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Noah’s (Emmys) Arc
PODCAST | Trevor Noah talks about Kanye West, Will Smith and how social media poisons the well of civil discourse.
TV
Michael McKean Guesses What His ‘Better Call Saul’ Finale Cameo Means — Because He Isn’t Caught Up Yet
The "John Wick" prequel series, titled "The Continental," is moving from Starz to Peacock, where it will launch next year.
Film
California to Add Diversity Rules to State Film and TV Credit
Amid cost-cutting and layoffs, HBO Max will remove more than 30 titles from its service as early as this week.
TV
‘She-Hulk’ Star Tatiana Maslany Reveals the Scene She Couldn’t Get Through and Her ‘Seinfeld’ Inspiration
"She-Hulk: Attorney at Law" star Tatiana Maslany discusses the challenges of Marvel's first TV comedy and inspiration from "Seinfeld."
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TV Critics Assn. Press Tour
Reviews
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‘Orphan: First Kill’
The Russian bad seed's ability to fake her way into a family isn't even the most contrived element.
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Critics Pick
‘The Princess’
Ed Perkins' film uses an archive of TV footage to retell the story of Princess Diana. But how different it looks knowing what we know now.
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‘Day Shift’
"Day Shift," with Jamie Foxx as a vampire hunter, is a blow-you-away action movie and a bloodsucker satire full of rules it barely follows.
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‘Fall’
Two women climb an abandoned TV tower in the desert, and we're with them every shivery step.
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‘Legacy’
Hulu's "Legacy" feels like yet another story about the Showtime-era Lakers.
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‘This Fool’
Hulu's "This Fool," starring Chris Estrada and Michael Imperioli, finds new way into old sitcom tropes.
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‘Power Book III: Raising Kanan’
In Season 2, "Raising Kanan" feels more like watching the original "Power" than either of its other continuations, "Ghost" and "Force."
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‘Five Days at Memorial’
Vera Farmiga stars in Apple's drama about the aftermath of Hurricane Katrina.
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Megan Thee Stallion’s ‘Traumazine’
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
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Beyoncé's ‘Renaissance’
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
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Amanda Shires’ ‘Take It Like a Man’
Amanda Shires' seventh Americana-flavored album, "Take It Like a Man," is almost cocky in spinning strong songs out of personal uncertainty.
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Jack White’s ‘Entering Heaven Alive’
Jack White has released his second album in four months, a mostly acoustic collection that is as gentle as the last one was gonzo.
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‘The Devil Wears Prada’
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
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‘The Kite Runner’
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
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‘Jack Absolute Flies Again’
The National Theatre production of a new play by the writer of "One Man, Two Guvnors" proves comedy lightning does strike twice.
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‘Patriots’
Boris Berezovsky, Russian oligarch and Putin foe, is brought vividly to life by Tom Hollander in Peter Morgan's latest.
VIP+
EXCLUSIVE: Will Smith Q Scores Reveal Slap Severely Damaged His Reputation
In its first findings since the Oscars, the industry standard for gauging celeb appeal shows Smith's numbers tanked
Awards
Emmys 2022: The Complete Nominations List
"Succession" nabbed the most Emmy nominations on Tuesday morning, followed by "Ted Lasso" and "The White Lotus."
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The Magazine
Ready or Not, Here Comes Web3: How the Internet’s Next Evolution Is Shaping Hollywood’s Future
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Ready or Not, Here Comes Web3: How the Internet’s Next Evolution Is Shaping Hollywood’s Future
By Andrew Wallenstein
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Jennifer Coolidge’s White-Hot Comeback: Hollywood Didn’t Get Her, Then She Landed the Role of a Lifetime
By Andrew Wallenstein
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From Maverick to Mogul, Madonna’s Manager Guy Oseary Transcends the Music World to Take on NFTs
By Andrew Wallenstein