Variety honors leaders making a difference in Hollywood
Five years after the #MeToo movement ignited a global reckoning, Harvey Weinstein is back on trial and Hollywood continues to untangle its web of bad behavior.
Box Office: David O. Russell’s ‘Amsterdam’ Faces Off Against ‘Lyle, Lyle, Crocodile’ in Slow Start to October
Billy Eichner's Universal-backed comedy "Bros" flopped at the box office during its opening weekend with a $4.8 million bow, about half of the $8 million to $10 million that the studio projected.
On May 5, two Florida state officials traveled to Orlando to meet with the leadership of Disney’s self-governing district. Two weeks earlier, Gov. Ron DeSantis had abolished the…
James Norton, Regé-Jean Page and Henry Golding are some of our top picks to play the next 007.
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In Todd Field's "Tár," Cate Blanchett creates a study in power, passion and entitlement in a movie so real it's immersive.
Truth is relative as Christian Bale, John David Washington and Margot Robbie stumble upon a plot to overturn democracy in David O. Russell's overstuffed social satire.
With "Triangle of Sadness," Ruben Östlund expands on the formula that worked in "The Square," torturing supermodels and the mega-rich.
Disney's edgy "Hellraiser" has flesh-tearing extravagance and a newly androgynous Pinhead, but it needed a better story.
Netflix's "Monster," starring Evan Peters as Jeffrey Dahmer, is grim, unnecessary, and all too predictable from Ryan Murphy.
The "Rogue One" spinoff marks a huge, and hugely welcome, departure from Disney+'s typical "Star Wars" model.
Hulu's new comedy about Hulu rebooting a sitcom hands weaker scripts to a stronger cast.
"Abbott Elementary" returns with a warm and melancholy look at the teaching life.
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
Amanda Shires' seventh Americana-flavored album, "Take It Like a Man," is almost cocky in spinning strong songs out of personal uncertainty.
Jack White has released his second album in four months, a mostly acoustic collection that is as gentle as the last one was gonzo.
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
The National Theatre production of a new play by the writer of "One Man, Two Guvnors" proves comedy lightning does strike twice.
Boris Berezovsky, Russian oligarch and Putin foe, is brought vividly to life by Tom Hollander in Peter Morgan's latest.
The core strategy behind the service was too broad and undermined by rivals with more pointed approaches
The 74th annual Emmy Awards are in the books following a tight three-hour telecast on NBC that saw several repeat winners, along with quite a few surprising upsets.
Amazon Studios Head Jennifer Salke Breaks Down the $700 Million ‘Rings of Power’ Gamble and Plan for MGM IntegrationBy Andrew Wallenstein
Hillary and Chelsea Clinton on Their ‘Gutsy’ Star Turn, Fox News and Whether a Woman Can Be PresidentBy Andrew Wallenstein
Ana de Armas’ ‘Blonde’ Ambition: How She Channeled Marilyn Monroe’s Body and Soul for Netflix’s NC-17 GambleBy Andrew Wallenstein
Quinta Brunson on Winning Emmys With Sheryl Lee Ralph, Why ‘Abbott Elementary’ Wasn’t Ready to Be Named Best Comedy Yet and Changing the Stakes in Season 2By Andrew Wallenstein