×
You will be redirected back to your article in seconds

Film Review: ‘The Place Beyond the Pines’

Two half-stories about fathers and sons on opposite sides of the law do not a full movie make in "The Place Beyond the Pines," the overlong and under-conceived reunion between "Blue Valentine" director Derek Cianfrance and star Ryan Gosling.

With:
Luke - Ryan Gosling Avery - Bradley Cooper Romina - Eva Mendes Jennifer - Rose Byrne Robin - Ben Mendelsohn Kofi - Mahershala Ali Jason - Dane DeHaan AJ - Emory Cohen Deluca - Ray Liotta

Two half-stories about fathers and sons on opposite sides of the law do not a full movie make in “The Place Beyond the Pines,” the overlong and under-conceived reunion between “Blue Valentine” director Derek Cianfrance and lookalike star Ryan Gosling. Divided into three segments tacked one after the other, the film begins with a lean “Drive”-like portrayal of a motorcycle daredevil (Gosling) who takes to robbing banks after learning he has an infant son to support. Then the story takes a hard right turn, effectively starting over with another, less charismatic character. Once word gets out, audiences will evaporate.

Taking its name from the Iroquois meaning of Schenectady, N.Y., where the pic takes place, this gravely serious indie drama treats the city as the capital of compromise, where values turn rancid the instant idealists come into contact with the other deadbeats in town. A brooding ladykiller half-covered in amateur tattoos, “Handsome Luke” (Gosling) rides bikes for a living. Returning to Schenectady as part of a traveling stunt show, Luke runs into lonely but unyielding Romina (Eva Mendes), a former one-night stand, only to find that she’s raising his kid. Luke quits on the spot and angles to insert himself into his infant son’s life, though Ro resists.

She has good reason to be wary, it turns out, since Luke’s idea of providing for the family entails knocking over local banks with no-good mechanic friend Robin (Ben Mendelsohn), a short-term scheme virtually guaranteed to end badly.

When it does, Cianfrance tries to keep things going by following Avery Cross (played with considerably less magnetism by Bradley Cooper), the rookie cop who sabotages what little chance Ro had of raising her son right.

From here on, “Pines” shifts gears, focusing on Cross. Rather than finding a creative way for behavior to illuminate the character’s state of mind, Cianfrance and co-writers Ben Coccio and Darius Marder present a succession of on-the-nose scenes during which the conflicted Cross visits a police shrink, chats with his service buddies and eventually appeals to his big-shot dad (Harris Yulin) about pulling some strings.

Flash forward 15 years, and the same approach applies to Luke’s and Aaron’s sons, each of whom is coping with the consequences of his parents’ selfish decisions. Aaron’s now struggling to raise teenage AJ (Emory Cohen) on his own and horrified that the youth is getting chummy with Luke’s son (Dane DeHaan, a picture of barely contained rage), but nowhere near as upset as the latter is to learn about his father.

Where “Blue Valentine” succeeded by laying bare elemental human emotions, then scrambling them in a way that felt daring and fresh, “The Place Beyond the Pines” internalizes much of what the characters are feeling while telling their stories in rote, linear fashion. Presented as such, without subplots or any clear sense of forward momentum, the film feels relatively meager in its insights. And yet the solution seems painfully obvious: Remix the three chronological stories, and the fragments might serve to reveal one another, particularly as each follows its own mini-arc.

While that may have been the original intent of Cianfrance and his editors, Jim Helton and Ron Patane, no evidence of any such effort remains, resulting in the same sort of less-interesting treatment one might get by, say, rearranging “Memento” into chronological order.

Dischordant music cues and striking widescreen lensing, a mix of austere frames and woozy handheld, create an uneasy mood upon which the pic only partially capitalizes.

