×
You will be redirected back to your article in seconds

Sundance Film Review: ‘Alive Inside’

Michael Rossato-Bennett captures some amazingly transformative results in the treatment of dementia through music.

With:

Dan Cohen, Oliver Sacks, Samite Mulondo, Bobby McFerrin, Yvonne Russell, Louise Dueno, Cheryl Velez, Connie Tomaino, Bill Thomas, Michelle Van Nostrand, G. Allen Power, Naomi Feil, Kathy Greenlee, Bonnie Kantor, Peter Whitehouse, Peter Davies. 

“Alive Inside” is a PSA-style salute to Nassau County, N.Y.-based social worker Dan Cohen and his nonprofit Music and Memory organization, which advocates for the use of iPods in treating senior citizens who suffer from dementia. Directed by first-timer Michael Rossato-Bennett, who captured some amazingly transformative results as Cohen applied headphones to nursing-home residents, the docu is unfortunately devoid of stats that would specify the treatment’s effectiveness; all we see is a string of happy customers rockin’ to the beat. Still, it’s precisely the sight of enlivened elders that beautifies and justifies the pic, an audience award winner at Sundance.

Known here by their first names only, the film’s senior subjects invariably respond to music in miraculous fashion. John, a quiet Army vet who served at Los Alamos, perks up at the sound of the Andrews Sisters, practically dancing in his chair. Denise, a bipolar schizophrenic and Schubert fan, pushes away the walking frame she’d been using every day for two years and begins to dance. Inert and depressed, the Cab Calloway-loving Henry is fully rejuvenated by music, swaying his arms and crooning “I’ll Be Home for Christmas” in perfect pitch.

Rossato-Bennett’s over-the-top narration often sounds cloying and banal. (“Music touches us all,” he says at one point, punctuating every word. “How deep does it run inside us?”) But the filmmaker succeeds in providing context, medical and historical, in between awakenings. Neurologist Oliver Sacks explains that musical memories can withstand the ravages of Alzheimer’s better than other kinds. Bill Thomas, an activist geriatrician, denounces an elder-care system in which pricey and often ineffective meds are approved for use more swiftly than $40 mp3 players.

The film traces the origins of the nursing home to the late 1800s, when changes in technology and family structures encouraged the convenient displacing of elders, and it dates the rise of the elder-care industry to 1965, the year in which Medicare and Medicaid were instituted. Currently, 5 million Americans suffer from dementia; the docu mentions that the number will nearly double within the next 10 years.

As if mindful of philosopher Immanuel Kant’s definition of music as the “quickening art,” Rossato-Bennett keeps the film moving briskly, spreading flashes of humor across a lean running time to help mitigate the fundamentally sad nature of the material. Home-movie images and swirls of colored light periodically accompany the subjects’ reinvigorated state. Other tech credits are solid.

Sundance program materials refer to the film as “Alive Inside: A Story of Music & Memory.”

Sundance Film Review: ‘Alive Inside’

Reviewed at Sundance Film Festival (competing), Jan. 25, 2014. Running time: 77 MIN.

Production:

A Projector Media production in association with Impact Partners, Artemis Rising Foundation. Produced by Michael Rossato-Bennett, Alexandra McDougald. Executive producers, Shelley & Donald Rubin Foundation, Eric J. Bertrand, Limore Shur, Ben Spivak, Regina Scully. Co-executive producers, Geralyn Dreyfous, Dan Cogan, Diana Barrett.

Crew:

Directed, written by Michael Rossato-Bennett. Camera (color/B&W, HD), Shachar Langley; editors, Mark Demolar, Manuel Tsingaris, Rossato-Bennett; music, Itaal Shur; music supervisor, Barry Cole; sound, Eli Cohn; associate producers, Jonathan Clasberry, Cole.

With:

Dan Cohen, Oliver Sacks, Samite Mulondo, Bobby McFerrin, Yvonne Russell, Louise Dueno, Cheryl Velez, Connie Tomaino, Bill Thomas, Michelle Van Nostrand, G. Allen Power, Naomi Feil, Kathy Greenlee, Bonnie Kantor, Peter Whitehouse, Peter Davies. 

More Film

  • Jimmie Fails Signs With CAA

    'Last Black Man in San Francisco' Star Jimmie Fails Signs With CAA

    Jimmie Fails, co-writer and star of “The Last Black Man in San Francisco,” has signed with CAA for representation. The drama, inspired by Fails’ own life, had its world premiere at this year’s Sundance Film Festival. In his review for Variety, chief film critic Peter Debruge described the film as “a gorgeous and touchingly idealistic [...]

  • Stuck

    Film Review: 'Stuck'

    A stalled New York City subway carriage serves as a toe-tapping musical Petri dish for six socioeconomically diverse souls in the unique stage-to-screen musical adaptation “Stuck.” Sharing a stylistic template with its 2016 left-coast cousin “La La Land” (which it predated Off-Broadway by a good four years), the film’s 2017 copyright suggests a missed opportunity [...]

  • Gay Chorus Deep South

    Why Airbnb Produced Documentary 'Gay Chorus Deep South,' Its First-Ever Film (EXCLUSIVE)

    The latest player to hit the film-festival circuit may be a bit unexpected: Airbnb, the travel-accommodations booking marketplace, developed, financed and produced documentary film “Gay Chorus Deep South,” set to premiere at the 2019 Tribeca Film Festival on April 29. It’s the company’s very first feature film. Directed by David Charles Rodrigues, “Gay Chorus Deep [...]

  • Clint Eastwood May Direct 'The Ballad

    Clint Eastwood May Direct 'The Ballad of Richard Jewell'

    Clint Eastwood may direct “The Ballad of Richard Jewell,” a look at a security guard whose life gets turned upside down after media reports identified him as a possible suspect in the 1996 Atlanta Olympics bombing. The film is currently set up at Disney/Fox and could reunite Eastwood with Alan Horn, the current Disney Studios [...]

More From Our Brands

Access exclusive content