×
You will be redirected back to your article in seconds

Sundance Film Review: ‘A Walk in the Woods’

Robert Redford and Nick Nolte grumpily commune with nature in this film of Bill Bryson's lightweight book.

With:
Robert Redford, Nick Nolte, Kristen Schaal, Nick Offerman, Mary Steenburgen, Emma Thompson.

Official Site: http://www.imdb.com/title/tt1178665/fullcredits?ref_=tt_ov_wr#writers

Robert Redford and Nick Nolte go for “A Walk in the Woods” in Ken Kwapis’ broad, bland adaptation of Bill Bryson’s 1998 tome. Like that mildly amusing travel-memoir-cum-elongated-humor-column, there’s light diversion but little substance in this tale of two grumpy old men making a predictable hash of their effort to hike the Appalachian Trail. The appeal of the cast names and the equally venerable scenic vistas should lure older audiences, though whether they’ll get out to theaters or wait for home-format delivery is an open question.

With his grandkids coming of age and peers dying off, Bill (Redford) here worries he’s losing his mojo with little time to spare; ergo his very random decision to hike the 2,200-mile trail, a determined whim that his English wife, Cathy (Emma Thompson), considers foolish and dangerous at his age. She insists that at least he not travel alone. No one else is tempted to sign on, however, until out of the blue, Bill gets a call from fellow Iowa native Stephen Katz (Nolte), who invites himself along. Stephen hasn’t been heard from for decades, not since the duo had a youthful falling out while traveling in Europe.

Bill hasn’t been much of a hiker for a good 30 years or so. But he’s in Olympian shape compared with the careening wreck of Stephen, who tumbles off the plane in New Hampshire looking like a diabetic hobo. He’s overweight, and his status as a recovering alcoholic is a bit questionable. (There’s a whisky bottle in his rucksack.) Nonetheless, the duo soldier on to Georgia to commence their wheezing trek in the spring, intending to make it all the way to Maine before winter.

As they slog north, they have encounters with a cartoonishly obnoxious younger backpacker (Kristen Schaal), take a few pratfalls, scare off some bears, and occasionally stop to recoup at the nearest hotel. At one of the latter, Bill flirts with an attractive innkeeper (Mary Steenburgen) while chubby chaser Katz gets in hot water pursuing a local lass who turns out to have a very jealous husband.

Casting the 78-year-old Redford lends this quest a fear-of-mortality undercurrent duly spelled out in Rick Kerb and Bill Holderman’s competent but uninspired screenplay. His character keeps insisting, “I’m not writing a book” — but it was obvious from reading Bryson’s original (penned when he was just in his 40s) that the trip was little more than an excuse to drum up some funny anecdotes for just that purpose. The material remains essentially slight, buoyed along, but given precious little surprise, by its star thesps.

Given some of the author’s zingers, Redford (who originally planned to co-star with his iconic screen buddy, the late Paul Newman) gets to flash more crusty humor than he has in some time. Taking on his most prominent role in a few years, Nolte is entertaining but could hardly be more typecast — he’s been playing variations on this shambling rascal since “Down and Out in Beverly Hills” 29 years ago. While his always phlegmy delivery is good for some laughs, it’s so raspy now that at times he’s downright unintelligible. Supporting players are given little to do, even less of it interesting.

Sitcom veteran Kwapis has seldom been an inspired bigscreen helmer —his best such effort may well be “The Sisterhood of the Traveling Pants” — and this workmanlike entertainment, comfortably paced and bereft of notable atmosphere, nuance or twists, does nothing to change that assessment. It’s pleasant enough cinematic comfort food, but even so, you may be hungry again soon afterward. The pro package is inevitably highlighted by some splendid aerial location shots in John Bailey’s widescreen location lensing. Not adding a whole lot of flavor is a sometimes overamped soundtrack dominated by unmemorable rootsy rock-folk songs by indie band Lord Huron.

