Polish Film Institute-Backed Films Find Fans at Home and Abroad

Arguably the leading player in the rapidly expanding world of Polish film production, the Polish Film Institute has become a hub of activity in the decade since it was established. The institute was founded with the mission of revitalizing the country’s production sector, with a focus on art films.

Funding for production is derived from a 1.5% tax on the revenue of broadcasters, distributors and movie theaters, with the government paying for the org’s overhead.

Now, having co-financed more than 500 films made by directors ranging from first-timers to international lions such as Andrzej Wajda (Oscar-nommed “Katyn”) and Jerzy Skolimowski (“Essential Killing”), and after partnering on prestigious international productions such as Lars von Trier’s “Antichrist,” it’s clear that the org has found its calling, crowned by the foreign-language Oscar win for Pawel Pawlikowski’s 2014 “Ida.”

That film not only earned international accolades, but the black-and white-film about a nun discovering her past also took in almost $13 million at the box office in Poland, the rest of Europe and the U.S.

As in much of Europe, distribution for local films remains a challenge — especially for the arthouse fare that forms the bulk of the slate of pics financed by the PFI — yet Polish movies still managed to attract 11 million admissions at the home box office last year, grabbing almost 30% of the market, and taking eight of the top 20 places on the year’s charts, including three of the top five.

“Gods,” a medical thriller based on the true story of Poland’s first heart-transplant surgeon, who bucked the skeptical communist authorities, nabbed the top spot on the annual charts, with a box office of 38.6 million zloty ($10.6 million), beating “The Hobbit: The Battle of the Five Armies.”

In third place was Jan Komasa’s “Warsaw ’44,” a dramatization of the Warsaw Uprising, with $7.13 million.

And in fourth was Wladyslaw Pasikowski’s atmospheric “Jack Strong,” with a box office of $5.76 million. The pic is a thoughtful Cold War thriller based on the life of master spy Ryszard Kuklinski, a high-ranking Polish colonel who leaked critical intelligence on the Soviets to the West.

The rise in sophistication of local films has helped win over domestic auds, according Tomasz Dabrowski of Film Commission Poland.

“It’s a huge challenge to keep the momentum and the market share, but as the quality of Polish films is getting better and better, we are now in a good situation,” he says.

He points to the recent rise in local screen space occupied by Polish films as a hopeful sign of things to come.

Dabrowski emphasizes that the commission, whose mission is to raise awareness abroad of Poland’s strong production scene, is not involved in distribution. But, he adds, the Poland film brand is on the ascendant, which should help sales abroad.

Besides “Ida,” the trend is exemplified by Malgorzata Szumowska’s “Body” (pictured), which won the Silver Bear at Berlin. At Cannes, the PFI is represented by Directors’ Fortnight contender “The Here After,” a moody crime and redemption story and Polish-Swedish co-production helmed by Magnus von Horn.

Some 200 prizes have gone to Polish films in the past three years, according to European Film Promotion, an international publicity org with which the PFI has worked since 2006.

Popular on Variety

More Film

  • Slovak Artist Juraj Horvath Gives Ji.hlava

    Slovak Artist Juraj Horvath Gives Ji.hlava Film Festival Its Distinctive Look

    The distinctive look and feel of the Czech Republic’s Ji.hlava film festival – fringy, arty, a bit punk via eco-warrior – is down in many ways to one man: Juraj Horvath. The Slovak artist, provocateur and illustrator of children’s books has created what he calls the “visual identity” of the docu fest for 20 years [...]

  • Edgar Ramirez to Star in ‘The

    Edgar Ramirez to Star in ‘The War Has Ended’ (EXCLUSIVE)

    Edgar Ramirez, best known for “Carlos” and “The Assassination of Gianni Versace,” will star in the drama “The War Has Ended,” from writer and director Hagar Ben-Asher’s award-winning original script about a man in search of his children. Mister Smith Entertainment will launch international sales at next month’s American Film Market. The film is being [...]

  • Spanish Antitrust Regulator to Probe U.S.

    Spanish Regulator to Probe U.S. Studios Over Possible Anti-Competitive Practices

    Spanish antitrust regulator, the National Commission of Markets and Competition, has launched an 18-month probe into possible anti-competitive practices by the local distribution branches of Hollywood studios Disney, Sony, Warner Bros., Fox, Universal and Paramount, as well as local companies providing digital services and exhibitors. The antitrust body said it was investigating 14 companies “for [...]

  • American Society of Cinematographers Honoring Frederick

    American Society of Cinematographers to Honor Frederick Elmes

    The American Society of Cinematographers will honor Frederic Elmes with a lifetime achievement award. The ASC is also honoring Donald A. Morgan with the career achievement in television award, Bruno Delbonnel with the international award; and Don McCuaig with the presidents awards. The accolades will be presented at the annual ASC awards gala on Jan. [...]

  • 'American Factory,' 'Apollo 11' Nominated for

    'American Factory,' 'Apollo 11' Score International Documentary Award Nominations

    “American Factory,” “Apollo 11,” “For Sama” and “The Edge of Democracy” have scored multiple nominations for the International Documentary Awards. “Advocate,” “Honeyland,” “Midnight Family,” “One Child Nation,” “Sea of Shadows,” and “The Biggest Little Farm” also received nods. The 35th Annual IDA Documentary Awards will be held on Dec. 7 at Paramount Studios in Los [...]

  • Joker Movie 2019

    Box Office: How 'Joker' Became Insanely Profitable

    Joaquin Phoenix’s “Joker” has become a certified box office sensation, earning $744 million in worldwide ticket sales after less than a month in theaters. Making that haul all the sweeter, Warner Bros., the studio behind the R-rated origin story about Batman’s nemesis, spent $62.5 million to finance the film, a fraction of what most comic-book [...]

  • Mackenzie Davis Terminator Dark Fate

    ‘Terminator: Dark Fate’ Tops Studios’ TV Ad Spending

    In this week’s edition of the Variety Movie Commercial Tracker, powered by the always-on TV ad measurement and attribution company iSpot.tv, Paramount Pictures claims the top spot in spending with “Terminator: Dark Fate.” Ads placed for the sci-fi action film had an estimated media value of $6.81 million through Sunday for 796 national ad airings [...]

More From Our Brands

Access exclusive content