×
You will be redirected back to your article in seconds

EMI songs to NYU students

Partnership allows inexpensive use of songs in films

GreenLight Music, the online music licensing service launched by Corbis in March, and EMI Music Publishing have entered into an exclusive partnership with NYU’s Tisch School of the Arts to provide student filmmakers with what Greenlight calls “affordable, pre-approved pricing” for thousands of songs from the EMI catalog for use in their film projects.

Agreement with NYU’s Maurice Kanbar Institute of Film and Television aims to streamline the approval process on synch licensing of songs for which EMI owns both the master recording and publishing rights. “Affordable means that students would pay roughly 75% less than what they’d normally pay for an iconic (EMI) song,” Gary Shenk, CEO of Corbis, told Variety. “We’re finding that of the hundreds of requests that we’ve gotten since we launched Greenlight a few months ago, the No. 1 request is from student filmmakers.”

As a comparative pricing example, Shenk pointed to a recent non-EMI licensing agreement involving the use of a well-known star’s song in a student film and festival, for $3,500. “The EMI deal would make any of the couple thousand songs we have in the EMI catalog available for $250-$600 depending on how the music was used in the film. And if the student is only using it in the school and not taking it out to festivals, the price (could be) as low as $50-$75.”

“The right soundtrack is critical to the success of a student’s project,” said Peter Newman, head of the MBA/MFA dual-degree producing program at Tisch who helped negotiate the deal, in a statement, adding the agreement allows students to more fully “focus on their projects.”

EMI Music Publishing’s Brian Monaco and Saul Melnick helped intrument the deal on the label end.

“It’s an essential part of our work on behalf of our writers and artists that we give all creators, from film makers to app developers, the opportunity to innovate – and to assure that music is used legitimately for the wider development of our collective culture,” added Roger Faxon, CEO of EMI Group, in the statement.

NYU film school alums include Martin Scorsese, Oliver Stone, Joel Coen, Chris Columbus, Jim Jarmusch, Ang Lee and Spike Lee, among others.

EMI Music Publishing reps such writers and producers as Beyoncé, Lady Antebellum, Jay-Z, Norah Jones, Pink and Kanye West.

More Film

  • Festival director Thierry Fremaux speaks to

    Cannes: Thierry Fremaux on the Lineup's Record Number of Female Directors, American Cinema and Political Films

    The Cannes Film Festival has unveiled a lineup for its 72nd edition that includes some high-profile Hollywood titles, genre movies and films from 13 female directors. The official selection has been applauded by many for mixing established auteurs like Pedro Almodovar (“Pain and Glory”), Terrence Malick (“A Hidden Life”) and Xavier Dolan (“Matthias and Maxime”) [...]

  • RUDOLF NUREYEV 1961

    Film Review: 'Nureyev'

    It would be absurd to say that Rudolf Nureyev lived, or danced, in anyone’s shadow. He was a man who leapt and twirled and flew onstage, all muscle but light as a feather, with a freedom and force that reconfigured the human spirit. There’s no denying, though, that over the last few decades, and especially [...]

  • Die Kinder Der Toten review

    Film Review: 'Die Kinder Der Toten'

    The hills are alive (or rather, undead), with the sound of music (also mastication and the moaning of zombies) in Kelly Copper and Pavol Liska’s experimental, dialogue-free, home-movie-style riff on Elfriede Jelinek’s “Die Kinder Der Toten” (The Children of the Dead). A seminal text in Jelinek’s native Austria, the 1995 book has never been translated [...]

  • Idol review

    Film Review: 'Idol'

    How many twists can a plot undergo before it snaps? This, more than any of the many political, moral and personal conundrums that snake through “Idol,” seems to be the question writer-director Lee Su-jin is most interested in posing with his extravagantly incomprehensible sophomore feature. A seedy political thriller by way of grisly revenge movie [...]

  • The Last to See Them review

    Film Review: 'The Last to See Them'

    Truman Capote’s “In Cold Blood” stretches long as a late-evening shadow over Italian director Sara Summa’s feature debut “The Last to See Them.” The Italian title, “Gli Ultimi Viderli Vivere” which translates literally to “The Last to See Them Alive,” is also the heading of the opening chapter of Capote’s book. The setting is, similarly, [...]

  • Kalank

    Film Review: ‘Kalank’

    Events leading to the 1947 Partition of India serve as the forebodingly serious backdrop for the exhaustingly overextended razzmatazz of “Kalank,” writer-director Abhishek Varman’s lavish but ponderous Bollywood extravaganza, which opened in the U.S. on more than 300 screens the same day as its Indian release. Despite the preponderance of sets and costumes spectacular enough [...]

  • WGA Agency Packaging Fight Placeholder Writer

    WGA: 92% of Writers Who Signed Statement of Support Have Fired Agents

    The Writers Guild of America estimated that over 92% of their members who support a new code of conduct for talent agencies have fired those representatives. Letters announcing formal termination will be delivered on Monday, the guild said in a late-hitting memo on Thursday, as most agencies will be closed tomorrow in observance of Good [...]

More From Our Brands

Access exclusive content