You will be redirected back to your article in seconds

The Oscar-Nominated Short Films 2013: Animated

Without uttering a single word, the five Oscar-nominated toon shorts display a stunning range of ingenuity and emotion, repping yet another first-class lineup in one of the least-seen and most exciting categories the Academy Awards have to offer.

Without uttering a single word, the five Oscar-nominated toon shorts display a stunning range of ingenuity and emotion, repping yet another first-class lineup in one of the least-seen and most exciting categories the Academy Awards have to offer. Thanks to Shorts Intl., the public can once again enjoy these brilliant expressions of animated ingenuity on the bigscreen — or the smallest of mobile devices — hosted by 2012 winners Bill Joyce and Brandon Oldenburg, who eloquently explain why shorts matter (as the creatively pure proving ground that gave rise to Joyce’s “Rise of the Guardians”). The theatrical program includes three bonus toons.

Initially released before “Ice Age: Continental Drift,” “The Longest Daycare” features Maggie Simpson’s return to the Ayn Rand School for Tots (introduced in the 1992 episode “A Streetcar Named Marge”). Still a 1-year-old two decades later, Maggie is horrified by the spirit-crushing daycare, where she is carried past the gifted students to a room full of paste-eating morons, going head-to-head with a mallet-wielding brat to defend a helpless butterfly. The clever short gave the “Simpsons” crew a chance to spread its wings and experiment with 3D (lost in this non-stereoscopic release), while cramming more visual jokes into five minutes than fans would have thought possible. …

Popular on Variety

… That is, until they see what stop-motion mastermind PES pulls off in 90 seconds with “Fresh Guacamole,” a brilliant follow-up to his 2009 Sundance-winning “Western Spaghetti.” Back in the kitchen, the inventive chef prepares the popular party dip, substituting unexpected objects for everyday cooking ingredients (he hacks into a hand-grenade instead of an avocado, pulling out a pool-ball pit, and so forth). It’s a frivolous pleasure, but even after watching the viral hit more than a dozen times online, catching it on the bigscreen left this animation buff grinning from ear to ear.

The stop-motion puppetry in Timothy Reckart’s student-made “Head Over Heels” appears crude by comparison, and yet the National Film & Television School grad’s Anima Mundi-winning thesis film hits a deep emotional chord all the same, thanks to its poetic central metaphor. A long-married husband and wife have literally gravitated apart, now living on opposite ends of the house — her ceiling serves as his floor, and vice versa. A simple, sensitive gesture doesn’t quite solve the problem but serves to bridge the distance between them, and though the animation itself verges on ugly, the heart sings all the same at the underlying poignancy.

Featured earlier in the program, “Adam and Dog” delivers the opposite experience, stumbling somewhat in the conceptual department (the short intends to illustrate how man’s special bond with canines traces back to the Garden of Eden) while dazzling with its lush, hand-rendered visuals. Created by Disney visual development guru Minkyu Lee and various talents from other toon studios, this lovely old-school offering reps a genuine labor of love, demonstrating how purely lines and brush strokes can communicate what pixels cannot.

For the cherry on top, there’s Disney’s sublime “Paperman,” which bowed at the Annecy animation fest and preceded the re-energized studio’s terrific “Wreck-It Ralph” in theaters. Perfect in every respect, John Kahrs’ six-minute love story features one girl, one guy and a thousand paper airplanes, relying on a dash of magic — and a truly inspired piece of music by Christophe Beck — to reunite a couple who first connect on a busy train platform. Black-and-white with just a kiss of red, the hand-drawn short harks back to the Mouse House’s best days while subtly introducing a cutting-edge CG modeling technique, which is to say, the project innovates even as it captures the very essence of classical animation.

Impressive as the lot is, the Oscar contest seems a foregone conclusion in this category. Given the short running times, Magnolia opted to include three additional gems in its theatrical package. Kiwi CG toon “Abiogenesis” comes across as a reverse-“Wall-E,” following a sleek, ever-transforming robot as it introduces life to a desolate planet; French-made “Dripped” pays tribute to the revolutionary influence Jackson Pollock had on the art world; and handsome made-for-TV sequel “The Gruffalo’s Child” will delight fans of 2011 nominee “The Gruffalo” while rehashing its plot in reverse: This time, it’s the monster who’s afraid of the mouse.

The Oscar-Nominated Short Films 2013: Animated

New Zealand France U.K.-Germany

Production: A Shorts Intl. release presented in association with Magnolia Pictures. Produced by Carter Pilcher. Production supervisor, Leif Nelson. Reviewed at Nuart Theater, Los Angeles, Feb. 1, 2013. Running time: 87 MIN.

Crew: Maggie Simpson in "The Longest Daycare"
A 20th Century Fox release of a Gracie Films production. Produced by James L. Brooks, Matt Groening, Al Jean, Richard Sakai, Richard Raynis. Co-producer, Amanda Moshay.
Directed by David Silverman. Screenplay, James L. Brooks, Matt Groening, Al Jean, David Mirkin, Joel H. Cohen, Michael Price. (Color); editor, Roger Injarusorn; music, Hans Zimmer; art director, Dima Malanitchev; animation producers, Tom Klein, Film Roman. Running time: 5 MIN.

