×

Film Review: ‘The Brats’

With:
Alain Chabat, Max Boublil, Sandrine Kiberlain, Melanie Bernier, Arie Elmaleh, Elisa Sednaoui, Alban Lenoir, Francois Dunoyer, Nicolas Briancon, Iggy Pop.

A wannabe musician in his early 30s unexpectedly becomes close buddies with his future father-in-law in “The Brats,” the often hilarious but structurally uneven debut of French scribe-helmer Anthony Marciano. Co-written by and toplining local YouTube sensation Max Boublil, pic cleverly casts the new star opposite vet comic Alain Chabat, here playing a couch-potato dad who decides it’s time to relive his youth with his daughter’s b.f. Though its fizzy energy can’t compensate for a narrative throughline that feels somewhat jerry-rigged, “Brats” has been a solid hit in Gaul, closing in on a $10 million gross after just three weeks. Remake rights could be of interest offshore.

Thomas (Boublil) wants to be a composer but is stuck as a wedding singer, until his own impending nuptials with g.f. Lola (Melanier Bernier) make him decide to take an office job, grow up and be responsible. When he finally meets Lola’s father, Gilbert (Chabat), he gets a glimpse of where this may lead him, as the fiftysomething’s only pleasures seem to be in riling his wife (Sandrine Kiberlain), who’s into organic food and helping children in Africa, and exercising his right to the TV remote control in their comfortable suburban home.

The genius spark of the screenplay, co-written by Boublil and Marciano, is that Gilbert wants to dissuade Thomas from marrying his daughter because, clearly, if his own life is any indication, it’s not worth it. Gilbert, who used to be something of a musician himself, thinks it’s time to reclaim something of his lost youth, so he moves into his daughter’s empty apartment in Paris and drags along the initially hesitant Thomas to all kinds of wild parties.

There are quite a few clever and funny setpieces in store — including one involving a hilariously improvised translation of an Iranian official’s comments during a nuclear summit — and thankfully, the film refrains from bogging down in misogyny, even though the female characters are mostly brought to life by the actresses rather than the writing.

What’s missing is a compact structure and a clearer handle on the characters’ dramatic arcs; the film feels too much like a loose collection of scenes roughly stitched together. Besides the Iranian antics, a visit to Morocco feels especially far-fetched and tangential, though Marciano does try to tie it into the story by way of Thomas’ musical dreams and Gilbert’s outsized desire to help him achieve them.

Indeed, music is one of the film’s key ingredients, which is to be expected, as Boublil’s YouTube and standup-comedian fame derive largely from his cheeky, singalong-ready songs, some of which (co-authored by Marciano) are featured here among the 30-plus ditties on the soundtrack. Iggy Pop also pops up in a cameo, though surprisingly, this is one of the film’s least funny bits.

Boublil, a mix of lovable goofball and uncertain adult, is put to perfect use here and nicely complements Chabat’s brand of childlike glee, while Kiberlain manages to make her character not too shrill; Bernier’s lovely in an equally underwritten part. Tech credits are big-budget smooth.

Popular on Variety

Film Review: 'The Brats'

Reviewed at UGC Cine Cite Les Halles, Paris, April 30, 2013. Running time: 97 MIN. Original title: "Les Gamins"

Production: (France) A Gaumont release of a Gaumont, Legende Films, Peopleforcinema Prods. presentation of a Legende Films, Peopleforcinema Prods production, in association with Gaumont, Bamago, TF1 Films Production, with the participation of Canal Plus, TF1. (International sales: Gaumont, Paris.) Produced by Ilan Goldman, Simon Istolainen.

Crew: Directed by Anthony Marciano. Screenplay, Marciano, Max Boublil, Noe Debre, Mona Achache. Camera (color, widescreen, HD), Jean-Paul Agostini; editor, Virginie Bruant; music, Marciano; production designer, Marie Cheminal; costume designer, Karen Muller Serreau; sound, Frederic de Ravignan; associate producer, Catherine Morisse-Monceau; assistant director, Fabien Vergez; casting, Pierre-Jacques Benichou, Christophe Istier.

With: Alain Chabat, Max Boublil, Sandrine Kiberlain, Melanie Bernier, Arie Elmaleh, Elisa Sednaoui, Alban Lenoir, Francois Dunoyer, Nicolas Briancon, Iggy Pop.

More Film

  • Incitement

    'Incitement' Wins Ophir Award for Best Picture, Becomes Israel's Oscar Submission

    “Incitement” was the best-picture winner at Israel’s Ophir Awards on Sunday night, automatically becoming the country’s choice to vie for the international feature film Oscar. The winning film, a drama about the period leading up to the assassination of Israeli Prime Minister Yitzhak Rabin by a Jewish extremist in 1995, had its global premiere at [...]

  • LargoAI

    LargoAI Wins Inaugural San Sebastian Zinemaldia & Technology Startup Challenge

    SAN SEBASTIAN  —  Swiss artificial intelligence and data analytics company LargoAI won Sunday’s first-ever San Sebastian Film Festival Zinemaldia & Technology Startup Challenge. LargoAI’s software provides data-driven filmmaking strategies, similar to those used by major VOD platforms which aggregate and often horde their own user-driven data. From early in the screenwriting process through development and [...]

  • MARIANA-RONDÓN-MARITÉ-UGÁS

    FiGa Snags 'Contactado,' By The Team Behind San Sebastian Winner 'Pelo Malo' (EXCLUSIVE)

    Sandro Fiorin’s FiGa Films has picked up worldwide sales rights to “Contactado,” the upcoming feature by Sudaca Films’ Marité Ugás and Mariana Rondón, the duo behind San Sebastian 2013 Golden Shell winner, “Pelo Malo.” The Sudaca partners are attending San Sebastian to pitch Rondón-helmed project “Zafari” at the 8th Europe-Latin American Co-production Forum. Directed by [...]

  • Brad Pitt stars in “Ad Astra”.

    'Ad Astra' Lifts Above Competition at International Box Office With $26 Million

    Though “Ad Astra” was overthrown by the Crawley family at the domestic box office, Brad Pitt’s astronaut drama reigned supreme at the international box office. Directed by James Gray, “Ad Astra” launched overseas with $26 million from 44 foreign markets. The $80 million sci-fi epic debuted in North America with $19.2 million, bringing global box [...]

  • hugh jackman tiff bad education

    Toronto's Biggest Deal Goes to HBO: A Sign of the Future? (Column)

    When it comes to how we’ll be watching movies — or, at least, watching serious dramas for adults — in the future, here are two stark and timely contradictory facts: 1. Last week, as the Toronto International Film Festival drew to a close, a deal that had been in the rumor stage for a while [...]

  • 'Talking About Trees' Helmer Suhaib Gasmelbari

    'Talking About Trees' Director Suhaib Gasmelbari Receives Variety MENA Award

    Suhaib Gasmelbari, whose Sudanese documentary “Talking About Trees” premiered in the Berlinale’s Panorama section, received the Variety Middle East and North Africa Region Talent Award Saturday at the El Gouna Film Festival in Egypt from festival director Intishal Al Timimi. Variety critic Jay Weissberg, who selected the honoree, said that it is not usual that [...]

More From Our Brands

Access exclusive content