×

Under My Skin

In Robert Sternin and Prudence Fraser's "Under My Skin," an inept angel (Yvette Cason) causes the soul and spirit of an arrogant health-care mogul (Matt Walton) to enter the body of a shrill temp (Erin Cardillo) and vice versa, and love blossoms.

With:
Melody Dent - Erin Cardillo
Harrison Badish III - Matt Walton
Samuel Dent - Hal Linden
With: Tim Bagley, Yvette Cason, Monette Magrath, Megan Sikora, Danielle Soibelman.

In Robert Sternin and Prudence Fraser’s “Under My Skin,” an inept angel (Yvette Cason) causes the soul and spirit of an arrogant health-care mogul (Matt Walton) to enter the body of a shrill temp (Erin Cardillo) and vice versa, and love blossoms. In other words, “Working Girl” meets “Heaven Can Wait,” a marriage promising more mirth than is on display at the Pasadena Playhouse. As helmed by Marcia Milgrom Dodge, the hijinks consistently push the bounds of believability and taste, less likely to stick under your skin than in your craw.

The married writing team worked on the hit 1990s sitcom “The Nanny,” remnants of which pop up in Cardillo’s nails-on-blackboard vocal delivery out-Dreschering Fran Drescher, and a host of predictable, overdone confrontations between buffoon and bimbette. Mugging and aud takes are the rule, with world records set for women adjusting their breasts and booty and men their junk.

The gags need Obamacare. “Did you take your memory pills?” “I can’t remember.”

Buoyancy might have been enhanced had the hapless pair been permitted to stay in their bodies, each letting the intruding personality take over. Remember Steve Martin hilariously channeling Lily Tomlin’s mannerisms in “All of Me”? Instead, putting Cardillo in an oversized suit and Walton in dresses, pearls and heels at first gets screams but confuses things over time. You have to keep reminding yourself who’s who.

Additional sources of discomfort are the Steve Jobs and Whitney Houston jokes (too soon); act two’s intrusion of breast and uterine cancer to push the farce into sappy melodrama; a pat, demagogic solution to America’s very real healthcare crisis offered as the “message”; and the waste of still debonair Hal Linden, whose “Barney Miller” was for years one of the last gasps of understated sitcom style, on a stale senile-grandpa cameo.

Most frustrating of all is the retro sexual politics. Horndogs are excused as having no control over their erections, and no doctor or barfly is so loathsome as to merit any comeuppance. By contrast, each and every woman is caricatured in the grossest, most cliched terms, all selfishly obsessed with appearance or personal aura. Even Kate Bergh’s garish pink number, worn with an absurdly wide peplum, flatters Walton more than it does Cardillo.

Popular on Variety

Under My Skin

Pasadena Playhouse, Pasadena; 642 seats; $62 top

Production: A Pasadena Playhouse presentation in association with W.I.T. Productions of a play in two acts by Robert Sternin and Prudence Fraser. Directed by Marcia Milgrom Dodge.

Creative: Sets, John Iacovelli; costumes, Kate Bergh; lighting, Jared A. Sayeg; sound, Philip G. Allen; production stage manager, Nate Genung. Opened, reviewed Sept. 19, 2012. Runs through Oct. 7. Running time: 2 HOURS.

Cast: Melody Dent - Erin Cardillo
Harrison Badish III - Matt Walton
Samuel Dent - Hal Linden
With: Tim Bagley, Yvette Cason, Monette Magrath, Megan Sikora, Danielle Soibelman.

More Legit

  • The Inheritance review

    'The Inheritance' Announces Broadway Cast

    After an Olivier-winning run in London, “The Inheritance” is gearing up for its Broadway debut. The two-part epic has set the cast for its transfer from the West End to the Great White Way. John Benjamin Hickey, Paul Hilton, Samuel H. Levine, Andrew Burnap and Kyle Soller are among the cast members reprising their roles [...]

  • Patrick Page, Amber Grey, Eva Noblezada,

    'Hadestown' Announces 2020 National Tour

    ‘Hadestown’, the eight-time Tony award winning Broadway musical, is set for a national tour in 2020. The show will stop in more than 30 cities including Denver, Houston, Los Angeles, Minneapolis, New Orleans, and more. The musical is a stage adaptation of the Greek myths of Orpheus and Eurydice and King Hades and his wife [...]

  • Jake Gyllenhaal

    Listen: Why Jake Gyllenhaal Is His 'Best Self' in the Theater

    Looking for the best possible version of Jake Gyllenhaal? You’ll find it onstage, according to the actor himself. Listen to this week’s podcast below: “I am my best self when I’m working in the theater,” Gyllenhaal said on the latest episode Stagecraft, Variety’s theater podcast, on which he appeared with Carrie Cracknell, the director of [...]

  • Photo: Jeremy Daniel

    'The Lightning Thief: The Percy Jackson Musical' Gets Broadway Run

    “The Lightning Thief: The Percy Jackson Musical” is Broadway bound. The musical adaptation of the franchise about a teenager who discovers he’s the son of Poseidon hits the Great White Way on Sept. 20 ahead of an Oct. 16 opening night. It comes on the heels of an extensive, nationwide tour that took the show [...]

  • Tom Sturridge Jake Gyllenhaal

    Jake Gyllenhaal and Tom Sturridge Celebrate 'Sea Wall/A Life' With Star-Studded Opening Night

    A star-studded audience looked on as Jake Gyllenhaal and Tom Sturridge returned to the stage for their double monologue performance in “Sea Wall/A Life.” Theater-goers and celebs including Anne Hathaway, Tom Hiddleston and John Mulaney gathered in Manhattan’s Hudson Theatre for opening night, celebrating a show tackling grief, birth and death through the eyes of [...]

  • Bat Out of Hell review

    Off Broadway Review: 'Bat Out of Hell'

    No one has ever accused Jim Steinman of subtlety. The composer behind Meat Loaf’s 1977 “Bat Out of Hell” (more than 43 million albums sold worldwide) and 1993’s “Bat Out of Hell II: Back into Hell” (five and six times platinum in the UK and US) has forever trafficked in a boldly theatrical brand of [...]

More From Our Brands

Access exclusive content