×

Seamus McGarvey for ‘Anna Karenina’

Eye on the Oscars 2013: The Cinematographer

The elaborate theatrical artifice on view in Joe Wright’s bold, risky take on Tolstoy’s “Anna Karenina” constitutes the film’s defining trait. And it’s these production qualities that largely account for the star-crossed romance’s four Oscar nominations. So it’s especially surprising that this very theatricality was actually part of a last-minute redesign necessitated by unexpected budget cuts.

And despite Seamus McGarvey’s previous Oscar-nominated work for Wright on “Atonement,” the British d.p. was a late addition to the “Anna Karenina” team, joining the project a mere three weeks prior to the first day of shooting after Phillipe Rousselot dropped out due to health reasons.

“Inevitably, the redesign transforms the film, but I think it also improves it and lends it a unique character,” McGarvey says. “The theatrical conceit allows you to be much more reductive in the staging without losing the profundity and resonance of the book.”

Tom Stoppard wrote the script. More than 100 sets were built on or near Stage C at Shepperton Studios, with fluid scene segues in mind. McGarvey chose 35mm film in part because he thought the format would help blend textures and smooth the transitions from the stage to actual exteriors. Dynamic lighting also plays an important role in these in-camera transitions.

Except for a couple of exterior situations, McGarvey shot on stages — the first time in his career he had done so to that extent.

“I loved working in a studio because the degree of control was enormous,” he says. “Even for the horse-racing scenes, we were creating ambient daylight in the studio, and that was lovely.”

McGarvey says he followed Tolstoy’s cues when it came to contrasting corrupt city life with the more idyllic rural settings.

“There is something more tangible and real and true about the scenes in the country,” he says. “We needed natural exterior light that communicated the hopeful dawning of a new era, and luckily, what we got was exquisite. In the St. Petersburg scenes, the light we created is more stark and brittle, and less heliocentric.”

At the end of the shoot, the filmmakers travelled to a desolate frozen lake near the Russian-Finnish border where the air temperature was 40 degrees below zero.

“I’ve never had a more difficult shoot,” McGarvey says. “But I’ll never forget how wonderful it was to see the actors and crew unified and bonded together by the adversity. The light was ethereal all day, with low winter sun raked across. The shadows were all aquamarine and the sky and the ambience had a hint of lilac. When I reflect on it now, it’s one of my most satisfying filmmaking experiences.”

McGarvey is preparing to shoot “Godzilla” for director Gareth Edwards.

Eye on the Oscars 2013: The Cinematographer
Cinematographers in tight race
Roger Deakin | Janusz Kaminski | Seamus McGarvey | Claudio Miranda | Robert Richardson

More Film

  • The Lion King

    Box Office: 'The Lion King' Crossing $100 Million Milestone

    Ahead of its domestic debut, Disney’s “The Lion King” is already roaring past $100 million in ticket sales globally. The hyper-realistic remake of the animated classic has generated $94.5 million from a handful of markets at the international box office and is expected to hit triple digits on Thursday. “The Lion King” opened Wednesday in [...]

  • 'It: Chapter Two' Trailer Released: Losers

    'It: Chapter Two' Trailer: Adult Losers Club Faces Off With Pennywise

    In the second trailer for “It: Chapter Two,” the Losers Club, now adults, return to face the evil force that is Pennywise. “Something happens to you when you leave this town, the farther away, the hazier it all gets,” says adult Mike in a voiceover. “But me, I never left. I remember all of it.” [...]

  • Richard Jenkins, Shane Paul McGhie Starring

    Richard Jenkins, Shane Paul McGhie to Star in Indie Comedy 'The Last Shift'

    “The Shape of Water” star Richard Jenkins and “What Men Want” actor Shane Paul McGhie have been cast in the independent comedy “The Last Shift.” The two will appear alongside Ed O’Neill, Da’Vine Joy Randolph (“High Fidelity”), Birgundi Baker (“The Chi”) and Allison Tolman (“Fargo”). Andrew Cohn is directing from his own script. “The Last [...]

  • The Band Doc 'Once Were Brothers'

    Robbie Robertson Documentary 'Once Were Brothers' to Open Toronto Film Festival

    “Once Were Brothers: Robbie Robertson and The Band” will rock the opening night of the Toronto International Film Festival. The documentary recounts the story of one of Canada’s musical legends — a man who served as both lead guitarist and primary songwriter on a group that introduced the likes of “The Weight” and “The Night [...]

  • Rounds

    Stephan Komandarev and Catalin Mitulescu Films Among Sarajevo's 23 World Premieres

    The latest films from Bulgarian director Stephan Komandarev and Romania’s Catalin Mitulescu are among 23 world premieres competing for the Heart of Sarajevo awards at the 25th Sarajevo Film Festival. Komandarev’s 2017 film “Directions” played in Cannes’ Un Certain Regard and his 2008 opus, “The World Is Big and Salvation Lurks Around the Corner,” was [...]

  • Tommy JamesCousin Brucie 3rd Annual Palisades

    Tommy James Biopic 'Me, the Mob and the Music' in Development (EXCLUSIVE)

    Pop music star Tommy James and film producer Barbara DeFina are developing the biopic “Me, the Mob and the Music,” based on James’ autobiography. DeFina, whose credits include Martin Scorsese’s “Casino” and “GoodFellas,” and James have tapped three-time Tony Award winner Kathleen Marshall to helm the film adaptation from a screenplay by Matthew Stone (“Intolerable [...]

More From Our Brands

Access exclusive content