You will be redirected back to your article in seconds

@EpicEDM Shows Twitter in a Different Light

Social media doesn't have to be just a companion to a TV show

There’s no debating Twitter has firmly established itself as the go-to real-time companion to TV, allowing viewers to connect with each other about what they watch while they’re watching.

But rather than relegating itself to a marketing vehicle for vid programmers, Twitter could be in position to move up the media food chain. Think video and social intertwined — not just the occasional six-second Vine clip.

It’s a notion being put to the test via two different productions that treat Twitter more as an exhibition window than as a promotional platform.

Have a look at @EpicEDM, which intersperses links to videos featuring profiles of luminaries on the electronic dance music scene with news and chatter from the various celebrity DJs who have massive Twitter followings. @EpicEDM is produced and financed by Believe Entertainment Group, a digital studio with a strong track record as a first mover for programming digital platforms with top talent, including LeBron James.

The other pioneer here is the Chernin Group, which is launching @SummerBreak, an unscripted narrative that follows the real lives of a group of coincidentally attractive high school graduates in the months before they head off to college.

It makes sense that @EpicEDM and @SummerBreak are programming content on social media itself rather than conventional TV or video platforms, given youngsters spend so much time there anyway. But there’s something potentially deeper at play here.

While @EpicEDM so far is limited to just video and tweets, its backers envision it evolving away from a broadcast model and incorporating content from the users itself. Imagine the telecast of a DJ performance, for instance, where in addition to seeing footage of the event from the performer’s cameras, there are additional stills, video and text from those in the audience. The program becomes more of a curation of experiences than the feed from just one source.

Distributing video on the hyperconnected platform of Twitter can mean so much more than the traditional notion of what a show is, beyond just a unidirectional linear transmission at a fixed time.

To truly hew to the contours of Twitter, a show can generate content from the audience that can be incorporated back into the primary material in a participatory way, like a quizshow, or maybe even influence the outcome of the program, like the options of a multi-stranded vidgame or a “Choose Your Own Adventure” book. Seen through to its fullest extent, this would create an entire new style of programming.

More Biz

  • Everybody Changes

    New Cadence Productions Acquires Domestic Rights to Panama's 'Everybody Changes'

    New Cadence Productions has acquired North American rights to the transgender family drama “Everybody Changes,” Panama’s official selection for the 92nd annual Academy Awards. The movie from writer-director Arturo Montenegro tells the true story of a Panamanian couple with three children who grapple with the father’s decision to come out as a transgender woman. “Everybody [...]

  • Assistant Attorney General, Antitrust Division nominee

    Justice Department Moves to End Paramount Antitrust Decrees

    The Department of Justice will seek to end the Paramount consent decrees, the landmark agreements that have barred studios from owning theaters for the last 70 years. Makan Delrahim, the head of the department’s antitrust division, made the announcement Monday in a speech to the American Bar Association fall forum on antitrust. He argued that [...]

  • Viacom HQ LA

    ViacomCBS Sets HR and Inclusion Chiefs

    ViacomCBS has named corporate heads of HR and inclusion as the companies prepare for the merger that is set to close early next month. The soon-to-combine Viacom and CBS have tapped Nielsen alum Nancy Phillips to serve as exec VP and chief people officer. Viacom alum Marva Smalls will serve as global head of inclusion, [...]

  • Sony Pictures Studio Culver City

    Sony Pictures Entertainment Buys AT&T's Stake in Game Show Network

    Sony Pictures Entertainment has bought out AT&T’s minority interest in Game Show Network for about $500 million. The deal makes Sony the sole owner of GSN. AT&T had owned 42% of the company, which the telco giant inherited with its purchase of DirecTV in 2015. AT&T has been on a mission this year to pay [...]

  • John Malone

    John Malone Boosts Stake in Discovery With $75 Million Stock Purchase

    John Malone has upped his stake in Discovery Inc. by purchasing $75 million worth of stock on the open market. Malone picked up just under 2.7 million shares in Discovery at $28.03 on Nov. 14, according to a Securities and Exchange Commission filing. Malone was already the company’s single-largest individual shareholder who holds super-voting shares [...]

More From Our Brands

Access exclusive content