“Spectre’s” digital popularity increased by 83% this week, pulling ahead of “Skyfall” across all social platforms with two weeks to go and remaining within the top 5 on the DAR-Film leaderboard.
The 24th Bond installment now leads Facebook, Twitter, Instagram, and YouTube engagement compared against the 2012 “Skyfall” release at the same point in the campaign. “Spectre” only trails “Skyfall” on Wikipedia, but lower search volume is expected for a new franchise installment.
In addition to the UK box-office frenzy after international opening, Sony heavily ramped up domestic initiatives this week, capitalizing on the craze. “Spectre” live-streamed the world premiere, brought behind-the-scenes footage to Snapchat, and flooded social with the film’s 5 star reviews.
With two weeks remaining until release, there’s no doubt that Bond is back and better than ever. Despite speculation that this may be Craig’s last film, “Spectre” is poised to go out with a bang.
Each week Variety publishes ListenFirst Digital Audience Ratings (DAR) – Film, a measurement of fan engagement across all the major digital platforms as it relates to film (see the TV version here). Provided by ListenFirst Media, DAR – Film measures what entertainment content is resonating most across Facebook, Google+, Instagram, Tumblr, Twitter, YouTube and Wikipedia combined. For more on the methodology behind DAR, scroll to the bottom of the article.
|Digital Audience Ratings (DAR) – Film|
|Weekly Top 5||Wednesday Oct 21, 2015 – Tuesday Oct 27, 2015|
|1||1||Star Wars: The Force Awakens||29,995|
|2||–||Scouts Guide to the Zombie Apocalypse||3,414|
|3||3||The Night Before||3,173|
|4||–||Pride and Prejudice and Zombies||3,169|
|First time on the chart|
|Trending||Wednesday Oct 21, 2015 – Tuesday Oct 27, 2015|
|Pride and Prejudice and Zombies||3,169||+28,564%|
Jason Klein is the Co-Founder and Co-CEO of ListenFirst Media, a data and analytics company providing insights for brands. ListenFirst aggregates data streams from a wide range of digital, social, and traditional marketing sources to help brands optimize business performance.
ListenFirst Digital Audience Ratings (DAR) – Film are a raw aggregate of daily engagements based on owned, earned and organic consumer behavior on Facebook, Google+, Instagram, Tumblr, Twitter, Wikipedia and YouTube. These engagements encompass metrics pertaining to audience growth, page/profile views, page-level and post-level interactions, hashtag volume and Wikipedia page views for all film pages (which provides a proxy for organic search volume).
Organic conversation volume is calculated based on the use of official hashtags, as well as those hashtags submitted directly from distributors. Only hashtags where conversation can be isolated to a specific film are included in the rating.
The Variety Weekly Top 5 and Trending leaderboards for film represent the 7-day (Wednesday – Tuesday) sum total of DAR for all US Domestic Films that have been publicly announced and slated for a commercial theatrical release. Films are rated daily from initial public announcement through 4 weeks post home entertainment street date. Festival films and other films not slated for a commercial theatrical release are excluded from this ranking cohort but available to be rated directly by ListenFirst Media.
The Trending leaderboard surfaces the three films that tracked the largest relative growth in DAR (from the previous 7-day measurement period), and are also in the top 25% based on absolute DAR.
ListenFirst monitors the official digital account owned by the film on each aforementioned platform (except for Wikipedia, where the title-specific profile is considered official). Only the U.S. version of a film’s digital presence is monitored; for platforms that support regional profiles like Facebook, the “Global” profile is considered the U.S. profile. Only profiles that can be attributed to the specific film contribute to the rating (i.e. engagements that happen on the profile facebook.com/ArgoMovie are tracked, while engagements that happen on facebook.com/WarnerBrosPictures are not). For YouTube, in addition to any film-specific presence, content related to the film in question that originated on the parent company’s official YouTube channel is considered.
For other questions pertaining to methodology, contact ListenFirst Media.