Hello! My Baby

A Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy's laxest standards.

With:
Mickey McKee - Ciaran McCarthy
Nelly Gold - Evie Hutton
Bert Coots - George Wendt
Ethel Coots - Kristine Zbornik
With: Lilli Babb, George Ball, Jordan Kai Burnett, Rich Hoag, Harley Jay, Zach Johnson, Ixchel Lopez, Jeremy Lucas, Jacob Mattison, Tad Murroughs, Allison Paraiso, Teya Patt, Erick Paul, Will Sevedge, Neil Starkenberg, McKenna Kylie Tedrick, Lauryn Tillery, Carly Wielstein.

Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and well-danced, but life beyond this Rubicon Theater premiere (and a May move to Santa Barbara’s Lobero Theater) is going to require more than one transfusion for the anemic storytelling.

Front and center we get a standard-issue Rooney and Garland in Mickey McKee (Ciaran McCarthy) and Nelly Gold (Evie Hutton), Lower East Side composer wannabes who quarrel their way to romance while cranking out toe-tappers like “Play a Simple Melody” (actually a hit for the young Irving Berlin), and “Alice Blue Gown” from Tierney and McCarthy’s 1919 “Irene.”

Probably there’s no harm done in scrambling the provenance of public domain song hits, except perhaps to the pride of the songwriters’ heirs. (Though as fast and loose as the show plays with the material, claims of “respect” for the original tunesmiths ring somewhat hollow.)

Steinkellner’s compulsive scavenger hunt yields, also from “Irene,” a bland second-couple romance across both sides of the tracks. From “Hairspray” comes a zoftig, expendable second second-couple impersonated by Kristine Zbornik and George Wendt. A little “Yentl” action is even brought in by having Nelly, for reasons as hard to explain as to justify, masquerade as “Ned O’Reilly,” though the hoped-for hilarity never materializes.

Nothing in the plot makes any sense, and with its flaccid, menace-free villains it’s notably lacking in tension. Helmer Brian McDonald wisely keeps the action fast, brash and wink-wink, though Steinkellner insists on interjecting a serious conscience to sometimes embarrassing results. One wonders what Jane Addams and Jacob Riis would make of “Ain’t We Got Fun,” as joyful tenement dwellers celebrate their rat-infested filth.

Say what you will, the celebration at least is handsome in Marcy Froehlich’s not-overstated period costumes. And while numbers may be empty – an unnecessary competition over “Ja-Da,” for instance – choreographer Lee Martino always succeeds in finding build, moment and excitement in them.

The cast is uniformly excellent musically, though McCarthy, Hutton and Zbornik need to ratchet down their acting so as not to wear out their welcome within five minutes. Those with restraint come off best: Wendt and Jordan Kai Burnett are quietly persuasive, while blueblood Will Sevedge has an easy way with a quip and shares with elegant sister Alice (Lilli Babb) a mellow way with a tune.

Hello! My Baby

Rubicon Theater, Ventura, CA; 210 seats; $64 top

Production: A Rubicon Theater Company presentation of a musical in two acts conceived and written by Cheri Steinkellner. Directed by Brian McDonald. New lyrics by Steinkellner. Musical arrangements and orchestrations by Craig Safan. Choreography, Lee Martino.

Creative: Sets, Thomas S. Giamario; costumes, Marcy Froehlich; lighting, Jeremy Pivnick; sound, Jonathan Burke; musical director, Lloyd Cooper; production stage manager, Linda M. Tross. Opened, reviewed Mar. 24, 2012. Runs through Apr. 15. Running time: 2 HOURS, 30 MIN.

Cast: Mickey McKee - Ciaran McCarthy
Nelly Gold - Evie Hutton
Bert Coots - George Wendt
Ethel Coots - Kristine Zbornik
With: Lilli Babb, George Ball, Jordan Kai Burnett, Rich Hoag, Harley Jay, Zach Johnson, Ixchel Lopez, Jeremy Lucas, Jacob Mattison, Tad Murroughs, Allison Paraiso, Teya Patt, Erick Paul, Will Sevedge, Neil Starkenberg, McKenna Kylie Tedrick, Lauryn Tillery, Carly Wielstein.Musical Numbers: "Pluggers' Prologue," "Won't You Play a Simple Melody," "I'm Always Chasing Rainbows," "G&S 1," "A Good Man Is Hard to Find," "Oh, Johnny, Oh," "G&S 2," "Ja-Da," "Some of These Days," "Alice Blue Gown," "If You Were the Only Girl in the World," "Hello! My Baby," "I Don't Care," "Stairway to Paradise," "G&S 3," "Ballin' the Jack," "You'd Be Surprised," "My Buddy/I Ain't Got Nobody," "Ballin' the Jack" (Reprise), "Ain't We Got Fun," "There'll Be Some Changes Made," "You Made Me Love You," "Hello! My Baby Finale."

More Legit

  • Samantha Barks, Andy Karl'Pretty Woman: The

    'Pretty Woman' Broadway Cast Recalls Performing for Julia Roberts

    Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and […]

  • Sally Field Bill Pullman

    Sally Field, Bill Pullman Set London Stage Debuts in 'All My Sons'

    Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and […]

  • Pretty Woman musical

    Broadway Review: 'Pretty Woman: The Musical'

    Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and […]

  • Alex BrightmanAmerican Theatre Wing’s 70th Annual

    'Beetlejuice' Musical Taps 'School of Rock' Broadway Star

    Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and […]

  • Keri Russell Star Wars

    Keri Russell to Join Adam Driver in 'Burn This' on Broadway

    Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and […]

  • Ethan Hawke

    Ethan Hawke Gets Candid on Fame, Filmmaking and What He Learned From 'Reality Bites'

    Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and […]

  • 'Gettin' The Band Back Together' Review:

    Broadway Review: 'Gettin' the Band Back Together'

    Fed up with rock ‘n’ roll jukebox tuners? Cheri Steinkellner (“Sister Act”) has ransacked the old 78s beneath her Victrola to weave two dozen royalty-free song hits into “Hello! My Baby,” a Tin Pan Alley yarn with a notably preposterous and negligible narrative even by musical comedy’s laxest standards. It’s all extremely genial, well-sung and […]

More From Our Brands

Access exclusive content