×
You will be redirected back to your article in seconds

Venice Days Unveils Lineup With Global Accent

U.S. presence strongest ever partly thanks to Tribeca tie

ROME — The Venice Film Festival’s independently run Venice Days, modeled on Cannes Directors’ Fortnight, has unveiled its lineup of 12 pics unspooling in the official selection which marks a departure from its customary Eurocrentric bent, and sees the U.S. playing prominently thanks in part to a pact with Tribeca.

Venice Days and Tribeca have launched a “cultural exchange” initiative under which Venice Days as a special event will screen a U.S. title chosen by Tribeca – this year Josh and Benny Safdie’s docu “Lenny Cooke” – while Tribeca will be showcasing a European pic selected by Venice Days.

As for entries in this year’s more geographically diverse main section, eight are world preems and seven are first works.

These include the world preem of U.S. multi-hyphenate Sean Gullette’s “Traitors,” (pictured) set amid the punk-rock scene in Tangiers where Gullette, who is an actor, scribe, producer, and longtime Darren Aronofsky collaborator, is based. Also from the U.S. is the international launch of Sundance pic “Kill Your Darlings” by John Krokidas, starring Daniel Radcliffe as Allen Ginsberg. Palestinian-American helmer Cherien Dabis (Amreeka) is launching her “May in the Summer,” also at Sundance, internationally from the Lido.

Canadian bad boy Bruce LaBruce is bowing his “Gerontophilia,”about an 18-year old male and his close rapport with an 82-year-old man.

Bowing in Venice Days from Israel is Gaza-set political thriller “Bethlehem,” by Yuval Adler; Turkish female empowerment drama “Nobody’s Home,” by Deniz Akcay; buzzed-about Hong Kong-set vampire pic “Rigor Mortis”; and Indian social drama “Siddharth,” by Richie Mehta, among other entries.

The reduced Italian presence in Days this year comprises Daniele Gaglianone’s docudrama “La Mia Classe,” about immigrant students in a Rome school.

Entries from Europe at large include Bulgarian adoption noir “Alienation,” by first-timer Milko Lazarov, starring Greek actor Christos Stergioglou (Dogtooth); and Gallic first-timer Jean Denizot’s “La Belle Vie,” about a father living with his kids whom he kidnapped after losing custody.

From Latin America, “La Reconstruccion,” the latest from Argentine helmer Juan Taratuto (A Boyfriend For My Wife) is launching internationally from the Lido section.

At the Rome presser, Venice Days artistic topper Giorgio Gosetti noted that this year’s tenth edition is marked both by pics from more countries and also less coin in his budget, which forced him to do away with the Venice Nights section dedicated to Italian docus.

Collaboration between Venice Days and Prada label Miu Miu continues on a micro sidebar titled Women’s Tales which this year will feature shorts by Palestinian thesp/helmer Hiam Abbas and U.S. helmer Ava DuVernay.

Venice Days will also screen the three finalists for the European Parliament’s Lux prize, which finances subtitles in 23 European languages and EU-wide distribution. They are: Italian thesp-turned helmer Valeria Golino’s “Miele,” Belgian auteur Felix Van Groeningen’s “The Broken Circle Breakdown,” and British helmer Clio Barnard’s “The Selfish Giant.”

Venice fest runs Aug. 28 to Sept. 7. The official selection lineup will be announced July 25.

VENICE DAYS LINEUP

Alienation,” Milko Lazarov (Bulgaria)

“La Belle Vie,” Jean Denizot (France)

Bethlehem,” Yuval Adler (Israel)

Gerontophilia,” Bruce LaBruce (Canada)

Traitors,” Sean Gullette (Morocco/U.S.)

Kill Your Darlings,” John Krokidas (U.S.)

“Nobody’s Home,” Deniz Akcay (Turkey)

“May In The Summer,” Cherien Dabis (U.S., Qatar, Jordan)

“La Mia Classe,” Daniele Gaglianone (Italy)

“La Reconstruccion,” Juan Taratuto (Argentina)

Rigor Mortis,” Juno Mak (Hong Kong)

Siddharth,” Richie Mehta (India,Canada)

Women’s Tales Project (Shorts) in collaboration with Miu Miu

“The Door,” Ava DuVernay (Italy,U.S.)

“Le Donne Della Vucciria,” Hiam Abbas (Italy,France)

SPECIAL EVENTS

“Julia,” J. Jackie Baier (Germany,Lithuania)

“Venezia Salva,” Serena Nono (Italy)

In Collaboration With Tribeca Film Festival

Lenny Cooke,” Benny Safdie, Joshua Safdie (U.S.)

Pre-opener Special Screening

“L’arbitro,” Paolo Zucca (Italy,Argentina)

Closer – Special Screening

“Tres Bodas De Mas,” Javier Ruiz Caldera (Spain)

More Film

  • Jimmie Fails Signs With CAA

    'Last Black Man in San Francisco' Star Jimmie Fails Signs With CAA

    Jimmie Fails, co-writer and star of “The Last Black Man in San Francisco,” has signed with CAA for representation. The drama, inspired by Fails’ own life, had its world premiere at this year’s Sundance Film Festival. In his review for Variety, chief film critic Peter Debruge described the film as “a gorgeous and touchingly idealistic [...]

  • Stuck

    Film Review: 'Stuck'

    A stalled New York City subway carriage serves as a toe-tapping musical Petri dish for six socioeconomically diverse souls in the unique stage-to-screen musical adaptation “Stuck.” Sharing a stylistic template with its 2016 left-coast cousin “La La Land” (which it predated Off-Broadway by a good four years), the film’s 2017 copyright suggests a missed opportunity [...]

  • Gay Chorus Deep South

    Why Airbnb Produced Documentary 'Gay Chorus Deep South,' Its First-Ever Film (EXCLUSIVE)

    The latest player to hit the film-festival circuit may be a bit unexpected: Airbnb, the travel-accommodations booking marketplace, developed, financed and produced documentary film “Gay Chorus Deep South,” set to premiere at the 2019 Tribeca Film Festival on April 29. It’s the company’s very first feature film. Directed by David Charles Rodrigues, “Gay Chorus Deep [...]

  • Clint Eastwood May Direct 'The Ballad

    Clint Eastwood May Direct 'The Ballad of Richard Jewell'

    Clint Eastwood may direct “The Ballad of Richard Jewell,” a look at a security guard whose life gets turned upside down after media reports identified him as a possible suspect in the 1996 Atlanta Olympics bombing. The film is currently set up at Disney/Fox and could reunite Eastwood with Alan Horn, the current Disney Studios [...]

  • Hagazussa: A Heathen's Curse

    Film Review: 'Hagazussa: A Heathen’s Curse'

    If “The Witch” had been directed by the early-career Werner Herzog of “Aguirre,” “Heart of Glass,” and “Even Dwarfs Started Small,” the result might have been something in the spirit of “Hagazussa,” Lukas Feigelfeld’s wholly arresting feature debut. Given the extended U.S. title “A Heathen’s Curse” to underline saleable supernatural elements, this enigmatic folktale-cum-horror is [...]

More From Our Brands

Access exclusive content