You will be redirected back to your article in seconds

Hansel & Gretel: Witch Hunters

A film with a concept this strange has no right to be so dully formulaic.

Hansel - Jeremy Renner
Gretel - Gemma Arterton
Muriel - Famke Janssen
Sheriff Berringer - Peter Stormare
Ben - Thomas Mann
Edward - Derek Mears
Mina - Pihla Viitala

Hansel & Gretel: Witch Hunters” is not a good film — it’s inconsistently acted, and somehow both underwritten and overplotted — but it has some good things going for it. For one, it’s not outrageously dumber than its revisionist folklore-themed predecessors “Van Helsing,” “Red Riding Hood” or TV’s “Once Upon a Time,” and it’s far more goofily violent. It also boasts a nice title credit sequence and a brisk running time. But most importantly, the long-shelved pic is set to bow with little serious B.O. competition, ensuring suitable time for crumb gathering before it’s consigned to obscurity.

To his credit, “Hansel & Gretel” writer-director Tommy Wirkola never takes the pic’s premise — the titular Grimm siblings grow into wisecracking, primitive-machine-gun-packing bounty hunters, thanks to that fateful spell in the gingerbread house — too seriously. Yet while the film rarely provokes any strenuous eye-rolling, it also can’t drum up even the slightest interest in the fate of its characters, let alone suspense.

Cursing with anachronistic brio and decked out in Steampunkish frock coats and leather pants, Jeremy Renner and Gemma Arterton star as the sibling slayers, who have parlayed their childhood fame into a thriving witch-hunting business. Called upon to investigate disappearing children in a woodland village, the two run afoul of the local sheriff (Peter Stormare) when they interrupt a witch hunt in progress.

The woman in question (Pihla Viitala) turns out to be a “white witch” with a thing for Hansel (her pretense for skinny-dipping makes Prince’s Lake Minnetonka line seem like the height of subtle seduction), while Gretel is stalked by a sort of medieval fanboy (Thomas Mann) who tirelessly follows her exploits in newspapers. Meanwhile, a particularly vindictive witch (Famke Janssen) from the surrounding forest redoubles her efforts to terrorize the townsfolk.

Wirkola introduces some moderately clever touches here and there; the missing-children posters strapped to medieval milk bottles are worth a laugh, and making Hansel a diabetic thanks to his childhood sugar trauma is a smart idea that the film unceremoniously abandons. But these are few and far between. A film with a concept this strange has no right to be so dully formulaic, yet after 15 minutes, the script has entirely exhausted its sparks of real invention.

The action is frequent and competently staged. All the same, a distressing feeling of sameness takes over midway through, and viewers may be surprised to find themselves yawning as yet another witch is ripped apart limb from limb, sending yet another wave of viscera sluicing toward the camera.

On that note, the pic isn’t helped by Renner’s apparent disdain for the material; his Hansel may be a bit of a jaded ruffian, but the weary groan he seems to keep stifling has nothing to do with the character as written. Janssen is likewise unconvincing, meaning that Arterton registers as the film’s standout thesp simply by being its most willing participant, spunkily bouncing up after numerous beatings (of which she is far more likely to be the recipient than her sibling, curiously) and sparring semi-cutely with Mann.

While visual effects and production design are solid, “Hansel and Gretel’s” 3D work is surprisingly shoddy and distracting, for reasons both creative (the frequency of protrusive blades and flying debris) and technical (a fuzzy gray sheen that appears during the film’s numerous night scenes). Germany’s Studio Babelsberg lot provides some attractively picturesque village grime.

Hansel & Gretel: Witch Hunters

Production: A Paramount release presented with Metro-Goldwyn-Mayer Pictures of a Gary Sanchez production. Produced by Will Ferrell, Adam McKay, Kevin Messick, Beau Flynn. Executive producers, Denis L. Stewart, Chris Henchy, Tripp Vinson. Directed, written by Tommy Wirkola.