Sundance Film Review: 'A Walk in the Woods'

Reviewed at Sundance Film Festival (Premieres), Jan. 23, 2015. Running time: 104 MIN.

Production: A Route One Films presentation in association with Union Investment Partners and Surefire Entertainment Capital of a Wildwood Enterprises production. Produced by Robert Redford, Bill Holderman, Chip Diggins. Executive producers, Jeremiah Samuels, Jake Eberts, Jay Stern, Russell Levine, Lee Jea Woo.

Crew: Directed by Ken Kwapis. Screenplay, Rick Kerb, Bill Holderman, based on the book by Bill Bryson. Camera (color, widescreen, HD), John Bailey; editors, Carol Littleton Ace, Julie Garces; music, Nathan Larson, Lord Huron; music supervisor, Sue Jacobs; production designer, Gae S. Buckley; costume designer, Leigh Leverett; set decorator, Lynne Mitchell; sound (Dolby Digital/Datasat), Shirley Libby; supervising sound editor, re-recording mixer, Ron Bochar; stunt coordinator, Lonnie Smith Jr.; assistant director, Stephen P. Dunn.

With: Robert Redford, Nick Nolte, Kristen Schaal, Nick Offerman, Mary Steenburgen, Emma Thompson.

More Film

  • dolittle-DRD_Tsr1Sht_1011_RGB_4_rgb-1

    Robert Downey Jr. Embarks on Perilous Journey in First 'Dolittle' Trailer (Watch)

    Robert Downey Jr. is setting sail with some furry friends in the first trailer for “Dolittle,” Universal Pictures’ reimagining of the classic story about a man who could speak to animals. “We have no choice but to embark on this perilous journey,” he says. Set to a rendition of Louis Armstrong’s “What a Wonderful World,” [...]

  • Parasite

    Bong Joon Ho's 'Parasite' Posts Powerful Opening in North America

    Bong Joon-Ho’s dark comedy “Parasite,” which won the Palme d’Or at the Cannes Film Festival, has launched with a spectacular $376,264 at three U.S. theaters.  Neon opened “Parasite” at The Landmark and Arclight Hollywood in Los Angeles and at the IFC Center in New York, where it broke the opening record set by 2014’s “Boyhood.” Its per-screen average of [...]

  • Joker Movie

    'Joker' Dominates International Box Office With $124 Million

    “Joker” is showing impressive traction internationally with a second weekend of $123.7 million on 24,149 screens in 79 markets — a holdover decline of just 29%. Joaquin Phoenix’s psychological thriller has totaled $351.2 million outside North America after only 12 days in release. And with $192 million in domestic grosses, “Joker” has now topped $543 [...]

  • Joker

    'Joker' Remains Box Office Ruler With $55 Million

    Joaquin Phoenix is king of the North American box office once again as “Joker” scores an easy victory in its second weekend with $55 million at 4,374 sites. “Joker” dominated a trio of new entries with animated comedy “The Addams Family” leading the rest of pack with $30.3 million at 4,007 venues, topping forecasts. Will [...]

  • French director Bertrand Tavernier attends the

    Bertrand Tavernier on Coppola, Scorsese, Cayatte, Cinema’s Bright Future

    Veteran French director Bertrand Tavernier (“Round Midnight”) – president and director of the Institut Lumière and Lumière Festival, which he co-manages with Cannes’ Thierry Frémaux – has played a pivotal role in restoring classic French films and defending the importance of French directors, such as Claude Autant Lara, Henri Decoin and André Cayatte, who were [...]

  • 'Philharmonia'

    French Series 'Philharmonia' Sells to the U.K., the U.S. and Australia (EXCLUSIVE)

    “Philharmonia,” a French thriller series set in the world of a national orchestra, has been acquired in English-speaking territories from Lagardere Studios Distribution. “Philharmonia,” which was created and co-written by Marine Gacem, has been acquired by First Look Media’s Topic for SVOD rights in the U.S., and Walter Presents for the U.K. and Australia. “Philharmonia” [...]

More From Our Brands

Access exclusive content