×
You will be redirected back to your article in seconds

Emmy Rossum-Justin Long Romantic Comedy ‘Comet’ Bought by IFC for U.S.

IFC has acquired North American rights to romantic comedy “Comet,” starring Emmy Rossum and Justin Long.

The story examines a six-year relationship through the lens of a couple who meet at a Hollywood cemetery during a meteor shower.

Sam Esmail directed the film from his own script. Producers are Chad Hamilton for Anonymous Content and Lee Clay. The film is a Fubar Films production with Colin Bates serving as executive producer along with Peter M. DeGeorge, Steve Golin, Long, Rossum and William A. Stetson.

IFC will release the film this December. Content has acquired sales rights and will be introducing and screening the film to international distributors for the first time at the upcoming American Film Market. “Comet” premiered in June at the Los Angeles Film Festival.

More Film

  • France's Investment in Movies Plummeted in

    France's Film Production Levels Remained High in 2018, But Local Investment Plummeted

    While the volume of production in France remained high with 300 films made in 2018, investment in local films dropped by 15.2% to €1.12 billion ($1.26 billion), hit by the sharp decline in financing from traditional distribution deals and TV channels. Among the 300 films produced last year, 237 were French-majority films and 63 French-minority [...]

  • Unicorn Store Trailer

    Watch the First Trailer for Brie Larson's Directorial Debut, 'Unicorn Store'

    Brie Larson is seeking salvation from Samuel L. Jackson in Neflix’s first trailer for her directorial debut, the offbeat comedy-drama “Unicorn Store.” Larson is portraying a lonely 20-something dreamer who’s been kicked out of art school. She’s forced to move back home with her parents and take a temp job at a PR agency. But [...]

  • Patti Rockenwagner

    Chief Brand Officer Patti Röckenwagner Leaves STX Entertainment (EXCLUSIVE)

    Patti Röckenwagner is leaving STX Entertainment where she has served as the company’s chief brand officer. She announced her departure in a memo to staff, in which she said she was departing for “another opportunity.” The exit is an amicable one. Röckenwagner joined STX in 2016 as its chief communications officer before being promoted to [...]

  • Gabrielle Union

    10 Things We Learned at Variety’s 2019 Entertainment Marketing Summit

    Variety’s 2019 Entertainment Marketing Summit, which brought top execs to Hollywood’s NeueHouse on Thursday, covered considerable ground. From cutting through the noise in an oversaturated media landscape to welcoming exciting technology like virtual reality, industry veterans offered insight into what to expect from the marketing world in coming years. Here are 10 things we learned [...]

  • Orange Studio, OCS Join Forces On

    Orange Studio, OCS Join Forces on Flurry of High-Profile Series

    Following “The Name of the Rose”(pictured) and “Devils,” France’s Orange has unveiled four internationally-driven series projects as part of its commitment to step into premium original shows with its film/TV division Orange Studio and pay TV group OCS both of board. Currently in development, the social western “Cheyenne & Lola,” the dance-filled workplace drama “The [...]

  • 'This Isn’t Spinal Tap': Dishing the

    'This Isn't Spinal Tap': Dishing the Dirt on Motley Crue's Surprisingly Dark Biopic

    The new, eagerly awaited Motley Crue biopic, based on Neil Strauss’ best-selling 2001 book, “The Dirt: Confessions of the World’s Most Notorious Rock Band,” premieres today on Netflix after a seemingly endless 13 years in development hell. Those anticipating “a fun ‘80s music movie,” as Crue bassist Nikki Sixx puts it, will inevitably be stunned [...]

  • Doppelgänger Red (Lupita Nyong'o) and Adelaide

    Box Office: Jordan Peele's 'Us' Nabs $7.4 Million on Thursday Night

    Jordan Peele’s horror-thriller “Us” opened huge with $7.4 million on Thursday night in North America. The figure easily topped Thursday preview numbers for “The Nun” at $5.4 million and “A Quiet Place” at $4.3 million and nearly matched “Halloween” at $7.7 million. Projections for Universal’s “Us,” Peele’s much-anticipated follow-up to 2017’s “Get Out,” have been in [...]

More From Our Brands

Access exclusive content