×
You will be redirected back to your article in seconds

Film Review: ‘West’

Despite Jordis Triebel's strong performance, this latest drama about a divided Germany ultimately gets mired in details.

With:

Jordis Triebel, Tristan Gobel, Alexander Scheer, Jacky Ido, Anja Antonowicz. (German, English, Russian, Polish dialogue)

A woman escapes East Germany with her young son in the late 1970s, only to discover the same surveillance and suspicion that drove her from the East awaiting her in the “West.” One of several German filmmakers who have recently re-examined the pre-unification paradigm of a repressive East vs. a hedonistic West, Christian Schwochow charts the dysfunction of his divided country through his heroine’s mental breakdown. Jordis Triebel’s strong performance as a woman consumed by paranoia drew Montreal’s top actress nod, but “West,” like its heroine, ultimately gets mired in details. Further border crossings appear unlikely.

Based on a quasi-autobiographical novel by Julia Franck, the film transpires largely within the closed-in walls of West Berlin’s Marienfelde Refugee Center, where integration into any normal existence is held hostage by a series of tests and interviews that may or may not result in the necessary stamps of approval. Some pass through easily; others remain in limbo for months or even years.

Initially, the intransigent Nelly (Triebel) reacts with anger to the repeated, protracted interrogations by British, French and American agents. It turns out that her late lover and father of her son, Alexej (Tristan Gobel), may not merely have been a scientist; he might not even be dead. Indeed, she states that the reason she fled the East was that the Stasi’s constant harassment left her doubting her own past.

As the forces that drove her from her East German home pop up in new guises to torment her in the West, she begins to cave in to the fear and distrust running rampant through the Center, where every resident is a potential Stasi snitch, every entrant into West Berlin a potential spy. She manages to fend off her automatic defensiveness long enough to connect with a mischievous Polish musician (Anja Antonowicz) and her eminently sane father, but the respectful, helpful attentions of longtime internee Hans Pischke (Alexander Scheer), who appoints himself her son’s protector, arouse nothing but mistrust. The Center’s repetitive, institutional nature, with its bunk beds, long shower lines and communal cafeteria, further undermines Nelly’s autonomy.

She begins to react erratically. She sets up a sexual encounter with a particularly attentive CIA agent (Jacky Ido), but whether she seeks to gain information or wrest control over her plight seems unclear even to herself. Her son, already mocked at school for his East German provenance and unfashionable clothing, watches his mother’s deepening paranoia with dread.

The symptomology of Nelly’s mental state, unconnected to any personality problems or childhood traumas and flowing directly from her country’s endemic schizophrenia, ultimately lacks specificity and color. Brief glimpses offered of Nelly’s ironic intelligence are soon buried in an impersonal pathology. One need only cite Nina Hoss’ vividly memorable performance in Christian Petzold’s East/West drama “Barbara” to appreciate how drearily one-note Schwochow’s German Everywoman seems by comparison.

Film Review: 'West'

Reviewed at Montreal World Film Festival (competing), Aug. 26, 2013. Running time: 102 MIN. Original title: "Westen"

Production:

(Germany) A Senator Film Verleih release of an O Filmproduktion, Terz Filmproduktion, Zero One Film production, in co-production with Senator Film, WDR, SWR, RBB, Arte. Produced by Katrin Schlosser, Christoph Friedel, Thomas Kufus. Co-producers, Helge Sasse, Barbara Buhl, Stefanie Gross, Cooky Ziesche, Georg Steinert.

Crew:

Directed by Christian Schwochow. Screenplay, Heide Schwochow, based on the novel “Lagerfeuer” by Julia Franck. Camera (color, widescreen), Frank Lamm; editor, Jens Kluber; music, Lorenz Dangel; production designer, Tim Pannen; costume designer, Kristen Schuster; sound (Dolby Digital), Jorg Kidrowski; sound designer, Rainer Heesch. 

With:

Jordis Triebel, Tristan Gobel, Alexander Scheer, Jacky Ido, Anja Antonowicz. (German, English, Russian, Polish dialogue)

More Film

  • Ewen Bremner as Alan McGee in

    Danny Boyle-Produced ‘Creation Stories’ Adds Jason Isaacs, Steven Berkoff

    Jason Isaacs, Steven Berkoff and a host of other new names have signed on for “Creation Stories,” the film being exec-produced by Danny Boyle about Creation Records co-founder Alan McGee. The producers also unveiled the first shots of Ewen Bremner (“Trainspotting”) as the music mogul. Production is underway on the Irvine Welsh-penned project, with “Lock, [...]

  • 'Annabelle Comes Home' Review: This Grab

    Film Review: 'Annabelle Comes Home'

    In a country that should probably think about renaming itself the American Entertainment State, fan culture now produces an obsessive level of pop scholasticism, one that can parse the rules and details of movies and TV shows as if they were fine points of law. In a review of a horror movie, I once called [...]

  • Gugu Mbatha-Raw A Wrinkle in Time

    Racing Green Pictures to Launch With Gugu Mbatha-Raw Historical Drama 'Seacole' (EXCLUSIVE)

    Producer Billy Peterson has formed a new production company, Racing Green Pictures, and announced production on “Seacole,” his first feature with the banner. The film will star Gugu Mbatha-Raw (“Belle”) and Sam Worthington (“Avatar”). It centers on a Mary Seacole, a pioneering Jamaican nurse who cared for wounded British soldiers during the Crimean War and [...]

  • The Other Story

    Film Review: 'The Other Story'

    Family disputes and conspiracies take center stage in “The Other Story,” veteran helmer Avi Nesher’s lively drama exploring a hot button issue: the divide between Israel’s secular Jews and the ultra-Orthodox. The fluid narrative plays out against the backdrop of a Jerusalem riven by multiple conflicts as two dysfunctional families separately arrive at an understanding [...]

  • George Clooney

    George Clooney to Direct, Star in 'Good Morning, Midnight' Adaptation for Netflix

    George Clooney has signed on to direct and star in a feature film adaptation of Lily Brooks-Dalton’s novel “Good Morning, Midnight” for Netflix. Mark L. Smith will adapt the screenplay from the sci-fi thriller, which was named one of the best books of 2017 by the Chicago Review of Books. The post-apocalyptic tale follows the [...]

More From Our Brands

Access exclusive content