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Courtesy of The Library of Congress

Director Maurice Tourneur, called by film historian Kevin Brownlow “one of the men who introduced visual beauty to the American screen,” arrived in America in 1914. Previously, he was as an artist (assisting sculptor August Rodin and painter Pierre Puvis de Chavannes), actor and innovative director in French theater and cinema. Tourneur’s third American film, “The Wishing Ring,” was once believed lost until Brownlow located a 16mm print of the film in northern England. The print subsequently was copied to 35mm by the Library of Congress as part of an effort funded by the National Endowment for the Arts to preserve America’s film heritage. At the time of its initial release, the film was admired for its light and pleasing cross-class romantic story, its fresh performances and the authenticity of its “Old England” settings — although it was shot in New Jersey. Historians of silent cinema have lionized the film since its rediscovery. William K. Everson praised its “incredible sophistication of camerawork, lighting, and editing.” Richard Koszarski deemed it “an extraordinary film – probably the high point of American cinema up to that time.”

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