Gaiman’s novel, due to be published in June, is told through a 7-year-old narrator and centers on a lodger who steals a family’s car and commits suicide in it, unleashing ancient powers from beyond the world.
“The Ocean at the End of the Lane” was set up at the end of February with Joe Wright attached to direct after Focus acquired feature rights to a co-production between Wright’s Shoebox Films and Playtone. Shoebox partner Paul Webster is producing with Playtone’s Tom Hanks and Gary Goetzman.
Thorne won BAFTA awards last year for best drama series for “The Fades” and best mini-series for “This Is England 88.” He also wrote the script for Tom Hooper’s 2009 feature “The Scouting Book for Boys.”
Thorne is repped by WME and by Casarotto Ramsay & Associates in the U.K.
Popular on Variety
Questions the 'Game of Thrones' Cast Can't Wait to Never Be Asked Again
'Game of Thrones' Cast Pick the Best Death Scenes
'Game of Thrones' Cast Relives Their Wildest Fan Encounters
Taron Egerton Calls Paramount's Attempt to Cut Out 'Rocketman' Gay Sex Scene 'Nonsense'
'Shazam's' Zachary Levi Credits Self-Love for His Success
Linda Hamilton Calls Last Three 'Terminator' Movies 'Forgettable'
Michelle Wolf Roasts Trump for Skipping Third Correspondents' Dinner
Hugh Jackman Was Rejected From His High School Production of 'The Music Man'
Watch Bette Midler's Impassioned Plea for a More Just, Civilized and Loving Planet
Christiane Amanpour: 'We Are Bludgeoned Over the Head by Untruthful Trope of Fake News'
“The Curse of La Llorona,” the latest entry in Warner Bros. and New Line’s “Conjuring” universe, conjured $2.75 million from Thursday preview showings, while “Breakthrough,” a faith-based offering from Fox-Disney, brought in $1.5 million from its second day of screenings. “La Llorona’s” haul tops recent horror counterparts “Pet Sematary” and “Escape Room,” which each took [...]
Cannes has chosen two mainland Chinese titles for its official selection: Diao Yinan’s “Wild Goose Lake,” in competition, and Zu Feng’s “Summer of Changsha,” for Un Certain Regard. Both films appear to have received the necessary official approvals from Chinese authorities to premiere overseas. But their journey to the Cote d’Azur is by no means [...]
The Cannes Film Festival has unveiled a lineup for its 72nd edition that includes some high-profile Hollywood titles, genre movies and films from 13 female directors. The official selection has been applauded by many for mixing established auteurs like Pedro Almodovar (“Pain and Glory”), Terrence Malick (“A Hidden Life”) and Xavier Dolan (“Matthias and Maxime”) [...]
It would be absurd to say that Rudolf Nureyev lived, or danced, in anyone’s shadow. He was a man who leapt and twirled and flew onstage, all muscle but light as a feather, with a freedom and force that reconfigured the human spirit. There’s no denying, though, that over the last few decades, and especially [...]
The hills are alive (or rather, undead), with the sound of music (also mastication and the moaning of zombies) in Kelly Copper and Pavol Liska’s experimental, dialogue-free, home-movie-style riff on Elfriede Jelinek’s “Die Kinder Der Toten” (The Children of the Dead). A seminal text in Jelinek’s native Austria, the 1995 book has never been translated [...]
How many twists can a plot undergo before it snaps? This, more than any of the many political, moral and personal conundrums that snake through “Idol,” seems to be the question writer-director Lee Su-jin is most interested in posing with his extravagantly incomprehensible sophomore feature. A seedy political thriller by way of grisly revenge movie [...]
Truman Capote’s “In Cold Blood” stretches long as a late-evening shadow over Italian director Sara Summa’s feature debut “The Last to See Them.” The Italian title, “Gli Ultimi Viderli Vivere” which translates literally to “The Last to See Them Alive,” is also the heading of the opening chapter of Capote’s book. The setting is, similarly, [...]