×

Theaters Could Ban Google Glass, Says NATO Spokesman

Almost as fast as people have begun making fun of dorky-looking Google Glass wearers, speculation has begun about how the augmentable-reality video headset that begins recording with a simple voice command could be affected by laws targeting piracy and privacy.

NATO VP Patrick Corcoran told Fast Company that he expects the theater owners org to begin working with its members to develop new policies that address how guests can use Glass. Most movie theaters already forbid customers from bringing in audio or video recording devices, but the more subtle Google Glass could add another wrinkle to those policies.

“I can certainly see theaters developing a policy where you’d have to either put them away or check them at the Guest Services desk and get them afterwards,” Corcoran told Fast Company.

Corcoran also said that Google Glass is likely to soon become a talking point during the seminars that NATO conducts  with the MPAA for theater employees, revolving around piracy concerns and camcording.

Though Google Glass won’t be widely available until the end of the year (price is expected to be under $1,500), 2,000 pairs have already started rolling out to early recipients.

Meanwhile, lawmakers in West Virginia have attempted to make it illegal to drive wearing the connected eyewear, while casinos that normally prohibit recording devices are also likely to enact rules for wearing the glasses in sensitive gaming areas.

Popular on Variety

More Film

  • Joker

    Why 'Joker' Is About All of Us (Column)

    Take a look at the photo above. It’s the most poetic image to have emerged from Todd Phillips’ “Joker,” and the reason I say “poetic” isn’t just because the shot has that caught-in-action indelible vibe of a quintessential movie poster: graphic, hauntingly composed, a bit shocking (at least, the first time you see it). It’s [...]

  • Angelina Jolie is Maleficent in Disney’s

    'Maleficent: Mistress of Evil' Rules International Box Office With $117 Million

    Though Disney’s “Maleficent: Mistress of Evil” stumbled at the domestic box office, the Angelina Jolie-led sequel enjoyed a far stronger start overseas. The follow-up to 2014’s fantasy adventure inspired by the “Sleeping Beauty” villain took off with $117 million from 56 international markets. In North America, “Maleficent: Mistress of Evil” debuted with a meager $36 [...]

  • Angelina Jolie is Maleficent in Disney’s

    Box Office: 'Maleficent: Mistress of Evil' Dominates With Soft $36 Million

    Five years after Angelina Jolie’s “Maleficent” cast a spell over the box office, the villainous enchantress has returned to the top of domestic charts. Disney’s “Maleficent: Mistress of Evil,” a sequel to 2014’s fantasy adventure based on the “Sleeping Beauty” sorceress, flew lower than the original and debuted to a disappointing $36 million from 2,790 [...]

  • MIA Wrap

    Rome MIA Market Wraps With Stronger U.S. Presence, Boosts Italy's Industry Standing

    Rome’s MIA market for TV series, feature films and documentaries wrapped positively Sunday with organizers boasting a bump in attendance just as some 2,500 executives departed in an upbeat mood after four days of dealmaking and presentations of mostly European fresh product, which elevated Italy’s global standing in the industry, especially within the TV sector. [...]

  • Film Republic Adds Further Sales for

    Film Republic Inks Further Deals for 'God of the Piano' (EXCLUSIVE)

    Sales agent Film Republic has closed further territory sales on “God of the Piano.” Film Movement previously picked up North American rights to the film, as reported exclusively by Variety. Mont Blanc Cinema has taken the rights for Argentina, Chile, Uruguay and Paraguay. Limelight Distribution is looking after the Australian and New Zealand releases, Hualu [...]

  • ‘Bears Famous Invasion’s Lorenzo Mattotti Brings

    Lorenzo Mattotti on MIA Title ‘Bears Famous Invasion of Sicily’

    Illustrator Lorenzo Mattotti is no stranger to film festivals. The artist – a long-time New Yorker cover artist and onetime Lou Reed and Michelangelo Antonioni collaborator – has designed posters for past editions of Venice and Cannes, and has contributed to films that played in Toronto and Rome. This year, however, he experienced the festival [...]

More From Our Brands

Access exclusive content