep happy,” explains Connolly. “In certain ways, we are trying to create a new Hollywood, with a more economical and personal approach to storytelling.”

TV and Not TV
Because Film Riot creates all of its product and distributes it directly to audiences, “it’s sort of like a giant living room, and everyone is invited for movie night,” Connolly says. Yet during production days, the similarities to a traditional physical production are more apparent. “We’re not trying to reinvent the wheel,” Connolly says.

Choice of Gear
On past shows, Connolly has shot with the Canon C500, the Canon C100 Mark II, and the RED Epic. For “Ghost House,” he chose the Alexa Mini. “It has a gorgeous, milky, film-like image,” he says, “largely due to its dynamic range.” Plus, it can be stripped down to make it more mobile. Connolly paired the camera with Kowa Anamorphic lenses. “Subconsciously,” he says, “we relate the look of an anamorphic image to big Hollywood films, [many of which] were shot on them. It isn’t how we naturally see the world around us — it’s distorted, imperfect — and for me this helps create the sense of another world.”

Popular on Variety

More Artisans

  • Peaky Blinders Season 5

    Time-Jumping Season 5 of 'Peaky Blinders' Aims for a More Cinematic Look

    Cinematographer Si Bell was thrilled to learn he and director Anthony Byrne had been tapped to shoot the fifth season of BBC’s “Peaky Blinders,” but surprised to find out how free a hand executive producers Caryn Mandabach and Jamie Glazebrook were giving them to determine the scheme of their six-episode run. “I expected to meet the [...]

  • Ad Astra

    How 'Ad Astra' Production Crew Created Authentic Look for Brad Pitt Space Drama

    In “Ad Astra,” Brad Pitt’s astronaut Roy McBride crosses the solar system to find and confront his long-lost father, requiring the movie crew to create an authentic-looking future that conveys the theme of traveling long distances to learn the lesson that it’s where you started from that has the most value. “Visually, the aim was [...]

  • Women in Animation Logo

    WIA Partners With Animation Mentor, Toon Boom to Expand Scholarship Program

    Women in Animation has partnered with Animation Mentor and Toon Boom to expand the organization’s WIA Scholarship Program with workshops and software packages. WIA scholarships are given to animation students with a financial need and who demonstrate talent and passion for animation that will lead to a promising career in the field. The Animation Mentor [...]

  • Steven Poster ICG National President

    DP Steven Poster to Receive SOC Lifetime Achievement Award

    Stephen Poster, cinematographer on such classics as “Donnie Darko” and Madonna’s “Like a Prayer,” will receive the Lifetime Achievement Distinguished Service Award from the Society of Camera Operators at a ceremony on Jan. 18, 2020. SOC grants the award to an Individual who has served the community at large and/or the Society through outstanding service [...]

  • Swedes Call for Incentives to Keep

    Swedes Call for Incentives to Keep Potential Runaways at Home

    Horror film “Midsommar” did it last year. A new adaptation of the Swedish classic “The Emigrants” will do it next year. Prestigious productions that could have taken advantage of beautiful Swedish locations and craft expertise continue to run away to foreign locations for lower costs and tax incentives. Despite having a strong film industry creatively [...]

  • Game of Thrones

    Ireland Lures Filmmakers With Locations, Expertise and a 37% Tax Credit

    Few locations on earth can match Ireland’s proverbial 40 shades of green. In addition to its restful hues, the island nation also boasts alluring lakes, rugged windswept coasts, small charming hamlets, rustic farmhouses of aged stone, hilltop castles and breathtaking expanses of wild scrubland. Bustling and modern Dublin, Ireland’s capital, will be the largest English-speaking [...]

More From Our Brands

Access exclusive content