×

Sundance: A Filmmaker’s Mom Reviews ‘Nymphomaniac’

Julee Johnson gives her take on Lars Von Trier's movie

One of the highlights of this year’s Sundance Film Festival — other than all the movies — was director Craig Johnson’s story about how he accidentally took his parents to see “Nymphomaniac: Volume 1.”

Johnson, who directed the Lionsgate-acquired “The Skeleton Twins,” attended the festival’s Tuesday night “secret” screening with his folks, only to learn the movie they were about to see was full of explicit sex — not always the most comfortable material to watch with one’s parents. He asked his mom to leave, but she wanted to stay. Variety tracked down Julee Johnson, 64, from Bellingham, Wash., to share her thoughts on “Nymphomaniac.”

First, a quick primer: “Nymphomaniac” tells the story of a woman named Joe (Charlotte Gainsbourg), who through various flashbacks, recounts the many sexual encounters of her adolescent years (Stacy Martin plays the younger version). The unrated movie includes full frontal nudity and co-stars Shia LaBeouf, Stellan Skarsgard and Christian Slater. It opens March 21.

What happened that night?
Craig’s mom: I didn’t even know what a secret screening was. Craig kind of gave us the heads up. He said, “Mom and dad, there’s a rumor going around it could be a Lars Von Trier movie ‘Nymphomaniac,’ but it could also be the new Wes Anderson movie and you’d probably enjoy that.” Frankly, we were just thrilled he would think of his parents to include in this sneak preview. We were pretty excited to be there.

And then you learned it was “Nymphomaniac”?
My first reaction was to turn to Craig, who was looking mildly panicked. We sat purposefully on the aisle, so we could make an easy escape if need be. Once they announced it, I remembered that we had all of Craig’s suitcases in the trunk of our car, so I wasn’t going anywhere.

What were you expecting?
I didn’t know what to expect with a title like that!

Did you think the story was interesting?
I thought it was an interesting story, and my husband Steve was pretty reluctant to stay for the movie. But when we got to the part where the older gentleman [Skargard] pulls out the Izaak Walton book and they start comparing graphic sex to fly fishing, Steve leans over and says, “This looks interesting. I’ll stay awhile.”

What about all the nudity?
I wasn’t put off by the nudity. But I thought the montage of all the different male genitalia was totally unnecessary.

And the love scenes?
Well, I wouldn’t call them love scenes. She’s a nymphomaniac. She wasn’t even really paying attention. I don’t know much about nymphomaniacs. But my understanding is they are kind of insatiable. She had her schedule, and she had those partners coming in, sometimes four or five a night. And the scene with Uma Thurman, didn’t you think that was amazing? I can’t even remember the last thing I saw Uma Thurman in.

How did you feel about the train scene, where Joe and her friend wander through the cars having sex with multiple strangers?
As a mother, that was difficult for me. No parents wants to see their daughter behaving in that manner. And yet, it was pretty intriguing to watch. That last gentlemen — I was curious to see how she was going to make this work, and boy, she sure did.

Did you ever close your eyes?
That’s something I told Craig I would do if it got too bad. But I did not. I might have looked away a little bit during the montage of penises, because frankly that wasn’t very attractive. I have to tell you a funny thing Craig said when we were walking out of the film. He turned to me and said, “Well Mom, how did that compare to ‘Frozen’?”

Will you see the “Nymphomaniac: Volume 2”?
I did send Craig a text, “I can hardly wait to see part two.” You know what? I’m serious. Not with Craig, mind you. I’m curious. To me, that’s a sign of a good film, when you connect with the characters. I want to know what happened to her.

Would you recommend it to friends?
Uh, probably not. We’re still not living down the day we recommended “Trainspotting.”

What are some of your favorite films this year?
“American Hustle,” “12 Years a Slave.” Let’s see, what else have I seen? Shoot, this is the kind of question that a 64-year-old woman’s brain can’t remember. I recently saw the new Sarah Polley film, “Stories We Tell.”

