×

‘Star Trek’ Producer Harve Bennett Dies

Harve Bennett, who produced four “Star Trek” movies and the TV series “Mod Squad,” “The Six Million Dollar Man” and “The Bionic Woman,” died Wednesday in Medford, Ore. He was 84.

Bennett’s passing came less than a week after the Feb. 27 death of “Star Trek” star Leonard Nimoy.

Bennett, a native of Chicago, broke into show business as a young boy on the radio program “Quiz Kids.” He graduated from the University of California, Los Angeles film school and began his career as a production executive at CBS in New York City and later at ABC.

Bennett joined Aaron Spelling in developing and producing “The Mod Squad,” then moved to Universal, where he produced “The Six Million Dollar Man,” “The Bionic Woman” and “Gemini Man.” He then worked at Columbia Pictures Television on “Salvage 1,” “The Jesse Owens Story” and “A Woman Called Golda.”

He was then recruited by Charles Bluhdorn, head of Paramount parent Gulf+Western, to produce a second “Star Trek” movie and developed “Star Trek: The Wrath of Khan,” based on the TV episode “Space Seed” which featured Ricardo Montalban as the villain Khan Noonien Singh.

Bennett also produced the next three Star Trek films: “The Search for Spock,” “The Voyage Home” and “The Final Frontier.”

He also produced “Crash Landing: The Rescue of Flight 232” and the series “Time Trax” and “Invasion America.”

UPDATE, 7:40 pm.m. PST, March 7 — Bennett died Feb. 25 at Providence Medford Medical Center in Medford, Ore. The earlier story incorrectly reported that he had died on March 4.

More Film

  • Festival director Thierry Fremaux speaks to

    Cannes: Thierry Fremaux on the Lineup's Record Number of Female Directors, American Cinema and Political Films

    The Cannes Film Festival has unveiled a lineup for its 72nd edition that includes some high-profile Hollywood titles, genre movies and films from 13 female directors. The official selection has been applauded by many for mixing established auteurs like Pedro Almodovar (“Pain and Glory”), Terrence Malick (“A Hidden Life”) and Xavier Dolan (“Matthias and Maxime”) [...]

  • RUDOLF NUREYEV 1961

    Film Review: 'Nureyev'

    It would be absurd to say that Rudolf Nureyev lived, or danced, in anyone’s shadow. He was a man who leapt and twirled and flew onstage, all muscle but light as a feather, with a freedom and force that reconfigured the human spirit. There’s no denying, though, that over the last few decades, and especially [...]

  • Die Kinder Der Toten review

    Film Review: 'Die Kinder Der Toten'

    The hills are alive (or rather, undead), with the sound of music (also mastication and the moaning of zombies) in Kelly Copper and Pavol Liska’s experimental, dialogue-free, home-movie-style riff on Elfriede Jelinek’s “Die Kinder Der Toten” (The Children of the Dead). A seminal text in Jelinek’s native Austria, the 1995 book has never been translated [...]

  • Idol review

    Film Review: 'Idol'

    How many twists can a plot undergo before it snaps? This, more than any of the many political, moral and personal conundrums that snake through “Idol,” seems to be the question writer-director Lee Su-jin is most interested in posing with his extravagantly incomprehensible sophomore feature. A seedy political thriller by way of grisly revenge movie [...]

  • The Last to See Them review

    Film Review: 'The Last to See Them'

    Truman Capote’s “In Cold Blood” stretches long as a late-evening shadow over Italian director Sara Summa’s feature debut “The Last to See Them.” The Italian title, “Gli Ultimi Viderli Vivere” which translates literally to “The Last to See Them Alive,” is also the heading of the opening chapter of Capote’s book. The setting is, similarly, [...]

  • Kalank

    Film Review: ‘Kalank’

    Events leading to the 1947 Partition of India serve as the forebodingly serious backdrop for the exhaustingly overextended razzmatazz of “Kalank,” writer-director Abhishek Varman’s lavish but ponderous Bollywood extravaganza, which opened in the U.S. on more than 300 screens the same day as its Indian release. Despite the preponderance of sets and costumes spectacular enough [...]

  • WGA Agency Packaging Fight Placeholder Writer

    WGA: 92% of Writers Who Signed Statement of Support Have Fired Agents

    The Writers Guild of America estimated that over 92% of their members who support a new code of conduct for talent agencies have fired those representatives. Letters announcing formal termination will be delivered on Monday, the guild said in a late-hitting memo on Thursday, as most agencies will be closed tomorrow in observance of Good [...]

More From Our Brands

Access exclusive content