Crew: Camera (Deluxe color), Michael Bonvillain; editor, Jim Page; music, Atli Orvarsson; production designer, Stephen Scott; supervising art director, Andreas Olshausen; art directors, Anja Mueller, Stephan Gessler; set decorator, Bernhard Henrich; costume designer, Marlene Stewart; sound (Dolby Digital/Datasat/SDDS), Mac Ruth; supervising sound editor, Karen Baker Landers; re-recording mixers, Scott Millan, Greg P. Russell; special effects supervisors, Gerd Feuchter, Bernd Rautenberg; special effects, Nefzer SFX; visual effects supervisor, Jon Farhat; stereographer, Florian Maier; stunt coordinators, David Leitch, Ben Cooke, Alister Mazzotti; assistant director, Chris Castaldi; second unit director, David Leitch; second unit camera, Paul Hughen; casting, Deborah Aquila, Tricia Wood, Jen Smith. Reviewed at TCL Chinese Theater, Hollywood, Jan. 24, 2013. MPAA Rating: R. Running time: 88 MIN.

With: Hansel - Jeremy Renner
Gretel - Gemma Arterton
Muriel - Famke Janssen
Sheriff Berringer - Peter Stormare
Ben - Thomas Mann
Edward - Derek Mears
Mina - Pihla ViitalaWith: Ingrid Bolso Berdal, Joanna Kulig, Bjorn Sundquist, Thomas Scharff, Kathrin Kuhnel, Cedric Eich, Alea-Sophia Boudodimos.

More Film

  • Dee Rees

    Dee Rees Directing 'Kyd's Exquisite Follies' Movie Musical

    “Mudbound” director Dee Rees will direct independent movie musical fantasy “The Kyd’s Exquisite Follies” from her own script. “The Kyd’s Exquisite Follies” will be produced by Cassian Elwes, one of the “Mudbound” producers. Santigold is set to compose the music, with Lucasfilm’s Industrial Light & Magic creating the film’s visual effects. Endeavor Content is repping the [...]

  • The Paradise

    Shanghai Film Review: 'The Paradise'

    Although gritty dramas about the hell of drug addiction are seldom in short supply in the low-budget independent sphere, it’s hard to imagine even the most uncompromising U.S. film committing quite as tenaciously to the idea of the bleak futility and probable failure of rehabilitation as Shih Han Liao’s compelling downer “The Paradise” (title ironic). [...]

  • Editorial use only. No book cover

    MGM to Adapt Rodney Dangerfield Comedy 'Back to School' as Unscripted Series (EXCLUSIVE)

    Rodney Dangerfield may finally be getting some respect in the halls of higher education. MGM Television is developing a docu-series inspired by the 1986 Dangerfield film “Back to School,” in which the comedian’s character, millionaire Thorton Melon, enrolls in college with his son to keep him from dropping out. In typical Dangerfield fashion, he triggers [...]

  • Michelle Rejwan Lucasfilm

    Lucasfilm Hires 'Star Wars: The Rise of Skywalker' Producer Michelle Rejwan

    Lucasfilm has hired “Star Wars: The Rise of Skywalker” producer Michelle Rejwan as senior vice president of live action development and production. Lucasfilm President Kathleen Kennedy made the announcement Monday. Rejwan was a co-producer on 2015’s “Star Wars: The Force Awakens,” a co-producer on JJ Abrams’ “Star Trek: Into Darkness” and an associate producer on [...]

  • Game of Thrones Season 8 Production

    'Game of Thrones,' Netflix VFX Among Those to Be Featured in SIGGRAPH Production Talks

    VFX pros behind the final season of “Game of Thrones,” the blockbuster film “Avengers: Endgame,” Pixar’s upcoming “Toy Story 4,” last year’s Oscar-winning “Spider-Man: Into the Spider-Verse,” Netflix series, including “Stranger Things,” and more will give SIGGRAPH 2019 attendees a behind-the-scenes look at their work during the conference’s Production Sessions. There will even be a [...]

  • Lionsgate Planning 'Hunger Games' Prequel Movie

    Lionsgate Planning 'Hunger Games' Prequel Movie

    Lionsgate has begun working on a “Hunger Games” prequel movie, based on a forthcoming novel from writer Suzanne Collins. “As the proud home of the ‘Hunger Games’ movies, we can hardly wait for Suzanne’s next book to be published. We’ve been communicating with her during the writing process and we look forward to continuing to [...]

  • Siberia Keanu Reeves

    Saban Films Turns 5: How the Indie Studio Grew While Rivals Faltered

    Saban Films doesn’t make the most noise. It doesn’t have the splashiest premieres or parties. But the indie film label just quietly did what many of its early rival failed to pull off. It celebrated its fifth anniversary at this year’s Cannes Film Festival. “We stuck to our plan,” Saban Films founder Bill Bromiley told [...]

More From Our Brands

Access exclusive content