Adam and Dog
A Lodge Films presentation. Produced, directed, written by Minkyu Lee. (Color); music, Joey Newman; consultants, Glen Keane, Thomas Ethan Harris; animators, Lee, Jennifer Hager, James Baxter, Mario Furmanzcyk, Austin Madison, Matt Williames; technical director, Ethan Metzger. Running time: 15 MIN.

Fresh Guacamole
A PES production. Produced, directed, written by PES. Camera (color), PES. Running time: 2 MIN.

Head Over Heels
A National Film & Television School presentation. Produced by Fodhla Cronin O'Reilly.
Directed, written by Timothy Reckart. Camera (color), Chloe Thomson; editor, James Taylor; music, Jered Sorkin; production designer, Eleonore Cremonese; art director, Tomas Anthony Lowthion; animators, Reckart, Sam Turner; special effects supervisor, Jennifer Groves; visual effects supervisor, Helen Brownell. Running time: 10 MIN.

A Disney release of a Walt Disney Animation Studios production. Produced by Kristina Reed. Executive producer, John Lasseter.
Directed by John Kahrs. (B&W/color); editor, Lisa Linder Silver; music, Christophe Beck; music supervisor, Tom MacDougall; art director, Jeff Turley; animation supervisor, Patrick T. Osborne; visual effects supervisor, Kyle Odermatt; production manager, Holly E. Bratton. Running time: 6 MIN.

(New Zealand)
A Fuzzy Realms presentation and production in association with New Zealand Film Commission. Produced, directed by Richard Mans. Music, Rhian Sheehan. Running time: 4 MIN.

A ChezEddy presentation. Produced by Jean-Francois Bourrel, Jerome Calvet.
Directed, written by Leo Verrier. (Color); music, Pablo Pico. Running time: 8 MIN.

The Gruffalo's Child
A Magic Light Pictures presentation in association with Studio Soi of a Orange Eyes production in association with BBC, ZDF. Produced by Michael Rose, Martin Pope. Co-producer, Carsten Bunte.
Directed by Johannes Weiland, Uwe Heidschotter. Screenplay, Julia Donaldson, Johanna Stuttman, based on the book by Donaldson, Axel Scheffler. Camera (color), Hubert Markl; editor, Robin Sales; music, Rene Aubry; production designer, Man Arenas; lead animator, Tobias von Burkersroda; production manager, Sabrina Schmid; visual effects supervisor, Mathias Schreck. Running time: 26 MIN.
With: Helena Bonham Carter, Rob Brydon, Robbie Coltrane, James Corden, Shirley Henderson, John Hurt, Tom Wilkinson.

More Film

  • John Boyega

    John Boyega Apologizes for 'Badly Worded' Comments He Made in Variety Interview

    John Boyega has apologized for comments made to Variety that some readers construed as an attack on his “Star Wars” co-star Kelly Marie Tran. Boyega took to Twitter on Thursday to clarify his remarks to Variety’s Adam B. Vary that social media was a tough environment “for those who are not mentally strong” and that [...]

  • Lee Joon-dong (left)

    Jeonju Festival Appoints 'Burning' Producer Lee Joon-dong as Director

    The Jeonju International Film Festival has appointed leading art-house producer Lee Joon-dong (“Burning”) as its director. The festival is usually regarded as the second most significant in South Korea, behind Busan. The appointment was announced on Wednesday by Kim Seung-su, chairman of the festival’s organizing committee. It follows several months of internal discord and the [...]

  • Warner Bros. Pictures trailer launch event

    Lin-Manuel Miranda and Jon M. Chu Tease 'In the Heights' Movie

    Lin-Manuel Miranda, director Jon M. Chu and star Anthony Ramos took the train to the top of the world to offer a sneak peek of “In the Heights,” Warner Bros.’ big-screen adaptation of Miranda’s (other) hit musical. “I’m thrilled we’re here, and I’m thrilled we’re uptown,” Miranda rhapsodized to a packed crowd at a cozy [...]

  • One for the Road

    Wong Kar-wai to Produce 'Bad Genius' Director’s 'One For The Road'

    Wong Kar-wai is producing “One For The Road,” a new film that reunites the director and star of 2017 Thai hit “Bad Genius.” Production in New York and Thailand will begin by the end of the year. The film is a buddy drama and a road movie that sees two old friends who have been [...]

  • Jesse Eisenberg

    Film News Roundup: Jesse Eisenberg to Star in Indie Thriller 'Wild Indian' (EXCLUSIVE)

    In today’s film news roundup, Jesse Eisenberg is starring and exec producing “Wild Indian”; Jason Bateman is directing “Shut In”; “Saturday Night Live” veteran Paula Pell is honored; and the Palm Springs Film Festival sets its opening and closing films. CASTING Jesse Eisenberg is starring in and executive producing the independent thriller “Wild Indian,” Variety [...]

  • disney d23

    Top 19 Media Trends of 2019: Disney's Box Office Dominance

    The domestic box office market share over the last 12 years provides a sobering reminder of how important franchises are to studio performance, especially for Disney. Although the 2019 box office looks to be falling short of the previous year’s total, Disney is ending the decade on the highest possible note, becoming the first studio ever [...]

More From Our Brands

Access exclusive content