“What if you realized you had the power to change everything?” asks the trailer amid several shots of levitated objects in the wake of a scene where her mother (Julianne Moore) locks her in a closet.
Directed by Kimberly Peirce (“Boys Don’t Cry”) and scripted by Roberto Aguirre-Sacasa, story centers on a shy high-school student who uses her newly discovered telekinetic powers to exact revenge on her classmates. Sony has set an Oct. 18 opening for “Carrie,” which also stars Gabrielle Wilde, Judy Greer and Alex Russell.
Based on a Stephen King novel, the 1976 original was directed by Brian De Palma and starred Sissy Spacek, Piper Laurie and John Travolta in his first major role.
In today’s film news roundup, Rachel Brosnahan will try science-fiction, documentaries about Herb Alpert and Sasha Joseph Neulinger find homes, and Cameron Boyce’s “Runt” gets a premiere. CASTING Rachel Brosnahan will star with Anthony Ramos in Amblin Partners’ upcoming comedic sci-fi film “Distant.” Will Speck and Josh Gordon will direct from Spenser Cohen’s script about [...]
Regina King is on a roll. After winning an Oscar for “If Beale Street Could Talk” and starring as masked vigilante Sister Knight in HBO’s “Watchmen,” King is gearing up to make her film directing debut with “One Night in Miami.” Adapted by Kemp Powers from his play of the same name, the film dramatizes a [...]
Netflix is developing an untitled female-led comedy with producer Jon Berg, the former Warner Bros.’ co-president of production. The writing team of Jordan Roter (“The Tear Down,” “Camp Rules”) and Monica Corcoran Harel (New York Times, Marie Claire) has been attached to write the project. Netflix is keeping the logline under wraps. The project will [...]
We all knew the end was coming. Bob Iger had promised, time and again, that the end was coming. But the rather abrupt announcement Tuesday afternoon that he would relinquish his longtime role as CEO of the Walt Disney Co. — and that theme parks head Bob Chapek would succeed him at the top of [...]
There’s a school of critical thought that believes no contextual details or backstory to a film — be they to do with its source material, the circumstances of its production, or its makers’ motivation — should be examined or factored into a review of it, that the final product up on the screen is the [...]
With “The Invisible Man,” a terrifying thriller starring Elisabeth Moss, Universal is attempting to revive the cinematic prospects for its classic monster properties. After “The Mummy” with Tom Cruise flamed out theaters in 2017, the studio scraped its plans to form an interconnected Dark Universe and instead retooled its vision to create standalone stories unique [...]
“Dau. Natasha,” the Russian art project-turned-movie franchise competing at the Berlinale, has triggered headlines in the local and international press over the years due to its epic scale, scenes of graphic violence and anecdotes of an allegedly oppressive work environment for women. Hours before the film’s premiere at a presser on Wednesday, Ilya Khrzhanovsky, who [...]