TV Pilots/Development Scorecard
Up-to-the-minute listings of pilot and series orders
Netflix revealed that it will spend over $17 billion on content this year, a notable uptick from its 2020 spend of $11.8 billion.
The Hollywood Foreign Press Assoc. has announced, via its board, that effective immediately, Phil Berk is no longer a member of the Hollywood Foreign Press Association. The move comes in the wake
Producer Scott Rudin is "stepping back" from his film and streaming projects, in addition to his Broadway work, in the wake of allegations about his abusive workplace behavior.
After Derek Chauvin was found guilty on all three charges he faced, Fox News' coverage was splintered.
John Stamos coasts through familiar territory in the new Disney Plus sports series "Big Shot."
Netflix's "Dad Stop Embarrassing Me," starring Jamie Foxx and David Alan Grier, is happy to stick to the sitcom basics.
Thanks to an agile cast and a willingness to push for the unexpected response, "Cruel Summer" ends up a pleasant surprise.
The Amazon Prime Video series looks back at the Great Migration, but is more interested in the supernatural than its human characters.
A sexy romantic comedy turns into a drama of bad behavior that's more showy than convincing.
It's somehow fitting that a horror helmer whose career kicked off with viral videos has gone and made a pandemic movie that infects the id.
Action queen Milla Jovovich can't rescue a Chinese action-comedy that's visually OK, but weighed down by lame humor.
Norway's Oscar submission, based on director Maria Sødahl's cancer survival story, is a modern family portrait deserving of its accolades.
On "Fearless (Taylor's Version)," Taylor Swift recreates her 2008 album to the tee, but gives herself stylistic latitude on "vault" tracks.
In "Dancing With the Devil... The Art of Starting Over," Lovato turns her recovery into musical theater ... with bonus straight pop songs.
"Alone Together" documents Charli XCX staving off quarantine depression by inviting her fans to watch her make an album in just six weeks.
Lana Del Rey's "Chemtrails Over the Country Club," a second collaboration with Jack Antonoff, is solid but languid, even by her standards.
Ben Ashenden and Alex Owen's riotous West End comedy "The Comeback" is a triumph, but London theater closures stopped it in its tracks.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.