Film Review: 'The Place Beyond the Pines'

Production: A Focus Features release of a Sierra/Affinity presentation of a Sidney Kimmel Entertainment/Electric City Entertainment production in association with Verisimilitude. (International sales: CAA/WME, Los Angeles.) Produced by Jamie Patricof, Lynette Howell, Alex Orlovsky, Sidney Kimmel. Executive producers, Jim Tauber, Matt Berenson, Bruce Toll. Directed by Derek Cianfrance. Screenplay, Screenplay, Ben Coccio, Darius Marder, Cianfrance.

Crew: Camera (color, widescreen), Sean Bobbitt; editors, Jim Helton, Ron Patane; music supervisor, Gabe Hilfer; production designer, Inbal Weinberg; art director, Mike Ahern; set decorator, Jasmine Ballou; costume designer, Erin Benach; sound, Damian Elias Canelos; sound designer, Dan Flosdorf; re-recording mixer, Dan Timmons; special effects coordinator, Drew Jiritano; visual effects supervisor, Jim Rider; visual effects, Method Studios; stunt coordinator, Robert Smyj; associate producers, Katie McNeill, Crystal Powell; assistant director, Mariela Comitini; casting, Cindy Tolan. Reviewed at Toronto Film Festival (Special Presentations), Sept. 7, 2012. Running time: 140 MIN.

With: Luke - Ryan Gosling Avery - Bradley Cooper Romina - Eva Mendes Jennifer - Rose Byrne Robin - Ben Mendelsohn Kofi - Mahershala Ali Jason - Dane DeHaan AJ - Emory Cohen Deluca - Ray LiottaWith: Gabe Fazio, Bruce Greenwood, Olga Merediz, Kevin Craig West, Harris Yulin.

More Film

  • Glass trailer

    'Glass': Five Box Office Takeaways From M. Night Shyamalan's Thriller

    With his fifth No. 1 box office opening, M. Night Shyamalan has plenty to celebrate. “Glass,” the conclusion to a trilogy that consists of the 2000 cult hit “Unbreakable” and 2016’s box office sensation “Split,” topped the box office last weekend — though its win comes with a few caveats. More Reviews Concert Review: Lady [...]

  • Berlin: Patra Spanou Picks Up Panorama

    Berlin: Patra Spanou Picks Up Panorama Title 'Family Members' (EXCLUSIVE)

    Patra Spanou has picked up world sales rights to “Los miembros de la familia” (Family Members), which will world premiere in the Berlin Film Festival’s Panorama section. Variety has been given an exclusive first look of the film’s trailer. The film is the second feature from writer/director Mateo Bendesky, and is produced by Agustina Costa [...]

  • Great Point Media, The Development Partnership

    Great Point Media, Development Partnership Join Forces on Slate of Movies

    Great Point Media and The Development Partnership, the development and production arm of the talent agency the Artists Partnership, are joining forces to develop, package, and co-produce multiple films, kicking off with three projects, including “Chasing Agent Freegard,” starring James Norton (“War & Peace”). “Chasing Agent Freegard,” which is being produced by “Captain Phillips” co-producer [...]

  • Berlin: FiGa Acquires ‘Landless,’ Drops ‘Hormigas’

    Berlin: FiGa Acquires ‘Landless,’ Drops ‘Hormigas’ Trailer (EXCLUSIVE)

    Sandro Fiorin’s Miami-based FiGa Films, a leading sales agent on the independent Latin American scene, has announced the acquisition of Brazilian doc “Landless,” and released a trailer for the Costa Rican-Spanish drama “El despertar de las hormigas.” Both features will play at this year’s Berlinale Forum and come from young Latin American filmmakers making their [...]

  • Ryan Reynolds Cancels Arm Surgery to

    Ryan Reynolds Cancels Arm Surgery to Promote 'Deadpool 2' in China

    Ryan Reynolds canceled surgery on his arm to fly to China and charm “Deadpool” fans in Beijing on Sunday ahead of the franchise’s unexpected China theatrical debut. Just last week, Fox suddenly announced that a re-cut, PG-13 “Deadpool 2” would hit Chinese theaters starting this Friday – the first time the notoriously blood-splattered and foul-mouthed [...]

More From Our Brands

Access exclusive content