×
You will be redirected back to your article in seconds

Box Office: ‘Amazing Spider-Man 2’ Soars With $92 Mil Stateside Bow

Sony's superhero sequel nears $370 million globally

While unable to match the debut power of fellow superhero marvels like the “Iron Man” franchise and “Captain America,” Sony’s “The Amazing Spider-Man 2” still managed to continue the webslinger saga in high-flying fashion, with an estimated $92 million domestically.

In just three weeks, the sequel has grossed $277 million internationally, including an additonal estimated $116 million this weekend, for a worldwide haul nearing $370 million.

Sony has a lot riding on “The Amazing Spider-Man 2” — and the film didn’t disappoint even if it did fall short of similar Stateside summer openers, including “Iron Man 3,” which blew the doors off last season with its massive $174 million domestic start.

It’s become tradition for the May-August box office season to begin with the latest Marvel superhero pic, including two previous Spidey installments. (The first “Spider-Man” opened with $114 million in 2002; “Spider-Man 3” grossed $151 million in 2007.)

The original, however, benefited from being the first of its kind from the comic-book brand, while the three-quel saw built-up audience energy as the finale in that “Spider-Man” trilogy.

All the same, this year, Disney and Marvel essentially kicked off summer-like moviegoing in early April, with “Captain America: The Winter Soldier” proving that franchise’s mettle with moviegoers, grossing $95 million opening weekend. The “Captain” sequel, which so far has collected a whopping $680 million globally, likely stole some of “Spider-Man’s” thunder; this weekend, “Winter Solder” grossed $7.8 million — down just 52% — even with “Spider-Man” entering the market.

Still, Sony anticipates the film will hold up well given its playability so far in overseas holdover markets.

“It’s just been stunning results across-the-board worldwide. We had only one day in China, and it’s been a huge one (estimated at $10.4 million),” said Sony worldwide distribution topper Rory Bruer. “It’s all going to add up nicely.”

Domestically, the sequel saw a notable uptick on the West Coast, Bruer said, especially with Hispanic auds. The film also drew a sizable 43% from 3D, of which 9.3% came from Imax (the circuit had 16 of the pic’s top 20 locations) and an additional 7% from other premium large-format locations.

In limited Stateside release, Fox Searchlight bowed its racially themed period drama “Belle” at four locations, where the film averaged a solid $26,123 per screen. Pic totaled an estimated $104,493 through Sunday. The distrib plans to add close to 11 new markets for the film this weekend.

Holding well this frame, Fox’s femme-targeted “The Other Woman” estimated $14.2 million in its sophomore outing, dropping only 43% for a projected Stateside cume of $47.3 million through Sunday.

 

More Data

  • FICCI-Frames: Digital Growing, But TV Still

    FICCI-Frames: TV Dominates India's Entertainment Sector (Study)

    India’s creative industries sector, comprising television, film, OTT and related industries had an overall market size of $23.9 billion in 2018 and is projected to grow 12% to reach $33.6 billion by 2021. That is according to the annual EY report released during the Frames conference in Mumbai, organized by the Federation of Indian Chambers [...]

  • Editorial use only. No book cover

    European Cinema Admissions Down 3.3% in 2018, but Hit 1.25 Billion for Fourth Year in a Row

    European cinema admissions hit 1.25 billion for the fourth consecutive year in 2018, despite dropping 3.3% from the record level set in 2017, according to figures released Wednesday by the International Union of Cinemas, or UNIC. Total box office revenue across Europe hit at least €8 billion ($9.1 billion), also for the fourth year running. The figures [...]

  • International 2018 Box Office Profits

    International Box Office Top 100 of 2018: Another Record Year, but Rise Is Slight

    International box office ticked up 1% over 2017 to a record $29.8 billion, helping to drive worldwide moviegoing up 2.7% to a new high-water mark of $41.7 billion. Most of the global increase came from North America, which surged 7% to $11.9 billion. “Avengers: Infinity War” became the seventh film to gross more than $1 [...]

  • Google Fined $57 Million in France

    Google Fined $57 Million in France for Breach of Data Protection Rules

    Google has been fined €50 million ($57 million) in France by data regulator CNIL for breaching the European Union’s data protection rules. The CNIL said in a statement that Google had not sufficiently informed its users about the exploitation of their personnal data. “We’re not denying that Google informs users who open an account…but the [...]

  • Neilsons Measurment Problems TV Digital

    Nielsen Launches Broader Suite of 'Audience-Buying' Products

    Nielsen is working to broaden its measurement offerings in the growing field of what is known in the media business as “audience buying.” The company on Tuesday said it would launch a suite of products that allow advertisers to define particular segments of consumers, a tactic that has gained new traction  among advertisers who have a [...]

  • Streaming, Pay-TV Rivals Drive Growth in

    Streaming, Pay-TV Rivals Drive 8% Growth in Asia Content Spend (Report)

    Production spend by online video companies in East and South Asia grew by some 80% last year, driven by competition between platforms for local series and movies, according to a report. That battle for original content between streaming platforms meant that the online video sector accounted for a 30% share of incremental production investment in [...]

  • Neilsons Measurment Problems TV Digital

    Fox, Turner, Viacom Will Take Part in New Roku Ad-Sales Market

    Roku, Inc. said it unveiled a new methodology for advertisers to use to aim commercials at specific audiences using the streaming-video platform in the United States. “As the industry’s leading TV streaming platform, we’re well-positioned to empower our publishers to unlock the full potential of OTT advertising and help them to meet the needs of [...]

More From Our Brands

Access exclusive content