You must be proud of your son for debuting his first Sundance movie.
This has been Craig’s lifelong dream, to make a movie and take it to Sundance. To have it evolve from Saturday afternoon at the premiere and to read all the reviews and have the fabulous deal signed on Tuesday, it is probably, short of the birth of my three children, one of the most exciting weekends of my life. I pretty much told everybody, people on the shuttle, they all heard about Craig and his film. And I guess the other thing I didn’t expect was for people to congratulate us so much. I was just so excited about Craig’s success. It was just really fun to be swept up and included in all that.

Craig’s Mom’s grade for “Nymphomaniac: Volume 1”: a “B.”

Check back in April to read her review of “Nymphomaniac: Volume 2.”

More Film

  • Gary Hustwit Bob Greenberg, Toshiko MoriBob

    Why 'Rams' Director Gary Hustwit Doesn't Want Studios to Buy His Films

    Most filmmakers dream of scoring a big studio deal, but not Gary Hustwit. The “Helvetica” director applies a “do it yourself” model to the release of his movies. “Rams,” his recent documentary about German industrial designer Dieter Rams, is Hustwit’s latest venture into self-distribution. “I don’t want to be paying someone else’s overhead,” said Hustwit. [...]

  • Ventana Sur: Overview of 2018’s PCI

    Ventana Sur: PCI Showcases the Diversity of Argentine Cinema

    BUENOS AIRES — Mario Vargas Llosa, the great Peruvian novelist, once wrote that reality in Latin America is too compelling to ever be ignored in its fiction. Yet, as WWII raged, Jorge Luis Borges, perhaps the greatest of Argentine writers, pointedly published “Ficciones,” fantasy tales, often philosophical speculation given narrative form. If this year’s PCI [...]

  • Moroccan director Meryem Benm'Barekposes during the

    Young French Cinema Program to Showcase 12 New Films in the U.S.

    Clément Cogitore’s “Braguino,” Meryem Benm’Barek’s (pictured) “Sofia” and Marie Losier’s “Cassandro the Exotico!” are among the 12 recent French movies which will play as part of the Young French Cinema Program organized by the Cultural Services of the French Embassy in the U.S. and UniFrance. “Braguino” is a documentary feature about two feuding families living [...]

  • Woolsey Fire Malibu

    Many Malibu Areas Still Off-Limits for Filming After Fire

    The California Film Commission has maintained its ban on filming in several Malibu areas hit by the massive Woolsey fire in Southern California last month. The commission announced Tuesday that due to continued clean-up and repair work along Pacific Coast Highway, permits for filming on the highway are not being issued at this time. PCH [...]

  • Against the Clock

    Film News Roundup: Andy Garcia's Spy Thriller 'Against the Clock' Bought by Gravitas

    In today’s film news roundup, Andy Garcia’s spy thriller is sold, “Battlestar Galactica” gets a screenwriter, and Brooklyn Decker gets an award. ACQUISITION Gravitas Ventures has acquired North American rights to spy thriller “Against the Clock,” starring Andy Garcia, Dianna Agron (“Glee”), and Justin Bartha, Variety has learned exclusively. The film, formerly titled “Headlock,” is [...]

  • 'Pacific Rim Uprising' film premiere

    John Boyega in Talks to Star in Legal Drama 'A Naked Singularity'

    “Star Wars” actor John Boyega is in talks to star in the legal drama “A Naked Singularity” with Ridley Scott’s Scott Free Productions on board to produce. The movie is based on Sergio De La Pava’s debut novel, which centers on a successful New York public defender whose life begins to unravel after he loses [...]

  • Penny Marshall Dead Obit

    Remembering Penny Marshall, Who Forged Her Own Path and Paved the Way for Others

    She was a natural comedian — fearless and funny, willing to trade on her natural Bronx brogue to craft a sassy and street-wise character that was tailor-made for sitcoms. But Penny Marshall, who died Monday night at the age of 75, proved throughout her long career that she had so much more in the way [...]

More From Our Brands

Access exclusive content