×
You will be redirected back to your article in seconds

‘Corrections Class,’ ‘Chrieg’ Top Marrakech Fest

Isabelle Huppert jury awards Clotilde Hesme best actress; Sengupta wins Directing nod

Shining a light on two new European talents to track, the 14th Marrakech Film Festival awarded its top prize, the Golden Star, to Russian Ivan Tverdovsky’s “Corrections Class” while Swiss Simon Jacquemet’s “Chrieg” scooped both its Jury Prize and best actor nod for Benjamin Lutzke.

Prizes were given by a jury presided over by Isabelle Huppert and including Alan Rickman, Ritesh Batra, Bertrand Bonello, Melanie Laurent, Cristian Mungiu, Mario Martone and Moumen Smihi.

Feature debuts, both deliver bleak, but not unsparing, takes on the fortunes of Europe’s youth, leavened by their protagonists’ vitality.

Post Cannes Critics’ Week winner “The Tribe,” yet another withering portrait of special needs education in Eastern Europe, here lacerated via a callously indifferent teaching staff, bullying and attempted gang rape, “Corrections Class,” Tverdovsky’s first fiction feature, already won Karlovy Vary’s East of West Award and the Thessaloniki Fest’s Audience Award.

A nuanced portrait of unruly no-future Swiss youth, “Chrieg” suggests that if parents don’t give their children a sense of belonging and respect, they’ll look for it elsewhere.

In the case of 16-year-old Matteo, that is found in a group of teen outcasts, living in an Alp farmhouse-cum-boot camp, whose idea of a good night out is to steel a car, rough up its owner, try to set light to a disco floor and vandalize a luxury big city pad owned by one of the teen gang’s parents.

World premiering in San Sebastian’s New Directors section this September, “Chrieg” packs a physically demanding role for Lutzke, including, for the vertigo-prone, one terrifying moment when, in an initiation rite, he is made to walk along a bridge girder seemingly hundreds of meters above the ground.

Cloture Hesme plays a mother who’s confined to a trailer by an unspecified illness in Alix Delaporte’s Venice Competition entry “The Last Hammer Blow,” paid her Marrakech nod marks further recognition for an actress who was nominated for a most promising actress French Academy Cesar for Christophe Honore’s 2007 “Love Songs.” She went on to win that plaudit for her performance in Delaporte’s debut, “Angele and Tony,” another intimate drama where actors’ naturalistic performances are thrust  center stage, helmed by a member of France’s particularly rich new generation of distaff directors.

At a second-day jury press conference, Huppert said that she was particularly attracted by the Marrakech Festival’s emphasis on auteur cinema and the large number of films by new directors: Eight of the 15 competition films were freshman outings.

“For any film [to be] worth being called a film of cinema, each work reflects the soul of the director,” Huppert stressed.

Fitting then that fest’s directing kudo went to India’s Aditya Vikram Sengupta for “Labour of Love,” a directorial debut that Sengupta, living up to its title, not only directed but also spent all of his savings to make. It is set in his home city of Calcutta and centers on a young couple’s reaction to India’s crippling recession.

“They cannot control the economic crisis. They can only hope that it gets better. The best that they can do is to live in the present with as much love and dignity they can muster,” Sengupta told Variety during the festival.

A jury headed by Abderrahmane Sissako (“Timbuktu”) awarded the Cinecoles Prize, given for best short among 10 selected from Moroccan film schools, to “Dalto,” helmed by Essam Doukhou, a student at Ouarzazate’s Faculte Polydisciplinaire.

The Cinecole jury was comprised of Zoe Cassavetes, Gaspard Ulliel, Ana Girardot, Driss Rouhke and Elisa Sednaoui.

Martin Dale and Elsa Keslassy contributed to this report.

14TH MARRAKECH INTL. FILM FESTIVAL. DEC. 5-13, 2014

GOLDEN STAR FESTIVAL GRAND PRIZE
“Corrections Class,” (Ivan Tverdovsky, Russia, Germany)

JURY PRIZE
“Chrieg,” (Simon Jacquemet, Switzerland)

BEST DIRECTING PRIZE
Aditya Vikram Sengupta (“Labour of Love, India)

BEST PERFORMANCE BY AN ACTRESS
Clotilde Hesme (“The Last Hammer Blow,” Alix Delaporte, France)

BEST PERFORMANCE BY AN ACTOR
Benjamin Lutzke (“Chrieg”)

CINECOLES PRIZE
“Dalto,” (Essam Doukhou, Morocco)

Popular on Variety

More Film

  • Climbing Blind

    ‘Climbing Blind’ Snares Kendal Mountain Festival Grand Prize

    KENDAL    “Climbing Blind,” from Alastair Lee, took the Grand Prize at the 2019 Kendal Mountain Festival on Saturday. Detailing the ascent of a vertical rock pillar, the film revealed how a blind mountaineer led the climb, assisted only by a sight-partner a rope length below. The film had particular significance for a British audience, [...]

  • Jon Voight'Maleficent: Mistress of Evil' film

    President Trump to Award Jon Voight the National Medal of Arts

    President Trump will present actor Jon Voight, musician Allison Krauss, and mystery writer James Patterson with the national medal of arts. Voight is one of few in Hollywood who has been vocal about his support of President Trump in the past, calling him “the greatest president of this century.” The White House announced four recipients [...]

  • Zack Snyder arrives at the 2018

    'Justice League': Gal Gadot, Ben Affleck, Zack Snyder Support Release of 'Snyder Cut'

    Zack Snyder, Gal Gadot, and Ben Affleck have taken to social media to request that Warner Bros. release the Snyder cut of “Justice League.” Snyder, who helmed “Man of Steel” and “Batman v Superman” and was “Justice League’s” original director, had to leave production on the film partway through after his daughter died, with Joss [...]

  • Whose Side Is 'Marriage Story' On?

    Whose Side Is 'Marriage Story' On? (Column)

    Do we choose sides when we watch “Marriage Story,” Noah Baumbach’s brilliant and wrenching drama of divorce? The question, on the face of it, sounds facile in a dozen ways the movie isn’t. Rarely are there winners in divorce, and there are two sides to every breakup. “Marriage Story” is a movie that reflects that [...]

  • The Letter

    IDFA: Kenyan Documentary ‘The Letter’ Debuts Trailer (EXCLUSIVE)

    Variety has been given access to the trailer for Kenyan documentary “The Letter,” by producer-director duo Christopher King and Maia Lekow, which world premieres Nov. 23 at IDFA. The film follows a young man who travels to his grandmother’s rural home when he learns she’s been accused of witchcraft. He soon discovers that the threatening letter she [...]

  • Warner Bros. Box Office

    With 'Good Liar' and 'Doctor Sleep,' Warner Bros.' Box Office Misfortunes Mount

    When Warner Bros. was crafting its 2019 slate, the studio took pains to offer more than just superhero movies. To be sure, there were lots of masked vigilantes too, but more than any of its big studio brethren, Warner Bros. was willing to take a risk on the kinds of thrillers, adult dramas, coming-of-age stories, [...]

  • Constance Wu

    Will Constance Wu Ever Watch 'Hustlers'?

    Despite her leading role, Constance Wu has never seen “Hustlers” and, spoiler alert, it’s very unlikely that she will. Wu explained why she doesn’t want to watch the film to Mindy Kaling (“Late Night”) during a conversation for “Variety Studio: Actors on Actors.” “This is crazy,” Kaling said in the beginning of the interview. “I [...]

More From Our Brands

Access exclusive content