×
You will be redirected back to your article in seconds

The Comedian

The spirit of Dogma 95 is alive, well and refreshingly reinvented in "The Comedian," the highly promising feature debut of Israeli-born, London-based shorts director Tom Shkolnik.

With:
With: Edward Hogg, Elisa Lasowski, Nathan Stewart-Jarrett, Steven Robertson, Jamie Baughan, Gerard Murphy, Caolan Byrne, Kate Rutter, Nyasha Hatendi, Azara Meghie, Barnaby Slater, Edyta Budnik, Brett Goldstein, Martha Bishoff, Mike Belgrave. (English dialogue)

The spirit of Dogma 95 is alive, well and refreshingly reinvented in “The Comedian,” the highly promising feature debut of Israeli-born, London-based shorts director Tom Shkolnik. Filmed after intensive improvisation but with no script, this slice-of-life drama raises the bar for creating convincing reality via perfs by trained actors, the modest downside being a less-than-wholly satisfying narrative shape. Further fest outings are guaranteed following the pic’s appearance in the London fest’s First Feature competish, with niche theatrical to follow from adventurous distribs.

By day, Ed (Edward Hogg) works at a call center selling women’s health insurance; by night, he tries his hand on what must surely be the lowest rung of London’s standup comedy circuit. A 32-year-old who has yet to find his place in the world, he shares an east London apartment with Eastern European-accented musician Elisa (Elisa Lasowski). Their relationship is ambiguous, but Ed nevertheless encourages her to pay attention to his puppyish co-worker Steven (Steven Robertson).

Providing the piece with some narrative spine is the dynamic that emerges between artist Nathan (Nathan Stewart-Jarrett, TV’s “Misfits”) and Ed when they meet on a bus after one of Ed’s laugh-challenged comedy perfs. “Who told you that you were funny?” Nathan mischievously inquires before inviting him back to his place. The depiction of these characters — two men, one white and one black, both of whom just happen to be gay, and for whom sexuality is just one component of their identity — is likely to resonate with audiences of all persuasions.

Filmed with mostly available light at real locations according to a strict set of rules devised by purist Shkolnik (only one take of each scene was permitted, for example), “The Comedian” represents a significant achievement by a bare-bones crew, with particular credit due to lenser Benjamin Kracun and sound recordist Howard Peryer. But perhaps the biggest contribution comes courtesy of editor Pierre Haberer, who apparently spent 10 months culling footage from 90 hours of rushes, and finely chiseled his four-hour rough cut into the artfully affecting 80 minutes that finally emerged. He describes it in the press notes as “the first wildlife documentary about human relations.”

One highlight is a conversation about homosexuality that seems to develop organically among Ed, Nathan and fellow bus passengers after the men are overheard discussing their relationship. Another, which closes the film on a poignant note, is between Ed and a London minicab driver.

Hardly the first film to depict the condition of being a decade or so out of college and still flailing for direction in life, “The Comedian” represents the next logical step from the mumblecore films of Andrew Bujalski and friends, eschewing narrative contrivance for a purer depiction of character and event. The resulting, highly specific authenticity marks Shkolnik as a fresh and potent voice, although the remaining challenge for the filmmaker lies in adapting his unique method to create truly satisfying drama.

The Comedian

U.K.

Production: A Trinity Filmed Entertainment release of a BFI, the Bureau presentation of a Bureau production in association with Celluloid Dreams, Trinity Filmed Entertainment, Plan2Real, Le Petit Bureau. (International sales: Celluloid Dreams, Paris.) Produced by Bertrand Faivre, Dan McCulloch. Directed, written by Tom Shkolnik.

Crew: Camera (color, HD), Benjamin Kracun; editor, Pierre Haberer; music supervisor, Hamish Duff; production designer, Marie Lanna; art director, Celia Lusted; costume designer, Lusted; sound (Dolby Digital) Howard Peryer; re-recording mixers, Richard Davey, Will Chadwick; visual effects, Arnaud Chelet; line producer, Farah Abushwesha; assistant director, Charlie Endean; casting, Kahleen Crawford. Reviewed at London Film Festival (First Feature, competing), Oct. 8, 2012. Running time: 80 MIN.

With: With: Edward Hogg, Elisa Lasowski, Nathan Stewart-Jarrett, Steven Robertson, Jamie Baughan, Gerard Murphy, Caolan Byrne, Kate Rutter, Nyasha Hatendi, Azara Meghie, Barnaby Slater, Edyta Budnik, Brett Goldstein, Martha Bishoff, Mike Belgrave. (English dialogue)

More Film

  • First-Look Image Revealed for ‘Monday,’ Starring

    First-Look Image Revealed for ‘Monday,’ Starring ‘Captain America’s’ Sebastian Stan

    The first-look image from Greek director Argyris Papadimitropoulos’ “Monday,” starring Sebastian Stan – best known for “I, Tonya” and the “Captain America” movies – and “Colette’s” Denise Gough, has been released. Protagonist Pictures will launch international sales on the pic in Berlin. “Monday” follows the story of Mickey (Stan) and Chloe (Gough), two Americans in [...]

  • The Wedding

    Film Review: 'The Wedding'

    Two considerations need to exist side by side when discussing “The Wedding,” the debut feature of Egyptian-American multihyphenate Sam Abbas. One involves the film itself, a dull slice of Lower Manhattan mumblecore about a heterosexual New York couple fitfully planning their wedding until she discovers his gay dalliance. The other, getting the lion’s share of [...]

  • The Best Gifts For Film Buffs

    Holiday Gift Guide: The Best Gifts For Film Buffs

    Whether you know a film buff who needs to upgrade their collection, or you just want to upgrade your movie nights at home, here are eight gifts that will cast your favorite flicks in a whole new light. 1. Ingmar Bergman’s Cinema: The Criterion Collection Thirty-nine films from the legendary Swedish filmmaker are collected in [...]

  • Ansel Elgort The Great High School

    Film News Roundup: Ansel Elgort to Star in 'The Great High School Imposter'

    In today’s film news roundup, Ansel Elgort is going to high school, “Rockaway” gets a release, and “Suspiria” producer Bradley Fischer is honored. CASTING Ansel Elgort has come aboard to star in the drama “The Great High School Imposter” for Participant Media and Condé Nast Entertainment. More Reviews Film Review: 'The Wedding' Film Review: 'Malila: [...]

  • Oscars Oscar Academy Awards Placeholder

    Oscars: Film Academy Narrows the List of Contenders in Nine Categories

    The Academy of Motion Picture Arts and Sciences has announced shortlists of semi-finalists in nine separate categories. From here, the organization’s separate respective branches will vote to determine nominees, which will be announced along with all other Oscar categories next month. This year marks the first year since 1979 that shortlists have been revealed in [...]

  • Watch Skylar Grey Reenact 'Aquaman' Kiss

    Watch Skylar Grey Reenact 'Aquaman' Kiss Scene With Fiance

    The melody from “Everything I Need,” the song Skylar Grey penned for “Aquaman” is used in the scene — spoiler alert — in which the titular hero (Jason Momoa) and Mera (Amber Heard) kiss while an epic battle rages on around them. Grey and her fiance Elliott Taylor reenacted the kiss in a somewhat similar [...]

More From Our Brands

Access exclusive content