×

Digital changes for good and bad

Global Locations Report 2012

Location manager David Israel was flying some 35,000 feet above Arizona when he began scouting New Orleans locations for director McG’s since-shelved Universal feature “Ouija” in June 2011. With his Motorola Zoom tablet connected to the Internet via the airplane’s wi-fi connection, he did a Web search of Big Easy high schools, then looked at them up-close with GoogleEarth’s street view.

“I’d do some screen grabs, post them on my website, then email the designer, saying, ‘Here are the pictures of schools I think might work,’ ” he says. “Now we’re over Texas and he emails me back. By the time I landed I had picked out the ones we wanted to visit.”

Along with the rest of the world, the location manager’s job has been transformed by the digital revolution. Using laptops, cloud storage sites, smartphones and iPads equipped with 4G and GPS navigation, they’re able to do their work more efficiently, saving time and money.

The acceleration and streamlining of the workflow has been breathtaking.

Before digital cameras became commonplace around 2000, it wasn’t unusual for scouts to spend $150 a day on film and processing for location photos, which, before high-speed Internet became common, could take up to six days to reach L.A. from a far-flung locale such as Morocco even if they were sent via FedEx or DHL.

For others, the changes wrought by the digital revolution are more basic, though equally liberating. “For years and years, I had a telephone to my ear 18 hours a day,” says Washington, D.C.-based location manager Peggy Pridemore. “Now I do it all by email.”

But progress has a downside, location pros agree.

“Because we can now pull off minor miracles at high-speed, it becomes sort of standard operating procedure, so it adds a measure of pressure” says location manager Ilt Jones, speaking from North Carolina, where he’s working on Marvel/Disney’s “Iron Man 3.” “It happens a lot in television, where writers add a location at the last minute.”

One of the community’s first cyber tools was Locolist, an email discussion list location manager Marino Pascal started for his fellow Southern California location managers in 1997. He later created the Internet forum LocationTalk.org.

Last month the Location Managers Guild of America (LMGA) unveiled its own iPhone app, featuring membership and vendor directories and a “cyber kit” with a built-in QR code scanner and quick links to sun position tracking and tide report sites (see story, page xx).

Producers and studios are also getting into the act with such services as the PIX system, an online collaboration and project management platform designed for entertainment production..

“Instead of putting (images) up on my website, I put them in the PIX system, and then we can have a conversation with me in Wyoming, the other location scout in Montana and the entire art department in Louisiana,” says location scout Lori Balton, who used it on an upcoming studio feature. “The production designer could point with a red arrow, saying, ‘I’d like more of this and less of that.’ It’s really like we’re all in the same room.”

For the most part, the high-tech tools favored by locations pros are the same ones used by civilians, from apps that turn smartphones into flashlights or walkie-talkies, to Bing.com’s map feature, which location manager Robert Foulkes used to do a virtual flyover of the Laguna Beach, Calif., coastline for director Oliver Stone’s upcoming Universal crime thriller “Savages.”

“Bing gives you a tilted bird’s-eye view of things instead of straight above, so you get a better idea of what something really looks like,” Foulkes says. “The designer would’ve wanted to get up in a helicopter if we couldn’t bring up photos like that.”

But “NCIS: Los Angeles” location manager Tony Salome cautions that just because something looks good online, doesn’t mean it’s going to be viable in the real world.

“Once we find a location, we need to find a parking lot nearby where we can base the company,” says Salome, who’s first VP of LMGA. “Someone finds one online, then I go down to check it out and see there’s no way we’re going to be able to fit everyone in there. And the person says, ‘When I saw it on GoogleEarth, it looked plenty big.’ That happens a lot.” n

Global Locations Report 2012
Shoot pro rewrites rules | Digital changes for good and bad | Org releases own app | 10 location managers sound off

More Film

  • Themba Ntuli and Ashley Lazarus

    Ashley Lazarus, Director of Apartheid-Era Cult Classic, Returns to Screen

    DURBAN–Director Ashley Lazarus, whose film about the interracial friendship between two young boys during the apartheid era became a South African cult classic in the 1970s, is set to return to the big screen with a film that builds on his life-long passion for early-childhood education. “Teacher Wanted” is the inspirational story of a teacher [...]

  • Channing Tatum

    Channing Tatum's Free Association Partners With Atwater Capital for Film Development Fund

    Free Association, a production company led by Channing Tatum, Peter Kiernan and Reid Carolin, has entered into a film development fund with Atwater Capital. The four-year $2 million revolving fund stipulates that Atwater will finance a minimum of five films with Free Association. Michael Parets, VP of production, will oversee the deal. Free Association will [...]

  • Once Upon a Time in Hollywood

    Box Office: Tarantino's 'Once Upon a Time in Hollywood' Takes on 'Lion King'

    Rick Dalton and Cliff Booth, Leonardo DiCaprio and Brad Pitt’s characters in Quentin Tarantino’s “Once Upon a Time in Hollywood,” will have to take on much more than a changing showbiz landscape. This weekend, the washed-up actor and his majordomo are battling Disney’s juggernaut “The Lion King” at the domestic box office. Tarantino’s R-rated auteur [...]

  • Margot Robbie Once Upon a Time

    Margot Robbie Says 'Barbie' Movie Will Put 'Positivity' Into the World

    Over the last 10 years, Margot Robbie has stepped into the skates of Tonya Harding, taken up the mantle of Harley Quinn and, next up, she’s playing the world’s most famous doll, Barbie. The live-action film is due out in 2020 and set to be written by Greta Gerwig and Noah Baumbach, while Robbie serves [...]

  • 2018 NALIP Gala

    National Association of Latino Independent Producers Celebrates Its 20th Anniversary

    Ben Lopez has seen the future of the entertainment industry, and says it is the Latinx community. “In the next 20 years, we’re going to be prioritized — because not only will we have the numbers demographic-wise, we’ll have the spending power,” says Lopez, the executive director of the National Assn. of Latino Independent Producers, [...]

More From Our Brands

Access exclusive content